-
Notifications
You must be signed in to change notification settings - Fork 0
/
smaller.tex
190 lines (180 loc) · 6.04 KB
/
smaller.tex
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
\chapter{Smaller (or Larger) Notes in Normal-Sized Staves}
Here we describe how to change the size of note symbols without changing the
size of the staff itself. Changing overall staff size will be treated in
Chapter~\ref{staffspacing}.
\section{Arbitrary sequences of notes}
Written-out ornaments and \itxem{cadenzas} are usually typeset with
smaller notes and spacing than normal. The smaller \ital{size} can be
initiated anywhere inside a \verb|\notes| group by stating
\keyindex{smallnotesize} or \keyindex{tinynotesize}. Normal note size is then
restored by \keyindex{normalnotesize} or simply by terminating the
\verb|notes| group and starting another. Smaller \ital{spacing} must also be
explicitly indicated, usually by redefining \verb|\noteskip| in some way.
As an example, this excerpt, from the beginning
of the Aria of the ``Creation'' by Joseph {\sc Haydn})\index{Haydn, J.@{\sc
Haydn, J.}},
\begin{music}
\instrumentnumber{2}
\generalmeter{\meterfrac44}
\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}
\setstaffs2{2}
\setclef1\bass
\setclef2\bass
\startbarno0
\startextract
\NOtes\qp&\zmidstaff{\bf II}\qp|\qu g\en
% mesure 1
\bar
\Notes\itieu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\en
\notes&\qbl0c0|\multnoteskip\tinyvalue\tinynotesize
\Ibbu1ki2\qb1{kj}\tqh1i\hqsk\en
\Notes&\qb0e\tbl0\qb0c|\qu j\en
\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\en
% mesure 2
\bar
\Notes\ttie2\wh J&\ql J\sk\ql L|\zqupp g\qbl1e0%
\zq c\qb1e\zq c\qb1e\zq c\tbl1\zqb1e\en
\notes&|\sk\ccu h\en
\Notes&\ql N\sk\ibl0L{-4}\qbp0L|\ibl1e0\zq c\zqb1e\cu g%
\zq c\zqb1e\raise\Interligne\ds\zqu g\qb1g\en
\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\en
\endextract
\end{music}
\noindent can be coded as
\begin{quote}\begin{verbatim}
\instrumentnumber{2}
\generalmeter{\meterfrac44}
\setstaffs2{2}
\setclef2{\bass}
\setclef1{\bass}
\startbarno=0
\startextract
\NOtes\qp&\zmidstaff{\bf II}\qp|\qu g\en
% mesure 1
\bar
\Notes\itieu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\en
\notes&\ibl0c0\qb0c|\multnoteskip\tinyvalue\tinynotesize
\Ibbu1ki2\qb1{kj}\tqh1i\en
\Notes&\qb0e\tbl0\qb0c|\qu j\en
\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\en
% mesure 2
\bar\Notes\ttie2\wh J&\ql J\sk\ql L|\zqupp g\qbl1e0%
\zq c\qb1e\zq c\qb1e\zq c\tbl1\zqb1e\en
\notes&|\sk\ccu h\en
\Notes&\ql N\sk\ibl0L{-4}\qbp0L|\ibl1e0\zq c\zqb1e\cu g%
\zq c\zqb1e\raise\Interligne\ds\zqu g\qb1g\en
\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\en
\endextract
\end{verbatim}\end{quote}
Similarly, you may use
\keyindex{largenotesize} or \keyindex{Largenotesize} to get \emph{larger} notes.
\section{Grace notes}
Grace notes are a special case of small and tiny notes, namely single-stemmed
eighth notes with a diagonal slash through the flag. To enable this, there
are the macros \keyindex{grcu}\pitchp\ and \keyindex{grcl}\pitchp, which by
themselves would
produce normal-sized eighth notes with a slash. They should be used along
with the note size reduction macros and spacing reduction macros just
discussed. In addition, chordal grace notes can be built as in the following
example:
\begin{music}\nostartrule
\startextract
\NOTes\hu h\en
\notes\multnoteskip\smallvalue\smallnotesize\grcu j\en
\NOTes\hu i\en
\bar
\notes\multnoteskip\tinyvalue\tinynotesize\zq h\grcl j\en
\NOTEs\wh i\en
\zendextract
\end{music}
\noindent which was coded as
\begin{quote}\begin{verbatim}
\startextract
\NOTes\hu h\en
\notes\multnoteskip\smallvalue\smallnotesize\grcu j\en
\NOTes\hu i\en
\bar
\notes\multnoteskip\tinyvalue\tinynotesize\zq h\grcl j\en
\NOTEs\wh i\en
\zendextract
\end{verbatim}\end{quote}
\section[Ossia]{Ossia\texorpdfstring{\protect\footnote{Italian \textit{o sia} (or else)}}{}}
This clever example had been provided by Olivier Vogel:\label{ossia}
%\begin{center}
%\includegraphics[scale=1]{./mxdexamples/ossiavogel.eps}
%\end{center}
\begin{music}
%\startextract
%\hsize70mm
\let\extractline\hbox
\hbox to \hsize{\hss
\def\xnum#1#2#3{\off{#1\elemskip}\zcharnote{#2}{\smalltype\it #3}%
\off{-#1\elemskip}}%
\newbox\ornamentbox
\setbox\ornamentbox=\hbox to 0pt{\kern-4pt\vbox{\hsize=2.6cm%
\makeatletter
\nostartrule\smallmusicsize\setsize1{\smallvalue}\setclefsymbol1\empty\global\clef@skip0pt%
\makeatother
%\smallmusicsize\setsize1{\smallvalue}\setclefsymbol1\empty%
%\startpiece
%\addspace{2pt}%
\startextract
\addspace{-2pt}%
\let\notest\notes\def\notes{\vnotes2.1\elemskip}%
\notes\ibbbl2{'c}0\qb2b\qb2c\qb2d\tbbbl2\qb2c\en%
\notes\xnum{1.15}{'e}3\qb2d\qb2c\tbl2\qb2d\en%
\notes\ibl2{'c}1\usf e\qb2c\en%
\notes\tbl2\qb2{'d}\en
\let\notes\notest%
%\zstoppiece%
\endextract
}\hss}
%\setbox\ornamentbox=\hbox to 0pt{Hello}
%
%
%\normalmusicsize\nopagenumbers
%\def\nbinstruments{1}%
\setstaffs12\setclef1{60}%
\generalsignature{-2}\generalmeter{\meterfrac{3}{4}}%
%\parindent 0pt%
%\stafftopmarg0pt\staffbotmarg5\Interligne\interstaff{10}\relax
%\startpiece\addspace\afterruleskip%
\startextract\addspace\afterruleskip%
\NOtes\ibl1{'G}{-1}\qb1G\sk\bigna F\tbl1\qb1F|%
\ibbl2{'b}0\qb2b\qb2a\qb2b\tbl2\qb2c\en%
\NOtes\hl{'E}\bsk\raise6\internote\ds\ibu3{G}1\bigsh F%
\qb3F\qb3G\tbu3\qb3{'A}|\zcharnote{10}{\copy\ornamentbox}\qlp{'c}\sk\sk%
\cl d\en%
%\endpiece
\endextract
\hss}
%\vfill\eject\endmuflex
\end{music}
The code is:
\begin{quote}\begin{verbatim}
\hsize70mm%
\def\xnum#1#2#3{\off{#1\elemskip}\zcharnote{#2}{\smalltype\it #3}%
\off{-#1\elemskip}}%
\newbox\ornamentbox
\setbox\ornamentbox=\hbox to 0pt{\kern-4pt\vbox{\hsize=2.6cm%
\nostartrule\smallmusicsize\setsize1{\smallvalue}\setclefsymbol1\empty%
\startpiece\addspace{2pt}%
\notes\ibbbl2{'c}0\qb2b\qb2c\qb2d\tbbbl2\qb2c\en%
\notes\xnum{1.15}{'e}3\qb2d\qb2c\tbl2\qb2d\en%
\notes\ibl2{'c}1\usf e\qb2c\en%
\notes\tbl2\qb2{'d}\en%
\zstoppiece%
}\hss}
\normalmusicsize\nopagenumbers
\def\nbinstruments{1}%
\setstaffs12\setclef1{60}%
\generalsignature{-2}\generalmeter{\meterfrac{3}{4}}%
\parindent 0pt%
\stafftopmarg0pt\staffbotmarg5\Interligne\interstaff{10}\relax
\startpiece\addspace\afterruleskip%
\notes\ibl1{'G}{-1}\qb1G\sk\bigna F\tbl1\qb1F|%
\ibbl2{'b}0\qb2b\qb2a\qb2b\tbl2\qb2c\en%
\notes\hl{'E}\bsk\raise6\internote\ds\ibu3{G}1\bigsh F%
\qb3F\qb3G\tbu3\qb3{'A}|\zcharnote{10}{\copy\ornamentbox}\qlp{'c}\sk\sk%
\cl d\en%
\end{verbatim}\end{quote}