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- A blend of punk and early hacker sub-cultures.
- The street finds a use.
- High-Tech, Low-Life.
- Mega-corporations.
- A gap between the haves and have-nots.
- Illicit jobs (for or against the ruling regimes).
- Cybernetics, robotics, AI.
- Dystopia - “a speculative situation where the absolute minority of people habitually experience hope and joy.”
- Street samurai types
- Dark plots and rare happy endings.
Science fiction should turn its back on space, on interstellar travel, extra-terrestrial life forms, (and) galactic wars. – J.G. Ballard
Year | Topic | Tag | Field | Creator(s) | Key Sources | Notes |
---|---|---|---|---|---|---|
87 BC | Antikythera Mechanism | origin | astronomy | unknown | ||
1804 | Jacquard Loom | origin | textiles | Joseph Jacquard | ||
1819 | Difference Engine | origin | calculators | Charles Babbage | ||
1837 | Analytical Engine | origin | calculators | Charles Babbage | ||
1929 | Surrealism | inspiration | film | Luis Buñuel | Un Chien Andalou | |
1937 | Turing Machines | origin | mathematics | Alan Turing | On Computable Numbers, with an Application to the Entscheidungsproblem | |
1937 | Rampant Technology | inspiration | art | Pablo Picasso | Guernica | |
1943 | Cybernetics | origin | systems | Wiener, Rosenbluth, Bigelow | Behavior, Purpose and Teleology, Cybernetics | |
1945 | Cellular Automata | origin | systems | John von Neumann | Von Neumann cellular automaton | self-replication |
1945 | Memex | origin | philosophy | Vannevar Bush | As We May Think | |
1948 | Information Systems | origin | systems | Claude Shannon | A Mathematical Theory of Communication | |
1950 | Turing Test | origin | mathematics | Alan Turing | Computing Machinery and Intelligence | |
1951 | Data Science, Tablets | origin | fiction | Arthur C. Clarke | Foundation | |
1954 | IA | origin | IA | William Ross Ashby | Introduction to Cybernetics | |
1956 | AI | origin | AI | Dartmouth Summer Research Project on AI | ||
1958 | Neural Nets | origin | AI | Frank Rosenblatt | The Perceptron… | |
1959 | Common Sense | origin | AI | John McCarthy | Programs with Common Sense | |
1959 | Language as Virus | inspiration | fiction | William S. Burroughs | Naked Lunch | |
1960 | Symbiosis | origin | IA | J.C.R. Licklider | Man-Computer Symbiosis | |
1960 | LISP | origin | symbolic AI | John McCarthy | Recursive Functions of Symbolic Expressions… | |
1960 | Hypertext | origin | data | Ted Nelson | Project Xanadu | |
1962 | Augmentation | origin | IA | Douglas Engelbart | Augmenting Human Intellect: A Conceptual Framework | |
1967 | Rampant AI | proto | fiction | Harlan Ellison | “I Have No Mouth, and I Must Scream” | |
1968 | Dynabook | origin | IA | Alan Kay | A Personal Computer for Children of All Ages | |
1968 | Androids | proto | fiction | Philip K. Dick | Do Androids Dream of Electric Sheep | |
1968 | Cyborgs | proto | fiction | Samuel Delany | Nova | |
1968 | Virtual Reality | origin | graphics | Ivan Sutherland | The Sword of Damocles | |
1968 | Dystopia | proto | fiction | John Brunner | Stand on Zanzibar | |
1969 | ARPANET | origin | net | ARPA | NPL network, ARPANET, SITA HLN | |
1969 | Body Without Organs | inspiration | philosophy | Deleuze and Guattari | The Logic of Sense | LoS by GD. Follow-up in A Thousand Plateaus |
1970 | Dystopia | proto | fiction | J.G. Ballard | The Atrocity Exhibit | |
1970 | Electronica | inspiration | music | Kraftwerk | s/t album | |
1970 | Rampant AI | proto | film | — | Colossus: The Forbin Project | |
1973 | Rampant AI | proto | film | Michael Crichton | Westworld | |
1973 | Corporate Reign | proto | fiction | Tiptree (Sheldon) | The Girl Who Was Plugged In | |
1973 | Sexual Fetishism | proto | fiction | J.G. Ballard | Crash | “precession of simulacra” – Baudrillard |
1975 | Hacking, Dystopia | proto | fiction | John Brunner | The Shockwave Rider | |
1976 | Gritty Sci-Fi | proto | comics | Moebius, O’Bannon | The Long Tomorrow in Metal Hurlant | |
1977 | Gritty Sci-Fi | proto | comics | John Wagner | 2000 AD, Judge Dredd | |
1978 | BBS | origin | community | Ward Christensen | CBBS in Chicago, centralized control | |
1978 | Ambient | inspiration | music | Brian Eno | Ambient 1: Music for Airports | |
1978 | Post-punk | inspiration | music | Devo | Q: Are We Not Men? | |
1979 | Electronica | inspiration | music | Tubeway Army | Replicas | |
1980 | Usenet | origin | community | Tom Truscott, Jim Ellis | decentralized control | |
1981 | Dystopia | inspiration | politics | Ronald Reagan | 40th President of the United States | Reagan’s presidency put the grit in Gibson’s dystopia |
1981 | Hyperreality | inspiration | philosophy | Jean Baudrillard | Simulacra and Simulation | |
1981 | Industrial | inspiration | music | Einstürzende Neubauten | Kollaps | |
1981 | Cyberspace | proto | fiction | Vinge | True Names | |
1981 | Dystopia | proto | film | John Carpenter | Escape from New York | |
1982 | Cyberspace | proto | fiction | William Gibson | Burning Chrome | |
1982 | Sci-Fi Noir | proto | film | Ridley Scott, Syd Mead | Blade Runner | |
1982 | Neo-Fururist Aesthetic | proto | film | Syd Mead | Tron | |
1982 | Robot Download | proto | fiction | Rudy Rucker | Software | plus Wetware (88), Freeware (97), and Realware (00) |
1982 | Dystopia | proto | anime | Akira | “techno-obsessed artistry” | |
1982 | Dystopia, Punk | proto | film | Sogo Ishii | Burst City | preceeded by Crazy Thunder Road (1980) and Shuffle (1981) |
1983 | Tech Immersion | proto | fiction | Bruce Bethke | Cyberpunk | |
1983 | Hacker Culture | proto | film | War Games | ||
1983 | Internet | origin | net | ARPA | TCP/IP | |
1984 | Body Mod | proto | fiction | K.W. Jeter | Dr. Adder | written in 1972 |
1984 | Cyberpunk, Decks | ground zero | fiction | William Gibson | Neuromancer | Sprawl Trilogy with Count Zero (86) and Mona Lisa Overdrive (88) |
1984 | Phone Phreaking, Hacking | inspiration | magazine | 2600 | ||
1985 | Phone Phreaking, Hacking | inspiration | magazine | Phrack | ||
1985 | Bod Mod | cyberpunk | fiction | Bruce Sterling | Schismatrix | |
1985 | Dystopia | cyberpunk | fiction | John Shirley | Eclipse | |
1986 | Nanotech | inspiration | non-fiction | K. Erc Drexler | Engines of Creation: The Coming Era of Nanotechnology | |
1986 | Cyberpunk definition | cyberpunk | fiction | Bruce Sterling | Mirrorshades | |
1986 | Hacking | inspiration | manifesto | The Mentor | Hacker Manifesto | |
1986 | Android, Dystopia | proto | film | Shigeru Izumiya | Death Powder | |
1985 | Memory Storage | cyberpunk | film | Max Headroom: 20 Minutes into the Future | ||
1986 | Corporate Warfare | cyberpunk | fiction | Walter Jon Williams | Hardwired | |
1986 | Western Decline | cyberpunk | fiction | Effinger | When Gravity Fails | |
1987 | Transhumanism | cyberpunk | film | Paul Verhoven | Robocop | |
1987 | Reality vs Perception | cyberpunk | fiction | Pat Cadigan | Mindplayers | |
1987 | Mega-corporation | cyberpunk | anime | Bubblegum Crisis | ||
1988 | Dystopian | cyberpunk | anime | Akira | ||
1988 | Cyberpunk RPG | cyberpunk | rpg | Mike Pondsmith | Cyberpunk by R. Talsorian Games | |
1988 | Ubiquitous Tech | cyberpunk | fiction | Bruce Sterling | Islands in the Net | |
1988 | Death transcendence | cyberpunk | film | Kazuhito Kuramoto | Guinea Pig 6: Android of Notre Dame | |
1989 | Transhumanism | cyberpunk | film | Shinya Tsukamoto | Tetsuo: The Iron Man | followed up by Tetsuo II: The Body Hammer (1992) |
1989 | Fantasy Cyberpunk | cyberpunk | rpg | FASA | Shadowrun | |
1989 | Gritty | cyberpunk | fiction | Pat Cadigan | Patterns | not all stories are CP |
1989 | Gritty | cyberpunk | fiction | Bruce Sterling | Crystal Express | not all stories are CP |
1990 | The Rule of Cool | cyberpunk | rpg | Mike Pondsmith | Cyberpunk 2020 | |
1990 | Artificial Memory | cyberpunk | film | Paul Verhoven, Dan O’Bannon | Total Recall | |
1990 | WWW | inspiration | web | Berners-Lee | WorldWideWeb browser and NeXT webserver | |
1990 | Life Imitates Art | cyberpunk | rpg | Steve Jackson | GURPS: Cyberpunk | |
1991 | Cyber Espionage | cyberpunk | anime | Aeon Flux | ||
1991 | Reality vs Perception | cyberpunk | fiction | Pat Cadigan | Synners | |
1991 | Dystopian | cyberpunk | film | Shozin Fukui | Pinocchio √ 964 | followed up by Rubber’s Lover (1996) |
1992 | Meta Cyberpunk | cyberpunk | fiction | Larry McCaffery | Storming the Reality Studio | |
1992 | Metaverse, Avatar | cyberpunk | fiction | Neal Stephenson | Snowcrash | |
1992 | Pen-testing | cyberpunk | film | Sneakers | ||
1993 | AI, Corporate Reign | cyberpunk | anime | Battle Angel Alita | ||
1993 | Augmented Reality, Nanotech | cyberpunk | fiction | William Gibson | Virtual Light | |
1993 | Human Identity in Information Age | meta | philosophy | Scott Bukatman | Terminal Identity | limits Bw/oOrgans to a merge of body and tech |
1994 | Simulated Reality | cyberpunk | fiction | Greg Egan | Permutation City | |
1994 | Climate Change, Postcyberpunk | cyberpunk | fiction | Bruce Sterling | Heavy Weather | |
1995 | False Memory, Cyborgs | cyberpunk | anime | Ghost in the Shell | The dead-stares are a brilliant touch. | |
1995 | Nanotech, Phyles | postcyberpunk | fiction | Neal Stephenson | The Diamond Age | |
1995 | Megacorporation, Implants | cyberpunk | film | William Gibson | Johnny Mnemonic | |
1995 | Digital Fantasies | cyberpunk | film | James Cameron | Strange Days | This was huge in my group of friends at the time |
1996 | Virtual Idol | cyberpunk | fiction | William Gibson | Idoru | |
1996 | Life Extension | cyberpunk | fiction | Bruce Sterling | Holy Fire | |
1996 | Netrunning | cyberpunk | tabletop-game | Richard Garfield | Netrunner CCG | |
1997 | Mega-City | cyberpunk | video-game | Final Fantasy VII | Huge with me and my roomates in college | |
1997 | Transhumanism, Dystopia | cyberpunk | comics | Warren Ellis | Transmetropolitan | |
1997 | Genetic Caste, Biopunk | cyberpunk | film | Andrew Nicols | Gattaca | |
1998 | Virtual Realms | cyberpunk | anime | Ryutaro Nakamura | Serial Experiments Lain | |
1998 | Virtual Realms | cyberpunk | fiction | Pat Cadigan | Tea from an Empty Cup | |
1998 | The Street Finds a Use | cyberpunk | film | Aronofsky | Pi | |
1999 | Nanotech, AI | cyberpunk | fiction | William Gibson | All Tomorrow’s Parties | |
1999 | Dystopia, AI, Simulation | cyberpunk-end | film | The Wachowskis | The Matrix | |
2002 | Consciousness Transferrence | postcyberpunk | fiction | Richard Morgan | Altered Carbon | |
2002 | Dystopia, Ubiquitous Tech | postcyberpunk | film | Spielburg | Minority Report | |
2003 | Near Future, Nowpunk | postcyberpunk | fiction | William Gibson | Pattern Recognition | |
2003 | Dystopia, Corporate Rule | postcyberpunk | fiction | Max Barry | Jennifer Government | |
2003 | Simulation Hypothesis | inspiration | philosophy | Nick Bostrom | Are You Living in a Computer Simulation? | |
2009 | Cryptocurrency | inspiration | economics | Satoshi Nakamoto | Bitcoin: A Peer-to-Peer Electronic Cash System | |
2009 | Capitalist Realism | inspiration | philosophy | Mark Fisher | Capitalist Realism: Is There No Alternative? | |
2010 | Cyberdeck Makers | inspiration | electronics | Cyberdeck Cafe | https://www.reddit.com/r/cyberDeck/ |
- William S. Burroughs and the Language of Cyberpunk - https://www.depauw.edu/sfs/backissues/68/wood68.html
- Post-Human Nightmares – The World of Japanese Cyberpunk Cinema - http://www.midnighteye.com/features/post-human-nightmares-the-world-of-japanese-cyberpunk-cinema/