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Project: Improved Cyrillic design for v4 #567
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Some useful critiques of some Cyrillic sans serif fonts... Cyrillic on Google Fonts: Humanist Sans Cyrillic on Google Fonts: Neo-Grotesques Cyrillic on Google Fonts: Geometric Sans Some pretty detailed examinations of letter shapes. Another... |
@rsms Uppercase and lowercase "И" glyphs are inconsistent. Green circle - looks ok, red - looks bad. Uppercase:
Lowercase:
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@rsms If these ink traps on sharp corners (less than 90 degrees) increase readability on small screens then you need to add them to all glyphs that have sharp corners. Or remove them all. I think they are useless for Inter Display, for example. Just need to be consistent :) |
@rsms |
@rsms Maybe better to redesign "М" like this: |
Hello Rasmus |
This may have happened after font scaling, but now the thickness of the stems in the Thin font is sometimes 48, and sometimes 46. It probably needs to be one of them. Which one do we leave / assign? |
(for the record, Dmytro and I had a conversation via email regarding some of the questions above) |
As a native Russian speaker I totally support @EldarAgalarov's points. In this Twitter post it's stated that original "к" design (top right) clearly originated from the Latin "k" (1-st photo, top to bottom) in XV century and after some deviations got back to the roots in 1960's. In the 4-th photo of the same post you can notice that it's Cyrillic Serif fonts that use current version of к in Inter. There isn't much historic references that I know of (as good as Twitter post), however you can examine Literaturnaya which was the most used book font of USSR (notice it's Serif font that uses к closer to the proposed version and ж exactly as proposed one). And another ultimate Sans Serif attempt — Unica77 (not the Monotype ripoff but the version recreated with the help of original Team '77) — uses the correct Ж & К design. Team '77 did quite the research on Sans Serif design and they posted it in Typografische Monatsblätter No. 4 April 1980 (you can download full-size scans in linked Flick album). Apple's and Microsoft's general fonts (San Francisco and Segoe UI) use the comments proposed design as well. Since Inter is meant to be a modern font that aims for a timeless design it should use better Sans Serif practices when possible and stay away from controversial choices. Not sure if my arguments are 100% relevant but I'm doing my best! P.S. @rsms thank you! |
Is this the final version of cyrillic for v4? Some glyphs still don't look quite natural in v4.0. |
The past few days I've done some work to improve Cyrillic for version 4. Doing so I realize the depth of knowledge needed to design really good Cyrillic glyphs is quite significant:
Here is a list of Cyrillic glyphs currently in Inter:
Here's a conversation tree with some interesting feedback, sources and ideas: twitter.com/rsms/status/1653196861245898753
Here's a handbook on the design of Inter. This is a good place to start, before changing or creating any glyphs: Inter design program.pdf (Alternatively online as a Figma document)
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