index.xml

<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Eterno Devir</title><link>https://eternodevir.com/</link><description>Recent content on Eterno Devir</description><generator>Hugo -- gohugo.io</generator><language>en</language><managingEditor>vinicius.moraes@eternodevir.com (Vinícius Moraes)</managingEditor><webMaster>vinicius.moraes@eternodevir.com (Vinícius Moraes)</webMaster><copyright>CC BY-SA 4.0</copyright><lastBuildDate>Sun, 12 Mar 2023 19:16:33 -0300</lastBuildDate><atom:link href="https://eternodevir.com/index.xml" rel="self" type="application/rss+xml"/><item><title>Cinemas</title><link>https://eternodevir.com/dg/photographs/cinemas/</link><pubDate>Wed, 02 Aug 2023 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/photographs/cinemas/</guid><description>Palace, Juiz de Fora
Roxy, Rio de Janeiro
Metropolis, Passau
Proli, Passau
Cineplex, Passau
Regina, Regensburg
Acud, Berlin
Astor, Berlin
Babylon, Berlin
CineStar, Berlin
Delphi Filmpalast, Berlin
Lichtblick, Berlin
Odeon, Berlin
Sputnik, Berlin
Zoo Palast, Berlin</description><content:encoded><![CDATA[<p>
<figure><img src="/images/dg/cinemas/palace.jpg"
         alt="palace"/><figcaption>
            <p>Palace, Juiz de Fora</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/roxy.jpg"
         alt="roxy"/><figcaption>
            <p>Roxy, Rio de Janeiro</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/metropolis.jpg"
         alt="metropolis"/><figcaption>
            <p>Metropolis, Passau</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/proli.jpg"
         alt="proli"/><figcaption>
            <p>Proli, Passau</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/cineplex_passau.jpg"
         alt="cineplex_passau"/><figcaption>
            <p>Cineplex, Passau</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/regina.jpg"
         alt="regina"/><figcaption>
            <p>Regina, Regensburg</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/acud.jpg"
         alt="acud"/><figcaption>
            <p>Acud, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/astor.jpg"
         alt="astor"/><figcaption>
            <p>Astor, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/babylon.jpg"
         alt="babylon"/><figcaption>
            <p>Babylon, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/cinestar_berlin.jpg"
         alt="cinestar_berlin"/><figcaption>
            <p>CineStar, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/delphi_filmpalast.jpg"
         alt="delphi_filmpalast"/><figcaption>
            <p>Delphi Filmpalast, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/lichtblick.jpg"
         alt="lichtblick"/><figcaption>
            <p>Lichtblick, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/odeon.jpg"
         alt="odeon"/><figcaption>
            <p>Odeon, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/sputnik.jpg"
         alt="sputnik"/><figcaption>
            <p>Sputnik, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/zoo_palast.jpg"
         alt="zoo_palast"/><figcaption>
            <p>Zoo Palast, Berlin</p>
        </figcaption>
</figure>
</p>
]]></content:encoded></item><item><title>Cinemas</title><link>https://eternodevir.com/pt-br/dg/photographs/cinemas/</link><pubDate>Wed, 02 Aug 2023 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/photographs/cinemas/</guid><description>Palace, Juiz de Fora
Roxy, Rio de Janeiro
Metropolis, Passau
Proli, Passau
Cineplex, Passau
Regina, Regensburg
Acud, Berlin
Astor, Berlin
Babylon, Berlin
CineStar, Berlin
Delphi Filmpalast, Berlin
Lichtblick, Berlin
Odeon, Berlin
Sputnik, Berlin
Zoo Palast, Berlin</description><content:encoded><![CDATA[<p>
<figure><img src="/images/dg/cinemas/palace.jpg"
         alt="palace"/><figcaption>
            <p>Palace, Juiz de Fora</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/roxy.jpg"
         alt="roxy"/><figcaption>
            <p>Roxy, Rio de Janeiro</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/metropolis.jpg"
         alt="metropolis"/><figcaption>
            <p>Metropolis, Passau</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/proli.jpg"
         alt="proli"/><figcaption>
            <p>Proli, Passau</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/cineplex_passau.jpg"
         alt="cineplex_passau"/><figcaption>
            <p>Cineplex, Passau</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/regina.jpg"
         alt="regina"/><figcaption>
            <p>Regina, Regensburg</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/acud.jpg"
         alt="acud"/><figcaption>
            <p>Acud, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/astor.jpg"
         alt="astor"/><figcaption>
            <p>Astor, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/babylon.jpg"
         alt="babylon"/><figcaption>
            <p>Babylon, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/cinestar_berlin.jpg"
         alt="cinestar_berlin"/><figcaption>
            <p>CineStar, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/delphi_filmpalast.jpg"
         alt="delphi_filmpalast"/><figcaption>
            <p>Delphi Filmpalast, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/lichtblick.jpg"
         alt="lichtblick"/><figcaption>
            <p>Lichtblick, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/odeon.jpg"
         alt="odeon"/><figcaption>
            <p>Odeon, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/sputnik.jpg"
         alt="sputnik"/><figcaption>
            <p>Sputnik, Berlin</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/cinemas/zoo_palast.jpg"
         alt="zoo_palast"/><figcaption>
            <p>Zoo Palast, Berlin</p>
        </figcaption>
</figure>
</p>
]]></content:encoded></item><item><title>Punctum</title><link>https://eternodevir.com/dg/photographs/punctum/</link><pubDate>Thu, 07 Dec 2023 11:48:48 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/photographs/punctum/</guid><description/><content:encoded><![CDATA[<p>
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<figure><img src="/images/dg/punctum/52.jpg"
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<figure class="figure_yr"><img src="/images/dg/punctum/53.jpg"
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<figure class="figure_yl"><img src="/images/dg/punctum/54.jpg"
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<figure><img src="/images/dg/punctum/58.jpg"
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<figure><img src="/images/dg/punctum/59.jpg"
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<figure><img src="/images/dg/punctum/60.jpg"
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</figure>
</p>
]]></content:encoded></item><item><title>Punctum</title><link>https://eternodevir.com/pt-br/dg/photographs/punctum/</link><pubDate>Thu, 07 Dec 2023 11:48:48 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/photographs/punctum/</guid><description/><content:encoded><![CDATA[<p>
<figure><img src="/images/dg/punctum/00.jpg"
         alt="00"/>
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<figure><img src="/images/dg/punctum/05.jpg"
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<figure><img src="/images/dg/punctum/06.jpg"
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<figure class="figure_yl"><img src="/images/dg/punctum/07.jpg"
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<figure class="figure_yr"><img src="/images/dg/punctum/08.jpg"
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<figure class="figure_yl"><img src="/images/dg/punctum/09.jpg"
         alt="09"/>
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<figure class="figure_yr"><img src="/images/dg/punctum/10.jpg"
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<figure><img src="/images/dg/punctum/13.jpg"
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<figure><img src="/images/dg/punctum/14.jpg"
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]]></content:encoded></item><item><title>Lugares</title><link>https://eternodevir.com/pt-br/dg/photographs/places/</link><pubDate>Thu, 02 Nov 2023 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/photographs/places/</guid><description>Brasília, Brasil
Ouro Preto, Brasil
Mariana, Brasil
Juiz de Fora, Brasil
São Paulo, Brasil
Rio de Janeiro, Brasil
Vitória, Brasil
Berlin, Deutschland
Frankfurt, Deutschland
München, Deutschland
Passau, Deutschland
Regensburg, Deutschland
Trier, Deutschland
Salzburg, Österreich
Strasbourg, France
Oberkirch, Deutschland
Oppenau, Deutschland
Gutach, Deutschland
Sasbach, Deutschland
Sasbachwalden, Deutschland
Donaustauf, Deutschland
Neuschönau, Deutschland
Seebach, Deutschland
Renchen, Deutschland
Wernstein, Österreich
Schärding, Österreich</description><content:encoded><![CDATA[<p>
<figure><img src="/images/dg/places/brasilia.jpg"
         alt="brasilia"/><figcaption>
            <p>Brasília, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/ouro_preto.jpg"
         alt="ouro_preto"/><figcaption>
            <p>Ouro Preto, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/mariana.jpg"
         alt="mariana"/><figcaption>
            <p>Mariana, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/juiz_de_fora.jpg"
         alt="juiz_de_fora"/><figcaption>
            <p>Juiz de Fora, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/sao_paulo.jpg"
         alt="sao_paulo"/><figcaption>
            <p>São Paulo, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/rio_de_janeiro.jpg"
         alt="rio_de_janeiro"/><figcaption>
            <p>Rio de Janeiro, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/vitoria.jpg"
         alt="vitoria"/><figcaption>
            <p>Vitória, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/berlin.jpg"
         alt="berlin"/><figcaption>
            <p>Berlin, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/frankfurt.jpg"
         alt="frankfurt"/><figcaption>
            <p>Frankfurt, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/munchen.jpg"
         alt="munchen"/><figcaption>
            <p>München, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/passau.jpg"
         alt="passau"/><figcaption>
            <p>Passau, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/regensburg.jpg"
         alt="regensburg"/><figcaption>
            <p>Regensburg, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/trier.jpg"
         alt="trier"/><figcaption>
            <p>Trier, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/salzburg.jpg"
         alt="salzburg"/><figcaption>
            <p>Salzburg, Österreich</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/strasbourg.jpg"
         alt="strasbourg"/><figcaption>
            <p>Strasbourg, France</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/oberkirch.jpg"
         alt="oberkirch"/><figcaption>
            <p>Oberkirch, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/oppenau.jpg"
         alt="oppenau"/><figcaption>
            <p>Oppenau, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/gutach.jpg"
         alt="gutach"/><figcaption>
            <p>Gutach, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/sasbach.jpg"
         alt="sasbach"/><figcaption>
            <p>Sasbach, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/sasbachwalden.jpg"
         alt="sasbachwalden"/><figcaption>
            <p>Sasbachwalden, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/donaustauf.jpg"
         alt="donaustauf"/><figcaption>
            <p>Donaustauf, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/neuschonau.jpg"
         alt="neuschonau"/><figcaption>
            <p>Neuschönau, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/seebach.jpg"
         alt="seebach"/><figcaption>
            <p>Seebach, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/renchen.jpg"
         alt="renchen"/><figcaption>
            <p>Renchen, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/wernstein.jpg"
         alt="wernstein"/><figcaption>
            <p>Wernstein, Österreich</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/scharding.jpg"
         alt="scharding"/><figcaption>
            <p>Schärding, Österreich</p>
        </figcaption>
</figure>
</p>
]]></content:encoded></item><item><title>Places</title><link>https://eternodevir.com/dg/photographs/places/</link><pubDate>Thu, 02 Nov 2023 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/photographs/places/</guid><description>Brasília, Brasil
Ouro Preto, Brasil
Mariana, Brasil
Juiz de Fora, Brasil
São Paulo, Brasil
Rio de Janeiro, Brasil
Vitória, Brasil
Berlin, Deutschland
Frankfurt, Deutschland
München, Deutschland
Passau, Deutschland
Regensburg, Deutschland
Trier, Deutschland
Salzburg, Österreich
Strasbourg, France
Oberkirch, Deutschland
Oppenau, Deutschland
Gutach, Deutschland
Sasbach, Deutschland
Sasbachwalden, Deutschland
Donaustauf, Deutschland
Neuschönau, Deutschland
Seebach, Deutschland
Renchen, Deutschland
Wernstein, Österreich
Schärding, Österreich</description><content:encoded><![CDATA[<p>
<figure><img src="/images/dg/places/brasilia.jpg"
         alt="brasilia"/><figcaption>
            <p>Brasília, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/ouro_preto.jpg"
         alt="ouro_preto"/><figcaption>
            <p>Ouro Preto, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/mariana.jpg"
         alt="mariana"/><figcaption>
            <p>Mariana, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/juiz_de_fora.jpg"
         alt="juiz_de_fora"/><figcaption>
            <p>Juiz de Fora, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/sao_paulo.jpg"
         alt="sao_paulo"/><figcaption>
            <p>São Paulo, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/rio_de_janeiro.jpg"
         alt="rio_de_janeiro"/><figcaption>
            <p>Rio de Janeiro, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/vitoria.jpg"
         alt="vitoria"/><figcaption>
            <p>Vitória, Brasil</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/berlin.jpg"
         alt="berlin"/><figcaption>
            <p>Berlin, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/frankfurt.jpg"
         alt="frankfurt"/><figcaption>
            <p>Frankfurt, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/munchen.jpg"
         alt="munchen"/><figcaption>
            <p>München, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/passau.jpg"
         alt="passau"/><figcaption>
            <p>Passau, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/regensburg.jpg"
         alt="regensburg"/><figcaption>
            <p>Regensburg, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/trier.jpg"
         alt="trier"/><figcaption>
            <p>Trier, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/salzburg.jpg"
         alt="salzburg"/><figcaption>
            <p>Salzburg, Österreich</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/strasbourg.jpg"
         alt="strasbourg"/><figcaption>
            <p>Strasbourg, France</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/oberkirch.jpg"
         alt="oberkirch"/><figcaption>
            <p>Oberkirch, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/oppenau.jpg"
         alt="oppenau"/><figcaption>
            <p>Oppenau, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/gutach.jpg"
         alt="gutach"/><figcaption>
            <p>Gutach, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/sasbach.jpg"
         alt="sasbach"/><figcaption>
            <p>Sasbach, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/sasbachwalden.jpg"
         alt="sasbachwalden"/><figcaption>
            <p>Sasbachwalden, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/donaustauf.jpg"
         alt="donaustauf"/><figcaption>
            <p>Donaustauf, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/neuschonau.jpg"
         alt="neuschonau"/><figcaption>
            <p>Neuschönau, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/seebach.jpg"
         alt="seebach"/><figcaption>
            <p>Seebach, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/renchen.jpg"
         alt="renchen"/><figcaption>
            <p>Renchen, Deutschland</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/wernstein.jpg"
         alt="wernstein"/><figcaption>
            <p>Wernstein, Österreich</p>
        </figcaption>
</figure>

<figure><img src="/images/dg/places/scharding.jpg"
         alt="scharding"/><figcaption>
            <p>Schärding, Österreich</p>
        </figcaption>
</figure>
</p>
]]></content:encoded></item><item><title>Listening</title><link>https://eternodevir.com/dg/listening/</link><pubDate>Thu, 06 Jun 2024 19:18:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/listening/</guid><description> Latest played Devil May Care Recently played Campari Soda Eugene In a Bar Dear Prudence Um Corpo no Mundo Tout va bien I&amp;#39;m This, I&amp;#39;m That Quite Like Napin Dya</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Latest played
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--square">
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e023538b993dec88c4943cbb668" alt="Devil May Care" class="grid__img grid__img-square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/7MXnsHThdz7YvSMdok9BO6">
	    
	    
	    Devil May Care
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Recently played
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<div class="grid grid--square">
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e02c54809bea50751f4f2b33f86" alt="Campari Soda" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/44a7yov1T7p97t87rjMry2">
	    
	    
	    Campari Soda
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e025fcd8793a97f15b365235441" alt="Eugene" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/4S6PolgPZ5OLph314ww8Fg">
	    
	    
	    Eugene
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e022f45287f0df8da78c7addb67" alt="In a Bar" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/0OyZ5OELFQSo4b7QXNk2N2">
	    
	    
	    In a Bar
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e0298a9b4da7c5cdf6210c36258" alt="Dear Prudence" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/34tFidHrETMAjsiK87WVVW">
	    
	    
	    Dear Prudence
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e0225fff27a7fe3f0599a25ba2c" alt="Um Corpo no Mundo" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/5uSnNITp4UvRePHXo9vGV7">
	    
	    
	    Um Corpo no Mundo
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e02a0476329a22738f5fb066b92" alt="Tout va bien" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/7C8GR9DIPP67US9qBDRWZQ">
	    
	    
	    Tout va bien
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e0201c5475190479e0e44e69832" alt="I&#39;m This, I&#39;m That" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/7M8iiXX2BCA4OatuF0389a">
	    
	    
	    I&#39;m This, I&#39;m That
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e024ce1f2205f2527e609156df7" alt="Quite Like" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/1dSRuZuKGJLb34w9nFnoTj">
	    
	    
	    Quite Like
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e02b7084e204f66a94b7d5f6ea5" alt="Napin Dya" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/5tJhqnJQejOzaxxKwG2iYn">
	    
	    
	    Napin Dya
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Ouvindo</title><link>https://eternodevir.com/pt-br/dg/listening/</link><pubDate>Thu, 06 Jun 2024 19:18:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/listening/</guid><description> Tocada por último Devil May Care Tocadas recentemente Campari Soda Eugene In a Bar Dear Prudence Um Corpo no Mundo Tout va bien I&amp;#39;m This, I&amp;#39;m That Quite Like Napin Dya</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Tocada por último
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<div class="grid grid--square">
   
   <div class="grid__item">
     
     <figure class="margin-0 padding-0">
       <img src="https://i.scdn.co/image/ab67616d00001e023538b993dec88c4943cbb668" alt="Devil May Care" class="grid__img grid__img-square">
       <figcaption class="grid__caption">
 	<small>
 	  <a href="https://open.spotify.com/track/7MXnsHThdz7YvSMdok9BO6">
 	    
 	    
 	    Devil May Care
 	  </a>
 	</small>
       </figcaption>
     </figure>
   </div>
 </div>

</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Tocadas recentemente
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<div class="grid grid--square">
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e02c54809bea50751f4f2b33f86" alt="Campari Soda" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/44a7yov1T7p97t87rjMry2">
	    
	    
	    Campari Soda
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e025fcd8793a97f15b365235441" alt="Eugene" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/4S6PolgPZ5OLph314ww8Fg">
	    
	    
	    Eugene
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e022f45287f0df8da78c7addb67" alt="In a Bar" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/0OyZ5OELFQSo4b7QXNk2N2">
	    
	    
	    In a Bar
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e0298a9b4da7c5cdf6210c36258" alt="Dear Prudence" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/34tFidHrETMAjsiK87WVVW">
	    
	    
	    Dear Prudence
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e0225fff27a7fe3f0599a25ba2c" alt="Um Corpo no Mundo" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/5uSnNITp4UvRePHXo9vGV7">
	    
	    
	    Um Corpo no Mundo
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e02a0476329a22738f5fb066b92" alt="Tout va bien" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/7C8GR9DIPP67US9qBDRWZQ">
	    
	    
	    Tout va bien
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e0201c5475190479e0e44e69832" alt="I&#39;m This, I&#39;m That" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/7M8iiXX2BCA4OatuF0389a">
	    
	    
	    I&#39;m This, I&#39;m That
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e024ce1f2205f2527e609156df7" alt="Quite Like" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/1dSRuZuKGJLb34w9nFnoTj">
	    
	    
	    Quite Like
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    
    <figure class="margin-0 padding-0">
      <img src="https://i.scdn.co/image/ab67616d00001e02b7084e204f66a94b7d5f6ea5" alt="Napin Dya" class="grid__img grid__img--square" >
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/track/5tJhqnJQejOzaxxKwG2iYn">
	    
	    
	    Napin Dya
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Séries</title><link>https://eternodevir.com/pt-br/dg/tv-shows/</link><pubDate>Sun, 25 Feb 2024 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/tv-shows/</guid><description>Destaques Abstract Black Mirror Sherlock Rome What We Do in the Shadows Black Books Penny Dreadful Hannibal Lista em ordem alfabética Favorite TV Shows Série Gênero Ano Abstract: The Art of Design Documentário 2017- Altered Carbon Ficção Científica 2018-2020 Atlanta Drama 2016-2022 Atypical Drama 2017-2021 Bates Motel Mistério 2013-2017 Black Books Comédia 2000-2004 Black Mirror Ficção Científica 2011- BoJack Horseman Drama 2014-2020 Breaking Bad Suspense 2008-2013 Castlevania Fantasia 2017-2021 Chef&amp;#39;s Table Documentário 2015-2019 Contos do Edgar Terror 2013 Cosmos: A Spacetime Odyssey Documentário 2014 Da Vinci&amp;#39;s Demons Aventura 2013-2015 Dark Mistério 2017-2020 Dexter Crime 2006-2013 Doctor Who Ficção Científica 2005-2022 Friends Comédia 1994-2004 Game of Thrones Fantasia 2011-2019 Gokushufudo Comédia 2021- Hannibal Crime 2013-2015 House of Cards Drama 2013-2018 Kaubôi bibappu: Cowboy Bebop Ficção Científica 1998-1999 La casa de papel Ação 2017-2021 Loki Fantasia 2021-2023 Marco Polo Aventura 2014-2016 Masters of Horror Terror 2005-2007 Merlí Drama 2015-2018 Mozart in the Jungle Drama 2014-2018 Mr.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Destaques
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--poster">
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/abstract-the-art-of-design.jpg" alt="Abstract: The Art of Design" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt6333098/">
	    
	    
	    Abstract
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/black-mirror.jpg" alt="Black Mirror" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt2085059/">
	    
	    
	    Black Mirror
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/sherlock.jpg" alt="Sherlock" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt1475582/">
	    
	    
	    Sherlock
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/rome.jpg" alt="Rome" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt0384766/">
	    
	    
	    Rome
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/what-we-do-in-the-shadows.jpg" alt="What We Do in the Shadows" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt7908628/">
	    
	    
	    What We Do in the Shadows
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/black-books.jpg" alt="Black Books" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt0262150/">
	    
	    
	    Black Books
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/penny-dreadful.jpg" alt="Penny Dreadful" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt2628232/">
	    
	    
	    Penny Dreadful
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/hannibal.jpg" alt="Hannibal" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt2243973/">
	    
	    
	    Hannibal
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Lista em ordem alfabética
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite TV Shows
  </caption>
  <thead>
    <tr>
      <th>Série</th>
      <th>Gênero</th>
      <th style="text-align:-center;">Ano</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt6333098/">Abstract: The Art of Design</a>
      </td>
      <td data-cell="Gênero">
	Documentário
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2017-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2261227/">Altered Carbon</a>
      </td>
      <td data-cell="Gênero">
	Ficção Científica
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2018-2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt4288182/">Atlanta</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2016-2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt6315640/">Atypical</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2017-2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2188671/">Bates Motel</a>
      </td>
      <td data-cell="Gênero">
	Mistério
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2013-2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0262150/">Black Books</a>
      </td>
      <td data-cell="Gênero">
	Comédia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2000-2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2085059/">Black Mirror</a>
      </td>
      <td data-cell="Gênero">
	Ficção Científica
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2011-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt3398228/">BoJack Horseman</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2014-2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0903747/">Breaking Bad</a>
      </td>
      <td data-cell="Gênero">
	Suspense
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2008-2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt6517102/">Castlevania</a>
      </td>
      <td data-cell="Gênero">
	Fantasia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2017-2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt4295140/">Chef&#39;s Table</a>
      </td>
      <td data-cell="Gênero">
	Documentário
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2015-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2634538/">Contos do Edgar</a>
      </td>
      <td data-cell="Gênero">
	Terror
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2395695/">Cosmos: A Spacetime Odyssey</a>
      </td>
      <td data-cell="Gênero">
	Documentário
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2094262/">Da Vinci&#39;s Demons</a>
      </td>
      <td data-cell="Gênero">
	Aventura
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2013-2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt5753856/">Dark</a>
      </td>
      <td data-cell="Gênero">
	Mistério
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2017-2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0773262/">Dexter</a>
      </td>
      <td data-cell="Gênero">
	Crime
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2006-2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0436992/">Doctor Who</a>
      </td>
      <td data-cell="Gênero">
	Ficção Científica
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2005-2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0108778/">Friends</a>
      </td>
      <td data-cell="Gênero">
	Comédia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1994-2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0944947/">Game of Thrones</a>
      </td>
      <td data-cell="Gênero">
	Fantasia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2011-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt13357124/">Gokushufudo</a>
      </td>
      <td data-cell="Gênero">
	Comédia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2021-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2243973/">Hannibal</a>
      </td>
      <td data-cell="Gênero">
	Crime
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2013-2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt1856010/">House of Cards</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2013-2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0213338/">Kaubôi bibappu: Cowboy Bebop</a>
      </td>
      <td data-cell="Gênero">
	Ficção Científica
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1998-1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt6468322/">La casa de papel</a>
      </td>
      <td data-cell="Gênero">
	Ação
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2017-2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt9140554/">Loki</a>
      </td>
      <td data-cell="Gênero">
	Fantasia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2021-2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2189461/">Marco Polo</a>
      </td>
      <td data-cell="Gênero">
	Aventura
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2014-2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0448190/">Masters of Horror</a>
      </td>
      <td data-cell="Gênero">
	Terror
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2005-2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt4580372/">Merlí</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2015-2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt3502172/">Mozart in the Jungle</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2014-2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt4158110/">Mr. Robot</a>
      </td>
      <td data-cell="Gênero">
	Suspense
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2015-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2707408/">Narcos</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2015-2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt9059760/">Normal People</a>
      </td>
      <td data-cell="Gênero">
	Romance
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2628232/">Penny Dreadful</a>
      </td>
      <td data-cell="Gênero">
	Terror
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2014-2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0287262/">Presença de Anita</a>
      </td>
      <td data-cell="Gênero">
	Romance
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0384766/">Rome</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2005-2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0259153/">Rose Red</a>
      </td>
      <td data-cell="Gênero">
	Terror
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt7767422/">Sex Education</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2019-2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt1475582/">Sherlock</a>
      </td>
      <td data-cell="Gênero">
	Crime
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2010-2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2788316/">Shōgun</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2024-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt1124373/">Sons of Anarchy</a>
      </td>
      <td data-cell="Gênero">
	Suspense
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2008-2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt1632701/">Suits</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2011-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt14452776/">The Bear</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2022-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt1582457/">The Borgias</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2011-2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2071645/">The Following</a>
      </td>
      <td data-cell="Gênero">
	Suspense
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2013-2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt7255502/">The Kominsky Method</a>
      </td>
      <td data-cell="Gênero">
	Comédia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2018-2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt3581920/">The Last of Us</a>
      </td>
      <td data-cell="Gênero">
	Aventura
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2023-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2699128/">The Leftovers</a>
      </td>
      <td data-cell="Gênero">
	Mistério
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2014-2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt7631058/">The Lord of the Rings: The Rings of Power</a>
      </td>
      <td data-cell="Gênero">
	Fantasia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2022-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0244353/">The Mists of Avalon</a>
      </td>
      <td data-cell="Gênero">
	Fantasia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt1751634/">The Sandman</a>
      </td>
      <td data-cell="Gênero">
	Mistério
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2022-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt5180504/">The Witcher</a>
      </td>
      <td data-cell="Gênero">
	Aventura
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2019-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2356777/">True Detective</a>
      </td>
      <td data-cell="Gênero">
	Crime
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2014-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt7907916/">Ugly Delicious</a>
      </td>
      <td data-cell="Gênero">
	Documentário
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2018-
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt1553656/">Under the Dome</a>
      </td>
      <td data-cell="Gênero">
	Mistério
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2013-2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt2306299/">Vikings</a>
      </td>
      <td data-cell="Gênero">
	Ação
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2013-2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt0475784/">Westworld</a>
      </td>
      <td data-cell="Gênero">
	Ficção Científica
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2016-2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt7908628/">What We Do in the Shadows</a>
      </td>
      <td data-cell="Gênero">
	Comédia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2019-2024
      </td>
    </tr>
  
    <tr>
      <td data-cell="Série">
	<a href="https://www.imdb.com/title/tt7335184/">You</a>
      </td>
      <td data-cell="Gênero">
	Drama
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	2018-2024
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>TV Shows</title><link>https://eternodevir.com/dg/tv-shows/</link><pubDate>Sun, 25 Feb 2024 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/tv-shows/</guid><description>Featuring list Abstract Black Mirror Sherlock Rome What We Do in the Shadows Black Books Penny Dreadful Hannibal Alphabetical list Favorite TV Shows TV Show Genre Year Abstract: The Art of Design Documentary 2017- Altered Carbon Sci-Fi 2018-2020 Atlanta Drama 2016-2022 Atypical Drama 2017-2021 Bates Motel Mystery 2013-2017 Black Books Comedy 2000-2004 Black Mirror Sci-Fi 2011- BoJack Horseman Drama 2014-2020 Breaking Bad Thriller 2008-2013 Castlevania Fantasy 2017-2021 Chef&amp;#39;s Table Documentary 2015-2019 Contos do Edgar Horror 2013 Cosmos: A Spacetime Odyssey Documentary 2014 Da Vinci&amp;#39;s Demons Adventure 2013-2015 Dark Mystery 2017-2020 Dexter Crime 2006-2013 Doctor Who Sci-Fi 2005-2022 Friends Comedy 1994-2004 Game of Thrones Fantasy 2011-2019 Gokushufudo Comedy 2021- Hannibal Crime 2013-2015 House of Cards Drama 2013-2018 Kaubôi bibappu: Cowboy Bebop Sci-Fi 1998-1999 La casa de papel Action 2017-2021 Loki Fantasy 2021-2023 Marco Polo Adventure 2014-2016 Masters of Horror Horror 2005-2007 Merlí Drama 2015-2018 Mozart in the Jungle Drama 2014-2018 Mr.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Featuring list
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--poster">
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/abstract-the-art-of-design.jpg" alt="Abstract: The Art of Design" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt6333098/">
	    
	    
	    Abstract
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/black-mirror.jpg" alt="Black Mirror" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt2085059/">
	    
	    
	    Black Mirror
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/sherlock.jpg" alt="Sherlock" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt1475582/">
	    
	    
	    Sherlock
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/rome.jpg" alt="Rome" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt0384766/">
	    
	    
	    Rome
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/what-we-do-in-the-shadows.jpg" alt="What We Do in the Shadows" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt7908628/">
	    
	    
	    What We Do in the Shadows
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/black-books.jpg" alt="Black Books" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt0262150/">
	    
	    
	    Black Books
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/penny-dreadful.jpg" alt="Penny Dreadful" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt2628232/">
	    
	    
	    Penny Dreadful
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/tvshows/hannibal.jpg" alt="Hannibal" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.imdb.com/title/tt2243973/">
	    
	    
	    Hannibal
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Alphabetical list
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite TV Shows
  </caption>
  <thead>
    <tr>
      <th>TV Show</th>
      <th>Genre</th>
      <th style="text-align:-center;">Year</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt6333098/">Abstract: The Art of Design</a>
      </td>
      <td data-cell="Genre">
	Documentary
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2017-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2261227/">Altered Carbon</a>
      </td>
      <td data-cell="Genre">
	Sci-Fi
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2018-2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt4288182/">Atlanta</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2016-2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt6315640/">Atypical</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2017-2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2188671/">Bates Motel</a>
      </td>
      <td data-cell="Genre">
	Mystery
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2013-2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0262150/">Black Books</a>
      </td>
      <td data-cell="Genre">
	Comedy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2000-2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2085059/">Black Mirror</a>
      </td>
      <td data-cell="Genre">
	Sci-Fi
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2011-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt3398228/">BoJack Horseman</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2014-2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0903747/">Breaking Bad</a>
      </td>
      <td data-cell="Genre">
	Thriller
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2008-2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt6517102/">Castlevania</a>
      </td>
      <td data-cell="Genre">
	Fantasy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2017-2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt4295140/">Chef&#39;s Table</a>
      </td>
      <td data-cell="Genre">
	Documentary
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2015-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2634538/">Contos do Edgar</a>
      </td>
      <td data-cell="Genre">
	Horror
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2395695/">Cosmos: A Spacetime Odyssey</a>
      </td>
      <td data-cell="Genre">
	Documentary
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2094262/">Da Vinci&#39;s Demons</a>
      </td>
      <td data-cell="Genre">
	Adventure
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2013-2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt5753856/">Dark</a>
      </td>
      <td data-cell="Genre">
	Mystery
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2017-2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0773262/">Dexter</a>
      </td>
      <td data-cell="Genre">
	Crime
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2006-2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0436992/">Doctor Who</a>
      </td>
      <td data-cell="Genre">
	Sci-Fi
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2005-2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0108778/">Friends</a>
      </td>
      <td data-cell="Genre">
	Comedy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1994-2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0944947/">Game of Thrones</a>
      </td>
      <td data-cell="Genre">
	Fantasy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2011-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt13357124/">Gokushufudo</a>
      </td>
      <td data-cell="Genre">
	Comedy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2021-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2243973/">Hannibal</a>
      </td>
      <td data-cell="Genre">
	Crime
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2013-2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt1856010/">House of Cards</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2013-2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0213338/">Kaubôi bibappu: Cowboy Bebop</a>
      </td>
      <td data-cell="Genre">
	Sci-Fi
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1998-1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt6468322/">La casa de papel</a>
      </td>
      <td data-cell="Genre">
	Action
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2017-2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt9140554/">Loki</a>
      </td>
      <td data-cell="Genre">
	Fantasy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2021-2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2189461/">Marco Polo</a>
      </td>
      <td data-cell="Genre">
	Adventure
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2014-2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0448190/">Masters of Horror</a>
      </td>
      <td data-cell="Genre">
	Horror
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2005-2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt4580372/">Merlí</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2015-2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt3502172/">Mozart in the Jungle</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2014-2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt4158110/">Mr. Robot</a>
      </td>
      <td data-cell="Genre">
	Thriller
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2015-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2707408/">Narcos</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2015-2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt9059760/">Normal People</a>
      </td>
      <td data-cell="Genre">
	Romance
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2628232/">Penny Dreadful</a>
      </td>
      <td data-cell="Genre">
	Horror
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2014-2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0287262/">Presença de Anita</a>
      </td>
      <td data-cell="Genre">
	Romance
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0384766/">Rome</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2005-2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0259153/">Rose Red</a>
      </td>
      <td data-cell="Genre">
	Horror
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt7767422/">Sex Education</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2019-2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt1475582/">Sherlock</a>
      </td>
      <td data-cell="Genre">
	Crime
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2010-2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2788316/">Shōgun</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2024-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt1124373/">Sons of Anarchy</a>
      </td>
      <td data-cell="Genre">
	Thriller
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2008-2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt1632701/">Suits</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2011-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt14452776/">The Bear</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2022-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt1582457/">The Borgias</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2011-2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2071645/">The Following</a>
      </td>
      <td data-cell="Genre">
	Thriller
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2013-2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt7255502/">The Kominsky Method</a>
      </td>
      <td data-cell="Genre">
	Comedy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2018-2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt3581920/">The Last of Us</a>
      </td>
      <td data-cell="Genre">
	Adventure
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2023-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2699128/">The Leftovers</a>
      </td>
      <td data-cell="Genre">
	Mystery
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2014-2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt7631058/">The Lord of the Rings: The Rings of Power</a>
      </td>
      <td data-cell="Genre">
	Fantasy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2022-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0244353/">The Mists of Avalon</a>
      </td>
      <td data-cell="Genre">
	Fantasy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt1751634/">The Sandman</a>
      </td>
      <td data-cell="Genre">
	Mystery
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2022-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt5180504/">The Witcher</a>
      </td>
      <td data-cell="Genre">
	Adventure
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2019-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2356777/">True Detective</a>
      </td>
      <td data-cell="Genre">
	Crime
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2014-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt7907916/">Ugly Delicious</a>
      </td>
      <td data-cell="Genre">
	Documentary
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2018-
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt1553656/">Under the Dome</a>
      </td>
      <td data-cell="Genre">
	Mystery
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2013-2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt2306299/">Vikings</a>
      </td>
      <td data-cell="Genre">
	Action
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2013-2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt0475784/">Westworld</a>
      </td>
      <td data-cell="Genre">
	Sci-Fi
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2016-2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt7908628/">What We Do in the Shadows</a>
      </td>
      <td data-cell="Genre">
	Comedy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2019-2024
      </td>
    </tr>
  
    <tr>
      <td data-cell="TV Show">
	<a href="https://www.imdb.com/title/tt7335184/">You</a>
      </td>
      <td data-cell="Genre">
	Drama
      </td>
      <td data-cell="Year" style="text-align:-center;">
	2018-2024
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Bookmarks</title><link>https://eternodevir.com/dg/bookmarks/</link><pubDate>Sun, 28 Jan 2024 11:12:03 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/bookmarks/</guid><description>Table of Contents Core Resources Projects Wikis and Archives Magazines and News Games and Fun Manifestos Clubs Groups People Articles Core Resources kernel.org The Linux Kernel Archives. gnu.org The GNU Project website. lua.org The Brazilian programming language Lua, designed at PUC-Rio. gnus.org Gnus Network User Services (Gnus), a message reader part of GNU Emacs. orgmode.org Org Mode is a fast and effective GNU Emacs plain text system for keeping notes, authoring documents, literate programming, planning projects, and much more.</description><content:encoded><![CDATA[
<div class="h5"><small><strong>Table of Contents</strong></small></div>
<nav>
<ul>
<li><a href="#headline-1">Core Resources</a>
</li>
<li><a href="#headline-2">Projects</a>
</li>
<li><a href="#headline-3">Wikis and Archives</a>
</li>
<li><a href="#headline-4">Magazines and News</a>
</li>
<li><a href="#headline-5">Games and Fun</a>
</li>
<li><a href="#headline-6">Manifestos</a>
</li>
<li><a href="#headline-7">Clubs</a>
</li>
<li><a href="#headline-8">Groups</a>
</li>
<li><a href="#headline-9">People</a>
</li>
<li><a href="#headline-10">Articles</a>
</li>
</ul>
</nav>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Core Resources
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<dl>
<dt>
<a href="https://kernel.org/">kernel.org</a>
</dt>
<dd>The Linux Kernel Archives.</dd>
<dt>
<a href="https://www.gnu.org/">gnu.org</a>
</dt>
<dd>The GNU Project website.</dd>
<dt>
<a href="https://lua.org">lua.org</a>
</dt>
<dd>The Brazilian programming language Lua, designed at PUC-Rio.</dd>
<dt>
<a href="https://gnus.org">gnus.org</a>
</dt>
<dd>Gnus Network User Services (Gnus), a message reader part of GNU Emacs.</dd>
<dt>
<a href="https://orgmode.org/">orgmode.org</a>
</dt>
<dd>Org Mode is a fast and effective GNU Emacs plain text system for keeping notes, authoring documents, literate programming, planning projects, and much more.</dd>
<dt>
<a href="https://www.ietf.org/">ietf.org</a>
</dt>
<dd>The Internet Engineering Task Force (IETF), founded in 1986. It is the premier standards development organization (SDO) for the Internet.</dd>
<dt>
<a href="https://whatwg.org/">whatwg.org</a>
</dt>
<dd>The Web Hypertext Application Technology Working Group (WHATWG). It is responsible for the HTML specification and other web standards.</dd>
<dt>
<a href="https://semver.org/">semver.org</a>
</dt>
<dd>The Semantic Versioning specification.</dd>
<dt>
<a href="https://www.conventionalcommits.org/en/v1.0.0/">conventionalcommits.org</a>
</dt>
<dd>The Conventional Commits specification.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Projects
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<dl>
<dt>
<a href="https://www.linuxfromscratch.org/">linuxfromscratch.org</a>
</dt>
<dd>Linux from Scratch (LFS) provides step-by-step instructions for building your own custom Linux system, entirely from source code.</dd>
<dt>
<a href="https://missing.csail.mit.edu/">missing.csail.mit.edu</a>
</dt>
<dd>The missing semester of your CS education. A MIT project that covers topics to be an effective computer scientist and programmer.</dd>
<dt>
<a href="https://penkesu.computer/">penkesu.computer</a>
</dt>
<dd>Penkesu (ペンケース) computer, a Homebrew retro-style handheld PC.</dd>
<dt>
<a href="https://www.nand2tetris.org/">nand2tetris.org</a>
</dt>
<dd>From NAND to Tetris. A project for building a modern computer from first principles.</dd>
<dt>
<a href="https://projecteuler.net/">projecteuler.net</a>
</dt>
<dd>Project Euler is a series of challenging mathematical/computer programming problems.</dd>
<dt>
<a href="https://cses.fi/problemset/">cses.fi</a>
</dt>
<dd>The Code Submission Evaluation System (CSES) Problem Set is a collection of algorithm programming practice problems.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Wikis and Archives
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<dl>
<dt>
<a href="http://savethesounds.info/">savethesounds.info</a>
</dt>
<dd>The Museum of Endangered Sounds.</dd>
<dt>
<a href="http://textfiles.com/">textfiles.com</a>
</dt>
<dd>Textfiles is a glimpse into the history of writers and artists bound by the 128 characters from the American Standard Code for Information Interchange (ASCII).</dd>
<dt>
<a href="https://bienal.org.br/en/home/">bienal.org.br</a>
</dt>
<dd>The Bienal Archive, one of the most important centers of documentation of contemporary and modern artistic production in Latin America.</dd>
<dt>
<a href="https://livingcomputers.org/">livingcomputers.org</a>
</dt>
<dd>Living Computers offers online computer science education resources.</dd>
<dt>
<a href="https://ethw.org/">ethw.org</a>
</dt>
<dd>The Engineering and Technology History Wiki (ETHW) is one of the world’s premier sites for the documentation and  analysis of the history of technology.</dd>
<dt>
<a href="https://www.tedinski.com/archive/">tedinski.com</a>
</dt>
<dd>Tedinski&#39;s Archive about programming design models and design case studies on various system.</dd>
<dt>
<a href="http://www.typewritten.org/">typewritten.org</a>
</dt>
<dd>Typewritten is a retrotechnology research lab.</dd>
<dt>
<a href="https://archive.org/">archive.org</a>
</dt>
<dd>The Internet Archive is building a digital library of Internet sites and other cultural artifacts in digital form.</dd>
<dt>
<a href="https://visualverse.org/">visualverse.org</a>
</dt>
<dd>Visual Verse is a unique literary journal containing more than 11,000 pieces of ekphrastic writing.</dd>
<dt>
<a href="https://www.rfc-editor.org/">rfc-editor.org</a>
</dt>
<dd>The RFC Series (ISSN 2070-1721) contains technical and organizational documents about the Internet.</dd>
<dt>
<a href="https://curlie.org/">curlie.org</a>
</dt>
<dd>Curlie strives to be the largest human-edited directory of the Web.</dd>
<dt>
<a href="https://wiby.me/">wiby.me</a>
</dt>
<dd>The Wiby search engine builds a web of pages as it was in the earlier days of the internet.</dd>
<dt>
<a href="https://lieu.cblgh.org/">lieu.cblgh.org</a>
</dt>
<dd>Lieu is an alternative search engine. Created in response to the environs of apathy concerning the use of hypertext search and discovery.</dd>
<dt>
<a href="https://www.webtender.com">webtender.com</a>
</dt>
<dd>Webtender is a database about drinks and bartending, inspired by the Amiga PC.</dd>
<dt>
<a href="https://ottavianas-kitchen.com/">ottavianas-kitchen.com</a>
</dt>
<dd>Ottaviana&#39;s Kitchen is a family collection of authentic Italian recipes.</dd>
<dt>
<a href="http://www.bitsavers.org/">bitsavers.org</a>
</dt>
<dd>Bitsavers hosts archives of software, computing, communications, components, magazines, and test equipments.</dd>
<dt>
<a href="https://amr.abime.net/">amr.abime.net</a>
</dt>
<dd>Amiga Magazine Rack contains reviews, previews, cheats, coverdisks, public domain, covers, trivia and thousands of page scans from Amiga mags.</dd>
<dt>
<a href="http://toastytech.com/guis/">toastytech.com/guis</a>
</dt>
<dd>Toastytech&#39;s GUI Gallery gathers screen shots of various desktop computer Graphical User Interfaces and operating systems.</dd>
<dt>
<a href="https://www.gregdonner.org/workbench/">gregdonner.org/workbench</a>
</dt>
<dd>Gregdonner&#39;s Workbench Nostalgia is dedicated to the preservation of the interesting history of the AmigaOS, especially its GUI known as Workbench.</dd>
<dt>
<a href="https://www.exxoshost.co.uk/atari/mirror/myatari/index.htm">exxoshost.co.uk/atari/mirror/myatari</a>
</dt>
<dd>The final resting place of MyAtari Magazine, the online magazine for Atari enthusiasts published between October 2000 and February 2005.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-4" class="outline-2">
<h2 id="headline-4">
Magazines and News
</h2>
<div id="outline-text-headline-4" class="outline-text-2">
<dl>
<dt>
<a href="https://news.ycombinator.com/">news.ycombinator.com</a>
</dt>
<dd>Hacker News (HN) is a news aggregator where users can find and discuss content on anything that gratifies one’s intellectual curiosity.</dd>
<dt>
<a href="https://solar.lowtechmagazine.com/">solar.lowtechmagazine.com</a>
</dt>
<dd>Low-tech Magazine underscores the potential of past and often forgotten technologies and how they can inform sustainable energy practices.</dd>
<dt>
<a href="https://www.notechmagazine.com/">notechmagazine.com</a>
</dt>
<dd>No Tech Magazine hosts all links and updates from the Low-tech Magazine.</dd>
<dt>
<a href="http://phrack.org">phrack.org</a>
</dt>
<dd>Phrack is a zine older than the World Wide Web. Since 1985, it has been a premier publication for new and exciting discoveries in the world of hacking.</dd>
<dt>
<a href="https://webzine.puffy.cafe/">webzine.puffy.cafe</a>
</dt>
<dd>OpenBSD Webzine, a tasty dose of OpenBSD news.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-5" class="outline-2">
<h2 id="headline-5">
Games and Fun
</h2>
<div id="outline-text-headline-5" class="outline-text-2">
<dl>
<dt>
<a href="https://englishsandwich.github.io/">englishsandwich.github.io</a>
</dt>
<dd>English Sandwich is a quiz game. Can you guess where each food dish is from?</dd>
<dt>
<a href="https://wheels.org/spacewar/index.html">wheels.org/spacewar</a>
</dt>
<dd>Spacewar was one of the most important computer games ever. This is a dump of historical information about the game along with a Macintosh build.</dd>
<dt>
<a href="https://wordsandbuttons.online/">wordsandbuttons.online</a>
</dt>
<dd>Words and Buttons is a collection of interactive tutorials, demos, and quizzes about mathematics, algorithms, and programming.</dd>
<dt>
<a href="https://overthewire.org/">overthewire.org</a>
</dt>
<dd>OverTheWire offers engaging wargames for learning and practicing security concepts through fun-filled challenges.</dd>
<dt>
<a href="https://unixgraybeard.com/">unixgraybeard.com</a>
</dt>
<dd>A satire about the Unix Graybeards, a.k.a our future selves.</dd>
<dt>
<a href="https://lichess.org/">lichess.org</a>
</dt>
<dd>Lichess is a free/libre open-source chess server powered by volunteers and donations. It is one of the most popular chess websites in the world.</dd>
<dt>
<a href="https://itch.io/">itch.io</a>
</dt>
<dd>Itch.io is a platform that enables indie creators to share and sell unique digital content. No ads, no limits, just creative freedom.</dd>
<dt>
<a href="https://xkcd.com/">xkcd.com</a>
</dt>
<dd>Xkcd is a webcomic of romance, sarcasm, math, and language.</dd>
<dt>
<a href="https://ascii.theater/">ascii.theater</a>
</dt>
<dd>ASCII Theater streams free text-based films inside the terminal.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-6" class="outline-2">
<h2 id="headline-6">
Manifestos
</h2>
<div id="outline-text-headline-6" class="outline-text-2">
<dl>
<dt>
<a href="https://www.repair.org/">repair.org</a>
</dt>
<dd>Right to Repair fights for customer rights. You bought it, you should have the right to use it, modify it, and repair it wherever, whenever, and however you want.</dd>
<dt>
<a href="https://bauhausmanifesto.com/">bauhausmanifesto.com</a>
</dt>
<dd>Bauhaus was a German art school that combined crafts and the fine arts. It is famous for a multi-disciplinary approach to art and design education.</dd>
<dt>
<a href="https://useplaintext.email/">useplaintext.email</a>
</dt>
<dd>Use Plaintext Email introduces the norms and conventions of plain text email why it is better than HTML emails.</dd>
<dt>
<a href="http://slow-science.org/">slow-science.org</a>
</dt>
<dd>The Slow Science manifesto advocates for a deliberate, reflective approach to research, emphasizing the importance of time in scientific context.</dd>
<dt>
<a href="https://brutalist-web.design/">brutalist-web.design</a>
</dt>
<dd>Brutalist Web Design proposes a web design focused on raw content true to its construction, prioritizing the website visitors, simplicity, and performance.</dd>
<dt>
<a href="https://www.nospec.com/">nospec.com</a>
</dt>
<dd>No!Spec promotes professional, ethical business practices by saying no to spec work and spec-based design contests.</dd>
<dt>
<a href="https://permacomputing.net/">permacomputing.net</a>
</dt>
<dd>Inspired by the permaculture, permacomputing encourages practices of resilience and regenerativity in computer and network technology.</dd>
<dt>
<a href="https://www.gnu.org/philosophy/free-sw.html">gnu.org/philosophy/free-sw.html</a>
</dt>
<dd>Free Software guarantees that users have the freedom to run, copy, distribute, study, change and improve the software.</dd>
<dt>
<a href="https://justforfunnoreally.dev/">justforfunnoreally.dev</a>
</dt>
<dd>Just for Fun No Really celebrates the art of building software for the fun of it.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-7" class="outline-2">
<h2 id="headline-7">
Clubs
</h2>
<div id="outline-text-headline-7" class="outline-text-2">
<dl>
<dt>
<a href="https://rawtext.club/">rawtext.club</a>
</dt>
<dd>Rawtext.club is an experimental community for socializing, digital skill building, and collaboration through the medium of the GNU/Linux shell.</dd>
<dt>
<a href="https://tilde.club/">tilde.club</a>
</dt>
<dd>Tilde.club is a standard Unix computer that people respectfully use together in their shared quest to build web pages.</dd>
<dt>
<a href="https://sdf.org/">sdf.org</a>
</dt>
<dd>The Super Dimension Fortress (SDF) is a Public Access Unix system, started in 1987, for Free Software authors, teachers, students, researchers, and enthusiasts.</dd>
<dt>
<a href="https://neocities.org/">neocities.org</a>
</dt>
<dd>Neocities is an open-source web hosting service for static pages bringing back the lost individual creativity of the web.</dd>
<dt>
<a href="https://capivaras.dev">capivaras.dev</a>
</dt>
<dd>Capivaras is a minimalist, streamlined blogging platform for a small and friendly community of capybaras.</dd>
<dt>
<a href="https://emacs-berlin.org/">emacs-berlin.org</a>
</dt>
<dd>Emacs Berlin gathers Emacs enthusiasts based in Berlin holding regular meetings to discuss and present the art of M-x.</dd>
<dt>
<a href="https://250kb.club/">250kb.club</a>
</dt>
<dd>The 250KB Club is a curated collection of web pages that focus on performance, efficiency and accessibility.</dd>
<dt>
<a href="https://no-js.club/">no-js.club</a>
</dt>
<dd>The No-JS Club is a curated collection of Javascript-free web pages.</dd>
<dt>
<a href="https://darktheme.club/">darktheme.club</a>
</dt>
<dd>The Dark Theme Club is a curated collection of web pages using either a dark theme by default or respecting users&#39; preferences.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-8" class="outline-2">
<h2 id="headline-8">
Groups
</h2>
<div id="outline-text-headline-8" class="outline-text-2">
<dl>
<dt>
<a href="https://5bits.one/">5bits.one</a>
</dt>
<dd>010 001 111</dd>
<dt>
<a href="https://www.inkandswitch.com/">inkandswitch.com</a>
</dt>
<dd>Ink &amp; Switch is an independent research lab working on computing solutions for creative professionals.</dd>
<dt>
<a href="https://suckless.org/">suckless.org</a>
</dt>
<dd>Suckless is a programming collective designing elegant software for advanced and experienced users. They focus on keeping things simple, minimal and usable.</dd>
<dt>
<a href="https://spritely.institute/">spritely.institute</a>
</dt>
<dd>Spritely is an institute creating open standards and freely licensed open source reference implementations for safe, decentralized networked communities.</dd>
<dt>
<a href="https://indieweb.org/">indieweb.org</a>
</dt>
<dd>IndieWeb is a community of independent and personal websites connected by open standards. It is a people-focused alternative to the social media.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-9" class="outline-2">
<h2 id="headline-9">
People
</h2>
<div id="outline-text-headline-9" class="outline-text-2">
<p>
Here is a list of personal websites that I find interesting and inspiring. Most of them are related to either art or technology. To keep up with new posts, I have their RSS feeds in my news reader (Gnus) as well.</p>
<p>
<em>Please note that the views and opinions expressed on these websites do not necessarily reflect my own. However, I do enjoy reading and hearing from them.</em></p>
<ul>
<li><a href="https://anhvn.com/">anhvn.com</a></li>
<li><a href="https://atlasminor.com">atlasminor.com</a></li>
<li><a href="https://www.bunniestudios.com">bunniestudios.com</a></li>
<li><a href="http://catb.org">catb.org</a></li>
<li><a href="https://cblgh.org/">cblgh.org</a></li>
<li><a href="https://datagubbe.se/">datagubbe.se</a></li>
<li><a href="https://denvaar.dev">denvaar.dev</a></li>
<li><a href="https://dthompson.us/">dthompson.us</a></li>
<li><a href="https://dustycloud.org/">dustycloud.org</a></li>
<li><a href="https://dwheeler.com/">dwheeler.com</a></li>
<li><a href="https://eater.net">eater.net</a></li>
<li><a href="https://emile.space/">emile.space</a></li>
<li><a href="https://gluer.org/">gluer.org</a></li>
<li><a href="https://helveticablanc.com">helveticablanc.com</a></li>
<li><a href="https://heracl.es">heracl.es</a></li>
<li><a href="https://howardism.org/">howardism.org</a></li>
<li><a href="https://koehr.ing/">koehr.ing</a></li>
<li><a href="https://kokorobot.ca/">kokorobot.ca</a></li>
<li><a href="https://ladyada.net/">ladyada.net</a></li>
<li><a href="https://www.linusakesson.net">linusakesson.net</a></li>
<li><a href="https://mrmrs.cc/">mrmrs.cc</a></li>
<li><a href="https://neustadt.fr/">neustadt.fr</a></li>
<li><a href="https://parenteses.org">parenteses.org</a></li>
<li><a href="https://www.paritybit.ca">paritybit.ca</a></li>
<li><a href="https://protesilaos.com/">protesilaos.com</a></li>
<li><a href="https://ratfactor.com/">ratfactor.com</a></li>
<li><a href="https://robinrendle.com/">robinrendle.com</a></li>
<li><a href="https://timrodenbroeker.de/">timrodenbroeker.de</a></li>
<li><a href="https://sachachua.com/">sachachua.com</a></li>
<li><a href="https://susam.net/">susam.net</a></li>
<li><a href="https://wingolog.org/">wingolog.org</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-10" class="outline-2">
<h2 id="headline-10">
Articles
</h2>
<div id="outline-text-headline-10" class="outline-text-2">
<p>
A list of posts and texts that I consider significant and worth keeping here. There is also another list containing other readings of mine on my <a href="https://www.instapaper.com/p/12152153">Instapaper profile</a>. One day I may write a brief description for each entry on this section as well. <em>(I guess).</em></p>
<ul>
<li><a href="https://alistapart.com/article/web-typography-tables/">alistapart.com/article/web-typography-tables</a></li>
<li><a href="https://all-things-andy-gavin.com/2011/03/12/making-crash-bandicoot-gool-part-9/">all-things-andy-gavin.com/2011/03/12/making-crash-bandicoot-gool-part-9</a></li>
<li><a href="https://antonz.org/writing-package-manager/">antonz.org/writing-package-manager</a></li>
<li><a href="https://austinhenley.com/blog/challengingprojects.html">austinhenley.com/blog/challengingprojects.html</a></li>
<li><a href="https://backspace.com/notes/2009/07/design-manifestos.php">backspace.com/notes/2009/07/design-manifestos.php</a></li>
<li><a href="https://badcyber.com/dieselgate-but-for-trains-some-heavyweight-hardware-hacking/">badcyber.com/dieselgate-but-for-trains-some-heavyweight-hardware-hacking</a></li>
<li><a href="https://www.bell-labs.com/usr/dmr/www/chist.html">bell-labs.com/usr/dmr/www/chist.html</a></li>
<li><a href="https://blog.sanctum.geek.nz/vim-anti-patterns/">blog.sanctum.geek.nz/vim-anti-patterns</a></li>
<li><a href="https://boehs.org/node/everything-i-know-about-the-xz-backdoor">boehs.org/node/everything-i-know-about-the-xz-backdoor</a></li>
<li><a href="http://www.catb.org/~esr/faqs/smart-questions.html">catb.org/~esr/faqs/smart-questions.html</a></li>
<li><a href="https://corecursive.com/lisp-in-space-with-ron-garret/">corecursive.com/lisp-in-space-with-ron-garret</a></li>
<li><a href="https://datatracker.ietf.org/doc/html/rfc791">datatracker.ietf.org/doc/html/rfc791</a></li>
<li><a href="https://datatracker.ietf.org/doc/html/rfc2616">datatracker.ietf.org/doc/html/rfc2616</a></li>
<li><a href="https://doc.norang.ca/org-mode.html">doc.norang.ca/org-mode.html</a></li>
<li><a href="https://dwheeler.com/secure-programs/">dwheeler.com/secure-programs</a></li>
<li><a href="https://ethw.org/Ancient_Computers">ethw.org/ancient_computers</a></li>
<li><a href="https://www.gnu.org/philosophy/free-sw.html">gnu.org/philosophy/free-sw.html</a></li>
<li><a href="https://home.cern/science/computing/birth-web/short-history-web">home.cern/science/computing/birth-web/short-history-web</a></li>
<li><a href="https://www.inkandswitch.com/local-first/">inkandswitch.com/local-first</a></li>
<li><a href="https://www.inkandswitch.com/slow-software/">inkandswitch.com/slow-software</a></li>
<li><a href="https://www.in-ulm.de/~mascheck/bourne/">in-ulm.de/~mascheck/bourne</a></li>
<li><a href="https://www.itsnicethat.com/articles/elizabeth-goodspeed-column-taste-technology-art-280224">itsnicethat.com/articles/elizabeth-goodspeed-column-taste-technology-art-280224</a></li>
<li><a href="https://jeffhuang.com/designed_to_last/">jeffhuang.com/designed_to_last</a></li>
<li><a href="https://justinjackson.ca/words.html">justinjackson.ca/words.html</a></li>
<li><a href="https://neustadt.fr/essays/the-small-web/">neustadt.fr/essays/the-small-web</a></li>
<li><a href="https://www.newyorker.com/magazine/2003/10/06/the-challenge-gabriel-garcia-marquez">newyorker.com/magazine/2003/10/06/the-challenge-gabriel-garcia-marquez</a></li>
<li><a href="https://paulgraham.com/icad.html">paulgraham.com/icad.html</a></li>
<li><a href="https://publicdomainreview.org/collection/le-petit-journal-des-refusees/">publicdomainreview.org/collection/le-petit-journal-des-refusees</a></li>
<li><a href="https://tomasp.net/commodore64/">tomasp.net/commodore64</a></li>
<li><a href="https://wheels.org/spacewar/stone/rolling_stone.html">wheels.org/spacewar/stone/rolling_stone.html</a></li>
</ul>
</div>
</div>
]]></content:encoded></item><item><title>Páginas</title><link>https://eternodevir.com/pt-br/dg/bookmarks/</link><pubDate>Sun, 28 Jan 2024 11:12:03 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/bookmarks/</guid><description>Índice Recursos Principais Projetos Wikis e Arquivos Revistas e Notícias Jogos e Diversão Manifestos Clubes Grupos Pessoas Artigos Recursos Principais kernel.org O Arquivo do Kernel Linux. gnu.org O site do Projeto GNU. lua.org A linguagem de programação brasileira Lua, desenvolvida na PUC-Rio. gnus.org Gnus Network User Services (Gnus), um leitor de mensagens que faz parte do GNU Emacs. orgmode.org Org Mode é um sistema de texto rápido e eficaz do GNU Emacs para fazer anotações, criar documentos, programar, planejar projetos e muito mais.</description><content:encoded><![CDATA[
<div class="h5"><small><strong>Índice</strong></small></div>
<nav>
<ul>
<li><a href="#headline-1">Recursos Principais</a>
</li>
<li><a href="#headline-2">Projetos</a>
</li>
<li><a href="#headline-3">Wikis e Arquivos</a>
</li>
<li><a href="#headline-4">Revistas e Notícias</a>
</li>
<li><a href="#headline-5">Jogos e Diversão</a>
</li>
<li><a href="#headline-6">Manifestos</a>
</li>
<li><a href="#headline-7">Clubes</a>
</li>
<li><a href="#headline-8">Grupos</a>
</li>
<li><a href="#headline-9">Pessoas</a>
</li>
<li><a href="#headline-10">Artigos</a>
</li>
</ul>
</nav>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Recursos Principais
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<dl>
<dt>
<a href="https://kernel.org/">kernel.org</a>
</dt>
<dd>O Arquivo do Kernel Linux.</dd>
<dt>
<a href="https://www.gnu.org/">gnu.org</a>
</dt>
<dd>O site do Projeto GNU.</dd>
<dt>
<a href="https://lua.org">lua.org</a>
</dt>
<dd>A linguagem de programação brasileira Lua, desenvolvida na PUC-Rio.</dd>
<dt>
<a href="https://gnus.org">gnus.org</a>
</dt>
<dd>Gnus Network User Services (Gnus), um leitor de mensagens que faz parte do GNU Emacs.</dd>
<dt>
<a href="https://orgmode.org/">orgmode.org</a>
</dt>
<dd>Org Mode é um sistema de texto rápido e eficaz do GNU Emacs para fazer anotações, criar documentos, programar, planejar projetos e muito mais.</dd>
<dt>
<a href="https://www.ietf.org/">ietf.org</a>
</dt>
<dd>A Internet Engineering Task Force (IETF), fundada em 1986. É a principal organização de desenvolvimento de padrões (SDO) para a Internet.</dd>
<dt>
<a href="https://whatwg.org/">whatwg.org</a>
</dt>
<dd>Grupo de Trabalho de Tecnologia de Aplicativos de Hipertexto da Web (WHATWG). É responsável pela especificação HTML e outros padrões web.</dd>
<dt>
<a href="https://semver.org/">semver.org</a>
</dt>
<dd>A especificação de Versionamento Semântico.</dd>
<dt>
<a href="https://www.conventionalcommits.org/en/v1.0.0/">conventionalcommits.org</a>
</dt>
<dd>A especificação de Commits Convencionais.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Projetos
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<dl>
<dt>
<a href="https://www.linuxfromscratch.org/">linuxfromscratch.org</a>
</dt>
<dd>Linux from Scratch (LFS) fornece instruções passo a passo para construir seu próprio sistema Linux personalizado inteiramente a partir do código-fonte.</dd>
<dt>
<a href="https://missing.csail.mit.edu/">missing.csail.mit.edu</a>
</dt>
<dd>O semestre que faltava nos estudos em Ciência da Computação. Um projeto do MIT que cobre tópicos para ser um cientista da computação e programador eficaz.</dd>
<dt>
<a href="https://penkesu.computer/">penkesu.computer</a>
</dt>
<dd>Penkesu (ペンケース), um PC Homebrew portátil com estilo retro.</dd>
<dt>
<a href="https://www.nand2tetris.org/">nand2tetris.org</a>
</dt>
<dd>Da NAND ao Tetris. Um projeto para construir um computador moderno a partir dos princípios básicos.</dd>
<dt>
<a href="https://projecteuler.net/">projecteuler.net</a>
</dt>
<dd>O Projeto Euler é uma série de problemas desafiadores sobre programação matemática e computadores.</dd>
<dt>
<a href="https://cses.fi/problemset/">cses.fi</a>
</dt>
<dd>O conjunto de problemas do Code Submission Evaluation System (CSES) é uma coleção com problemas práticos de programação de algoritmos.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Wikis e Arquivos
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<dl>
<dt>
<a href="http://savethesounds.info/">savethesounds.info</a>
</dt>
<dd>O Museu dos Sons Ameaçados.</dd>
<dt>
<a href="http://textfiles.com/">textfiles.com</a>
</dt>
<dd>Textfiles é um vislumbre da história de escritores e artistas vinculados aos 128 caracteres do American Standard Code for Information Interchange (ASCII).</dd>
<dt>
<a href="https://bienal.org.br/">bienal.org.br</a>
</dt>
<dd>O Arquivo da Bienal, um dos mais importantes centros de documentação da produção artística contemporânea e moderna da América Latina.</dd>
<dt>
<a href="https://livingcomputers.org/">livingcomputers.org</a>
</dt>
<dd>Living Computers oferece recursos on-line de educação em ciência da computação.</dd>
<dt>
<a href="https://ethw.org/">ethw.org</a>
</dt>
<dd>A Engineering and Technology History Wiki (ETHW) é um dos principais sites do mundo para documentação e análise da história da tecnologia.</dd>
<dt>
<a href="https://www.tedinski.com/archive/">tedinski.com</a>
</dt>
<dd>Arquivo do Tedinski sobre modelos de design de programação e estudos de caso em vários sistemas.</dd>
<dt>
<a href="http://www.typewritten.org/">typewritten.org</a>
</dt>
<dd>Typewritten é um laboratório de pesquisa de tecnologia retro.</dd>
<dt>
<a href="https://archive.org/">archive.org</a>
</dt>
<dd>O Internet Archive está construindo uma biblioteca digital de sites da Internet e outros artefatos culturais em formato digital.</dd>
<dt>
<a href="https://visualverse.org/">visualverse.org</a>
</dt>
<dd>Visual Verse é um diário literário exclusivo que contém mais de 11.000 peças de escrita ecfrástica.</dd>
<dt>
<a href="https://www.rfc-editor.org/">rfc-editor.org</a>
</dt>
<dd>O RFC (ISSN 2070-1721) contém documentos técnicos e organizacionais sobre a Internet.</dd>
<dt>
<a href="https://curlie.org/">curlie.org</a>
</dt>
<dd>Curlie se empenha para ser o maior diretório da Web editado por humanos.</dd>
<dt>
<a href="https://wiby.me/">wiby.me</a>
</dt>
<dd>O mecanismo de busca Wiby constrói uma rede de páginas como nos primórdios da internet.</dd>
<dt>
<a href="https://lieu.cblgh.org/">lieu.cblgh.org</a>
</dt>
<dd>Lieu é um mecanismo de busca alternativo. Criado em resposta aos ambientes de apatia em relação ao uso da pesquisa e descoberta de hipertexto.</dd>
<dt>
<a href="https://www.webtender.com">webtender.com</a>
</dt>
<dd>Webtender é um banco de dados sobre drinks e bartending, inspirado pelo Amiga PC.</dd>
<dt>
<a href="https://ottavianas-kitchen.com/">ottavianas-kitchen.com</a>
</dt>
<dd>Cozinha da Ottaviana é uma coleção familiar de autênticas receitas italianas.</dd>
<dt>
<a href="http://www.bitsavers.org/">bitsavers.org</a>
</dt>
<dd>Bitsavers hospeda arquivos de software, computação, comunicação, componentes, revistas e equipamentos de teste.</dd>
<dt>
<a href="https://amr.abime.net/">amr.abime.net</a>
</dt>
<dd>Amiga Magazine Rack contém análises, pré-visualizações, cheats, coverdisks, domínio público, capas, curiosidades e milhares de digitalizações de páginas das revistas Amiga.</dd>
<dt>
<a href="http://toastytech.com/guis/">toastytech.com/guis</a>
</dt>
<dd>A Galeria GUI do Toastytech reúne capturas de tela de diversas Interfaces Gráficas do Usuário e sistemas operacionais de computadores desktop.</dd>
<dt>
<a href="https://www.gregdonner.org/workbench/">gregdonner.org/workbench</a>
</dt>
<dd>A Workbench Nostalgia do Gregdonner dedica-se à preservação da interessante história do AmigaOS, especialmente da sua GUI conhecida como Workbench.</dd>
<dt>
<a href="https://www.exxoshost.co.uk/atari/mirror/myatari/index.htm">exxoshost.co.uk/atari/mirror/myatari</a>
</dt>
<dd>O local de descanso final da MyAtari Magazine, a revista online para entusiastas do Atari publicada entre outubro de 2000 e fevereiro de 2005.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-4" class="outline-2">
<h2 id="headline-4">
Revistas e Notícias
</h2>
<div id="outline-text-headline-4" class="outline-text-2">
<dl>
<dt>
<a href="https://news.ycombinator.com/">news.ycombinator.com</a>
</dt>
<dd>Hacker News (HN) é um agregador de notícias em que os usuários podem encontrar e discutir conteúdo sobre qualquer coisa que satisfaça a curiosidade intelectual.</dd>
<dt>
<a href="https://solar.lowtechmagazine.com/">solar.lowtechmagazine.com</a>
</dt>
<dd>A Low-tech Magazine destaca o potencial das tecnologias passadas e muitas vezes esquecidas e como elas podem informar práticas energéticas sustentáveis.</dd>
<dt>
<a href="https://www.notechmagazine.com/">notechmagazine.com</a>
</dt>
<dd>A No Tech Magazine hospeda todos os links e atualizações da Low-tech Magazine.</dd>
<dt>
<a href="http://phrack.org">phrack.org</a>
</dt>
<dd>Phrack é um zine mais antigo que a World Wide Web. Desde 1985, tem sido uma publicação de primeira linha para novas e emocionantes descobertas no mundo hacking.</dd>
<dt>
<a href="https://webzine.puffy.cafe/">webzine.puffy.cafe</a>
</dt>
<dd>OpenBSD Webzine, uma saborosa dose de notícias do OpenBSD.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-5" class="outline-2">
<h2 id="headline-5">
Jogos e Diversão
</h2>
<div id="outline-text-headline-5" class="outline-text-2">
<dl>
<dt>
<a href="https://englishsandwich.github.io/">englishsandwich.github.io</a>
</dt>
<dd>English Sandwich é um jogo de perguntas e respostas. Você consegue adivinhar de onde vem cada prato de comida?</dd>
<dt>
<a href="https://wheels.org/spacewar/index.html">wheels.org/spacewar</a>
</dt>
<dd>Spacewar foi um dos jogos de computador mais importantes de todos os tempos. Este link é um compilado de informações históricas sobre o jogo junto com uma versão para Macintosh.</dd>
<dt>
<a href="https://wordsandbuttons.online/">wordsandbuttons.online</a>
</dt>
<dd>Words and Buttons é uma coleção de tutoriais interativos, demonstrações e questionários sobre matemática, algoritmos e programação.</dd>
<dt>
<a href="https://overthewire.org/">overthewire.org</a>
</dt>
<dd>OverTheWire oferece jogos de hacking envolventes para aprender e praticar conceitos de segurança por meio de desafios divertidos.</dd>
<dt>
<a href="https://unixgraybeard.com/">unixgraybeard.com</a>
</dt>
<dd>Uma sátira sobre os Unix Graybeards, também conhecidos como nossos eus futuros.</dd>
<dt>
<a href="https://lichess.org/">lichess.org</a>
</dt>
<dd>Lichess é um servidor de xadrez de código aberto gratuito, mantido por voluntários e doações. É um dos sites de xadrez mais populares do mundo.</dd>
<dt>
<a href="https://itch.io/">itch.io</a>
</dt>
<dd>Itch.io é uma plataforma que permite aos criadores independentes compartilhar e vender conteúdo digital exclusivo. Sem anúncios, sem limites, apenas liberdade criativa.</dd>
<dt>
<a href="https://xkcd.com/">xkcd.com</a>
</dt>
<dd>Xkcd é uma webcomic de romance, sarcasmo, matemática e linguagem.</dd>
<dt>
<a href="https://ascii.theater/">ascii.theater</a>
</dt>
<dd>ASCII Theatre transmite filmes gratuitos baseados em texto dentro do terminal.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-6" class="outline-2">
<h2 id="headline-6">
Manifestos
</h2>
<div id="outline-text-headline-6" class="outline-text-2">
<dl>
<dt>
<a href="https://www.repair.org/">repair.org</a>
</dt>
<dd>A Right to Repair luta pelos direitos do consumidor. Se você o comprou algo deve ter o direito de usar, modificar e reparar onde, quando e como quiser.</dd>
<dt>
<a href="https://bauhausmanifesto.com/">bauhausmanifesto.com</a>
</dt>
<dd>Bauhaus foi uma escola de arte alemã que combinou marcenaria e artes plásticas. É famosa por uma abordagem multidisciplinar aplicada à educação em arte e design.</dd>
<dt>
<a href="https://useplaintext.email/">useplaintext.email</a>
</dt>
<dd>Use Plaintext Email apresenta as normas e convenções de e-mail em texto simples, e porquê de ele ser melhor do que e-mails em HTML.</dd>
<dt>
<a href="http://slow-science.org/">slow-science.org</a>
</dt>
<dd>O manifesto Slow Science defende uma abordagem deliberada e reflexiva da pesquisa, enfatizando a importância do tempo no contexto científico.</dd>
<dt>
<a href="https://brutalist-web.design/">brutalist-web.design</a>
</dt>
<dd>Brutalist Web Design propõe um web design focado em conteúdo bruto e fiel à sua construção, priorizando os visitantes do site, a simplicidade e o desempenho.</dd>
<dt>
<a href="https://www.nospec.com/">nospec.com</a>
</dt>
<dd>No!Spec promove práticas comerciais profissionais e éticas, recusando o trabalho especulativo e os concursos de design baseados em especulação.</dd>
<dt>
<a href="https://permacomputing.net/">permacomputing.net</a>
</dt>
<dd>Inspirada na permacultura, a permacomputação incentiva práticas de resiliência e regeneratividade na tecnologia de computadores e redes.</dd>
<dt>
<a href="https://www.gnu.org/philosophy/free-sw.html">gnu.org/philosophy/free-sw.html</a>
</dt>
<dd>O Software Livre garante que os usuários tenham a liberdade de executar, copiar, distribuir, estudar, alterar e melhorar o software.</dd>
<dt>
<a href="https://justforfunnoreally.dev/">justforfunnoreally.dev</a>
</dt>
<dd>Just for Fun No Really celebra a arte de criar software por diversão.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-7" class="outline-2">
<h2 id="headline-7">
Clubes
</h2>
<div id="outline-text-headline-7" class="outline-text-2">
<dl>
<dt>
<a href="https://rawtext.club/">rawtext.club</a>
</dt>
<dd>Rawtext.club é uma comunidade experimental para socializar, desenvolver habilidades digitais e colaborar por meio do shell GNU/Linux.</dd>
<dt>
<a href="https://tilde.club/">tilde.club</a>
</dt>
<dd>Tilde.club é um computador Unix padrão que as pessoas utilizam respeitosamente em conjunto na sua busca compartilhada para construir páginas da web.</dd>
<dt>
<a href="https://sdf.org/">sdf.org</a>
</dt>
<dd>O Super Dimension Fortress (SDF) é um sistema Unix de Acesso Público, iniciado em 1987, para autores, professores, estudantes, pesquisadores e entusiastas de Software Livre.</dd>
<dt>
<a href="https://neocities.org/">neocities.org</a>
</dt>
<dd>Neocities é um serviço de hospedagem web de código aberto para páginas estáticas, endossando a volta da criatividade individual da web.</dd>
<dt>
<a href="https://capivaras.dev">capivaras.dev</a>
</dt>
<dd>Capivaras é uma plataforma de blog minimalista e simplificada para uma pequena e amigável comunidade de capivaras.</dd>
<dt>
<a href="https://emacs-berlin.org/">emacs-berlin.org</a>
</dt>
<dd>O Emacs Berlin reúne entusiastas do Emacs de Berlim, realizando reuniões regulares para discutir e apresentar a arte do M-x.</dd>
<dt>
<a href="https://250kb.club/">250kb.club</a>
</dt>
<dd>O clube 250KB é uma coleção com curadoria de páginas da web que focam em desempenho, eficiência e acessibilidade.</dd>
<dt>
<a href="https://no-js.club/">no-js.club</a>
</dt>
<dd>O clube No-JS é uma coleção com curadoria de páginas da web sem Javascript.</dd>
<dt>
<a href="https://darktheme.club/">darktheme.club</a>
</dt>
<dd>O clube Dark Theme é uma coleção com curadoria de páginas da web que usam um tema escuro por padrão ou respeitam as preferências dos usuários.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-8" class="outline-2">
<h2 id="headline-8">
Grupos
</h2>
<div id="outline-text-headline-8" class="outline-text-2">
<dl>
<dt>
<a href="https://5bits.one/">5bits.one</a>
</dt>
<dd>010 001 111</dd>
<dt>
<a href="https://www.inkandswitch.com/">inkandswitch.com</a>
</dt>
<dd>Ink &amp; Switch é um laboratório de pesquisa independente que trabalha em soluções de computação para profissionais criativos.</dd>
<dt>
<a href="https://suckless.org/">suckless.org</a>
</dt>
<dd>Suckless é um coletivo de programação que projeta softwares elegantes para usuários avançados e experientes. Eles se concentram em manter as coisas simples, mínimas e utilizáveis.</dd>
<dt>
<a href="https://spritely.institute/">spritely.institute</a>
</dt>
<dd>Spritely é um instituto que cria padrões abertos e implementações de referência de código aberto licenciado livremente para comunidades em rede seguras e descentralizadas.</dd>
<dt>
<a href="https://indieweb.org/">indieweb.org</a>
</dt>
<dd>IndieWeb é uma comunidade de sites independentes e pessoais conectados por padrões abertos. É uma alternativa às mídias sociais com foco nas pessoas.</dd>
</dl>
</div>
</div>
<div id="outline-container-headline-9" class="outline-2">
<h2 id="headline-9">
Pessoas
</h2>
<div id="outline-text-headline-9" class="outline-text-2">
<p>
Esta é uma lista de sites pessoais que considero interessantes e inspiradores. A maioria é relacionada à arte ou à tecnologia. Para acompanhar as novas postagens, também tenho seus feeds RSS no meu leitor de notícias (Gnus).</p>
<p>
<em>As visões e opiniões expressas nestes sites não refletem necessariamente as minhas. Contudo, gosto de lê-los e acompanhá-los.</em></p>
<ul>
<li><a href="https://anhvn.com/">anhvn.com</a></li>
<li><a href="https://atlasminor.com">atlasminor.com</a></li>
<li><a href="https://www.bunniestudios.com">bunniestudios.com</a></li>
<li><a href="http://catb.org">catb.org</a></li>
<li><a href="https://cblgh.org/">cblgh.org</a></li>
<li><a href="https://datagubbe.se/">datagubbe.se</a></li>
<li><a href="https://denvaar.dev">denvaar.dev</a></li>
<li><a href="https://dthompson.us/">dthompson.us</a></li>
<li><a href="https://dustycloud.org/">dustycloud.org</a></li>
<li><a href="https://dwheeler.com/">dwheeler.com</a></li>
<li><a href="https://eater.net">eater.net</a></li>
<li><a href="https://emile.space/">emile.space</a></li>
<li><a href="https://gluer.org/">gluer.org</a></li>
<li><a href="https://helveticablanc.com">helveticablanc.com</a></li>
<li><a href="https://heracl.es">heracl.es</a></li>
<li><a href="https://howardism.org/">howardism.org</a></li>
<li><a href="https://koehr.ing/">koehr.ing</a></li>
<li><a href="https://kokorobot.ca/">kokorobot.ca</a></li>
<li><a href="https://ladyada.net/">ladyada.net</a></li>
<li><a href="https://www.linusakesson.net">linusakesson.net</a></li>
<li><a href="https://mrmrs.cc/">mrmrs.cc</a></li>
<li><a href="https://neustadt.fr/">neustadt.fr</a></li>
<li><a href="https://parenteses.org">parenteses.org</a></li>
<li><a href="https://www.paritybit.ca">paritybit.ca</a></li>
<li><a href="https://protesilaos.com/">protesilaos.com</a></li>
<li><a href="https://ratfactor.com/">ratfactor.com</a></li>
<li><a href="https://robinrendle.com/">robinrendle.com</a></li>
<li><a href="https://timrodenbroeker.de/">timrodenbroeker.de</a></li>
<li><a href="https://sachachua.com/">sachachua.com</a></li>
<li><a href="https://susam.net/">susam.net</a></li>
<li><a href="https://wingolog.org/">wingolog.org</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-10" class="outline-2">
<h2 id="headline-10">
Artigos
</h2>
<div id="outline-text-headline-10" class="outline-text-2">
<p>
Uma lista de publicações e textos que considero significativos e que valem a pena manter aqui. Existe também outra lista contendo outras leituras minhas no meu <a href="https://www.instapaper.com/p/12152153">perfil no Instapaper</a>. Talvez um dia eu escreva uma breve descrição para cada item desta seção também. <em>(Eu acho).</em></p>
<ul>
<li><a href="https://alistapart.com/article/web-typography-tables/">alistapart.com/article/web-typography-tables</a></li>
<li><a href="https://all-things-andy-gavin.com/2011/03/12/making-crash-bandicoot-gool-part-9/">all-things-andy-gavin.com/2011/03/12/making-crash-bandicoot-gool-part-9</a></li>
<li><a href="https://antonz.org/writing-package-manager/">antonz.org/writing-package-manager</a></li>
<li><a href="https://austinhenley.com/blog/challengingprojects.html">austinhenley.com/blog/challengingprojects.html</a></li>
<li><a href="https://backspace.com/notes/2009/07/design-manifestos.php">backspace.com/notes/2009/07/design-manifestos.php</a></li>
<li><a href="https://badcyber.com/dieselgate-but-for-trains-some-heavyweight-hardware-hacking/">badcyber.com/dieselgate-but-for-trains-some-heavyweight-hardware-hacking</a></li>
<li><a href="https://www.bell-labs.com/usr/dmr/www/chist.html">bell-labs.com/usr/dmr/www/chist.html</a></li>
<li><a href="https://blog.sanctum.geek.nz/vim-anti-patterns/">blog.sanctum.geek.nz/vim-anti-patterns</a></li>
<li><a href="https://boehs.org/node/everything-i-know-about-the-xz-backdoor">boehs.org/node/everything-i-know-about-the-xz-backdoor</a></li>
<li><a href="http://www.catb.org/~esr/faqs/smart-questions.html">catb.org/~esr/faqs/smart-questions.html</a></li>
<li><a href="https://corecursive.com/lisp-in-space-with-ron-garret/">corecursive.com/lisp-in-space-with-ron-garret</a></li>
<li><a href="https://datatracker.ietf.org/doc/html/rfc791">datatracker.ietf.org/doc/html/rfc791</a></li>
<li><a href="https://datatracker.ietf.org/doc/html/rfc2616">datatracker.ietf.org/doc/html/rfc2616</a></li>
<li><a href="https://doc.norang.ca/org-mode.html">doc.norang.ca/org-mode.html</a></li>
<li><a href="https://dwheeler.com/secure-programs/">dwheeler.com/secure-programs</a></li>
<li><a href="https://ethw.org/Ancient_Computers">ethw.org/ancient_computers</a></li>
<li><a href="https://www.gnu.org/philosophy/free-sw.html">gnu.org/philosophy/free-sw.html</a></li>
<li><a href="https://home.cern/science/computing/birth-web/short-history-web">home.cern/science/computing/birth-web/short-history-web</a></li>
<li><a href="https://www.inkandswitch.com/local-first/">inkandswitch.com/local-first</a></li>
<li><a href="https://www.inkandswitch.com/slow-software/">inkandswitch.com/slow-software</a></li>
<li><a href="https://www.in-ulm.de/~mascheck/bourne/">in-ulm.de/~mascheck/bourne</a></li>
<li><a href="https://www.itsnicethat.com/articles/elizabeth-goodspeed-column-taste-technology-art-280224">itsnicethat.com/articles/elizabeth-goodspeed-column-taste-technology-art-280224</a></li>
<li><a href="https://jeffhuang.com/designed_to_last/">jeffhuang.com/designed_to_last</a></li>
<li><a href="https://justinjackson.ca/words.html">justinjackson.ca/words.html</a></li>
<li><a href="https://neustadt.fr/essays/the-small-web/">neustadt.fr/essays/the-small-web</a></li>
<li><a href="https://www.newyorker.com/magazine/2003/10/06/the-challenge-gabriel-garcia-marquez">newyorker.com/magazine/2003/10/06/the-challenge-gabriel-garcia-marquez</a></li>
<li><a href="https://paulgraham.com/icad.html">paulgraham.com/icad.html</a></li>
<li><a href="https://publicdomainreview.org/collection/le-petit-journal-des-refusees/">publicdomainreview.org/collection/le-petit-journal-des-refusees</a></li>
<li><a href="https://tomasp.net/commodore64/">tomasp.net/commodore64</a></li>
<li><a href="https://wheels.org/spacewar/stone/rolling_stone.html">wheels.org/spacewar/stone/rolling_stone.html</a></li>
</ul>
</div>
</div>
]]></content:encoded></item><item><title>Filmes</title><link>https://eternodevir.com/pt-br/dg/films/</link><pubDate>Thu, 04 Jan 2024 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/films/</guid><description>Destaques Man with a Movie Camera Sans Soleil Fallen Angels Audition La Jetée Dekalog Janela da Alma Araby Lista em ordem alfabética Favorite Films Filme Diretor Ano A Beautiful Mind Ron Howard 2001 A Treat of Coutinho Josafá Veloso 2019 A Woman Is a Woman Jean-Luc Godard 1961 Akira Katsuhiro Otomo 1988 Alphaville Jean-Luc Godard 1965 Amadeus Miloš Forman 1984 Amélie Jean-Pierre Jeunet 2001 American Psycho Mary Harron 2000 Apocalypse Now Francis Ford Coppola 1979 Araby João Dumans, Affonso Uchôa 2017 As Tears Go By Wong Kar-wai 1988 Audition Takashi Miike 1999 B-Movie: Lust &amp;amp; Sound in West-Berlin 1979-1989 Klaus Maeck, Jörg A.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Destaques
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--poster">
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/man-with-a-movie-camera.jpg" alt="Man with a Movie Camera" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/1u7s">
	    
	    
	    Man with a Movie Camera
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/sans-soleil.jpg" alt="Sans Soleil" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/28B8">
	    
	    
	    Sans Soleil
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/fallen-angels.jpg" alt="Fallen Angels" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/1UkW">
	    
	    
	    Fallen Angels
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/audition.jpg" alt="Audition" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/1UHm">
	    
	    
	    Audition
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/la-jet%c3%a9e.jpg" alt="La Jetée" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/29Sk">
	    
	    
	    La Jetée
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/dekalog.jpg" alt="Dekalog" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/bv4u">
	    
	    
	    Dekalog
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/janela-da-alma.jpg" alt="Janela da Alma" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/8UA">
	    
	    
	    Janela da Alma
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/araby.jpg" alt="Araby" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/fpKs">
	    
	    
	    Araby
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Lista em ordem alfabética
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Films
  </caption>
  <thead>
    <tr>
      <th>Filme</th>
      <th>Diretor</th>
      <th class="align-right">Ano</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2amk">A Beautiful Mind</a>
      </td>
      <td data-cell="Diretor">
	Ron Howard
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/mbW4">A Treat of Coutinho</a>
      </td>
      <td data-cell="Diretor">
	Josafá Veloso
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1iUC">A Woman Is a Woman</a>
      </td>
      <td data-cell="Diretor">
	Jean-Luc Godard
      </td>
      <td data-cell="Ano" class="align-right">
	1961
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2b1i">Akira</a>
      </td>
      <td data-cell="Diretor">
	Katsuhiro Otomo
      </td>
      <td data-cell="Ano" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/20AG">Alphaville</a>
      </td>
      <td data-cell="Diretor">
	Jean-Luc Godard
      </td>
      <td data-cell="Ano" class="align-right">
	1965
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aH8">Amadeus</a>
      </td>
      <td data-cell="Diretor">
	Miloš Forman
      </td>
      <td data-cell="Ano" class="align-right">
	1984
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aUc">Amélie</a>
      </td>
      <td data-cell="Diretor">
	Jean-Pierre Jeunet
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/28Vs">American Psycho</a>
      </td>
      <td data-cell="Diretor">
	Mary Harron
      </td>
      <td data-cell="Ano" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/6ZS">Apocalypse Now</a>
      </td>
      <td data-cell="Diretor">
	Francis Ford Coppola
      </td>
      <td data-cell="Ano" class="align-right">
	1979
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/fpKs">Araby</a>
      </td>
      <td data-cell="Diretor">
	João Dumans, Affonso Uchôa
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1ybI">As Tears Go By</a>
      </td>
      <td data-cell="Diretor">
	Wong Kar-wai
      </td>
      <td data-cell="Ano" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1UHm">Audition</a>
      </td>
      <td data-cell="Diretor">
	Takashi Miike
      </td>
      <td data-cell="Ano" class="align-right">
	1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/ai0W">B-Movie: Lust &amp; Sound in West-Berlin 1979-1989</a>
      </td>
      <td data-cell="Diretor">
	Klaus Maeck, Jörg A. Hoppe
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/fSUG">Bacurau</a>
      </td>
      <td data-cell="Diretor">
	Kleber Mendonça Filho, Juliano Dornelles
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2asM">Basic Instinct</a>
      </td>
      <td data-cell="Diretor">
	Paul Verhoeven
      </td>
      <td data-cell="Ano" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/24QI">Beetlejuice</a>
      </td>
      <td data-cell="Diretor">
	Tim Burton
      </td>
      <td data-cell="Ano" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/h86E">Bergman Island</a>
      </td>
      <td data-cell="Diretor">
	Mia Hansen-Løve
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2fmY">Black God, White Devil</a>
      </td>
      <td data-cell="Diretor">
	Glauber Rocha
      </td>
      <td data-cell="Ano" class="align-right">
	1964
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/Sw0">Black Swan</a>
      </td>
      <td data-cell="Diretor">
	Darren Aronofsky
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2bcA">Blade Runner</a>
      </td>
      <td data-cell="Diretor">
	Ridley Scott
      </td>
      <td data-cell="Ano" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2966">Blow-Up</a>
      </td>
      <td data-cell="Diretor">
	Michelangelo Antonioni
      </td>
      <td data-cell="Ano" class="align-right">
	1966
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/223a">Bram Stoker&#39;s Dracula</a>
      </td>
      <td data-cell="Diretor">
	Francis Ford Coppola
      </td>
      <td data-cell="Ano" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/dYmm">Call Me by Your Name</a>
      </td>
      <td data-cell="Diretor">
	Luca Guadagnino
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aG0">Casablanca</a>
      </td>
      <td data-cell="Diretor">
	Michael Curtiz
      </td>
      <td data-cell="Ano" class="align-right">
	1942
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1ZGe">Che: Part One</a>
      </td>
      <td data-cell="Diretor">
	Steven Soderbergh
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29vU">Chinatown</a>
      </td>
      <td data-cell="Diretor">
	Roman Polanski
      </td>
      <td data-cell="Ano" class="align-right">
	1974
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1UlA">Cinema Paradiso</a>
      </td>
      <td data-cell="Diretor">
	Giuseppe Tornatore
      </td>
      <td data-cell="Ano" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2a2a">City of God</a>
      </td>
      <td data-cell="Diretor">
	Fernando Meirelles
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1Uc4">Cowboy Bebop: The Movie</a>
      </td>
      <td data-cell="Diretor">
	Shinichiro Watanabe
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/71E">Dancer in the Dark</a>
      </td>
      <td data-cell="Diretor">
	Lars von Trier
      </td>
      <td data-cell="Ano" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/28kG">Day for Night</a>
      </td>
      <td data-cell="Diretor">
	François Truffaut
      </td>
      <td data-cell="Ano" class="align-right">
	1973
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/bv4u">Dekalog</a>
      </td>
      <td data-cell="Diretor">
	Krzysztof Kieślowski
      </td>
      <td data-cell="Ano" class="align-right">
	1989
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29lK">Delicatessen</a>
      </td>
      <td data-cell="Diretor">
	Jean-Pierre Jeunet, Marc Caro
      </td>
      <td data-cell="Ano" class="align-right">
	1991
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2Qfq">Dernier maquis</a>
      </td>
      <td data-cell="Diretor">
	Rabah Ameur-Zaïmeche
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/sv94">Drive My Car</a>
      </td>
      <td data-cell="Diretor">
	Ryusuke Hamaguchi
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aZc">Edward Scissorhands</a>
      </td>
      <td data-cell="Diretor">
	Tim Burton
      </td>
      <td data-cell="Ano" class="align-right">
	1990
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/baba">Embrace of the Serpent</a>
      </td>
      <td data-cell="Diretor">
	Ciro Guerra
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/GSS">Empire of Passion</a>
      </td>
      <td data-cell="Diretor">
	Nagisa Ōshima
      </td>
      <td data-cell="Ano" class="align-right">
	1978
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/7T2k">Ex Machina</a>
      </td>
      <td data-cell="Diretor">
	Alex Garland
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2axs">Eyes Wide Shut</a>
      </td>
      <td data-cell="Diretor">
	Stanley Kubrick
      </td>
      <td data-cell="Ano" class="align-right">
	1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/g7ck">Faces Places</a>
      </td>
      <td data-cell="Diretor">
	Agnès Varda, JR
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1UkW">Fallen Angels</a>
      </td>
      <td data-cell="Diretor">
	Wong Kar-wai
      </td>
      <td data-cell="Ano" class="align-right">
	1995
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/kRw4">Fantasy Pea</a>
      </td>
      <td data-cell="Diretor">
	Werner Schumann
      </td>
      <td data-cell="Ano" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2a9q">Fight Club</a>
      </td>
      <td data-cell="Diretor">
	David Fincher
      </td>
      <td data-cell="Ano" class="align-right">
	1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/d6Tw">Fire at Sea</a>
      </td>
      <td data-cell="Diretor">
	Gianfranco Rosi
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1YV8">Fitzcarraldo</a>
      </td>
      <td data-cell="Diretor">
	Werner Herzog
      </td>
      <td data-cell="Ano" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/41Xg">Frances Ha</a>
      </td>
      <td data-cell="Diretor">
	Noah Baumbach
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/GZY">Gravity</a>
      </td>
      <td data-cell="Diretor">
	Alfonso Cuarón
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/881G">Hail, Caesar!</a>
      </td>
      <td data-cell="Diretor">
	Joel Coen, Ethan Coen
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1XVc">Hannibal</a>
      </td>
      <td data-cell="Diretor">
	Ridley Scott
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1Qn8">Helvetica</a>
      </td>
      <td data-cell="Diretor">
	Gary Hustwit
      </td>
      <td data-cell="Ano" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1hUQ">I Am Cuba</a>
      </td>
      <td data-cell="Diretor">
	Mikhail Kalatozov
      </td>
      <td data-cell="Ano" class="align-right">
	1964
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/d0xa">I, Daniel Blake</a>
      </td>
      <td data-cell="Diretor">
	Ken Loach
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1Y1O">Ichi the Killer</a>
      </td>
      <td data-cell="Diretor">
	Takashi Miike
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1RuO">Il Mare</a>
      </td>
      <td data-cell="Diretor">
	Lee Hyun-seung
      </td>
      <td data-cell="Ano" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/fHl6">In the Intense Now</a>
      </td>
      <td data-cell="Diretor">
	João Moreira Salles
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29tE">In the Mood for Love</a>
      </td>
      <td data-cell="Diretor">
	Wong Kar-wai
      </td>
      <td data-cell="Ano" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1JzG">Inglourious Basterds</a>
      </td>
      <td data-cell="Diretor">
	Quentin Tarantino
      </td>
      <td data-cell="Ano" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/4VZ8">Interstellar</a>
      </td>
      <td data-cell="Diretor">
	Christopher Nolan
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29XO">Interview with the Vampire</a>
      </td>
      <td data-cell="Diretor">
	Neil Jordan
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/22m2">Into the Wild</a>
      </td>
      <td data-cell="Diretor">
	Sean Penn
      </td>
      <td data-cell="Ano" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29as">Irreversible</a>
      </td>
      <td data-cell="Diretor">
	Gaspar Noé
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/jEVe">It Must Be Heaven</a>
      </td>
      <td data-cell="Diretor">
	Elia Suleiman
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/68tc">Jack and the Cuckoo-Clock Heart</a>
      </td>
      <td data-cell="Diretor">
	Stéphane Berla, Mathias Malzieu
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/8UA">Janela da Alma</a>
      </td>
      <td data-cell="Diretor">
	Walter Carvalho, João Jardim
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/28rM">Jules and Jim</a>
      </td>
      <td data-cell="Diretor">
	François Truffaut
      </td>
      <td data-cell="Ano" class="align-right">
	1962
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29Sk">La Jetée</a>
      </td>
      <td data-cell="Diretor">
	Chris Marker
      </td>
      <td data-cell="Ano" class="align-right">
	1962
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/a5fa">La La Land</a>
      </td>
      <td data-cell="Diretor">
	Damien Chazelle
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2b8S">Léon: The Professional</a>
      </td>
      <td data-cell="Diretor">
	Luc Besson
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1Qr0">Let the Right One In</a>
      </td>
      <td data-cell="Diretor">
	Tomas Alfredson
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29Wm">Life Is Beautiful</a>
      </td>
      <td data-cell="Diretor">
	Roberto Benigni
      </td>
      <td data-cell="Ano" class="align-right">
	1997
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/eqj6">Linha de Montagem</a>
      </td>
      <td data-cell="Diretor">
	Renato Tapajós
      </td>
      <td data-cell="Ano" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2b0E">Lost in Translation</a>
      </td>
      <td data-cell="Diretor">
	Sofia Coppola
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/biIQ">Loving Vincent</a>
      </td>
      <td data-cell="Diretor">
	DK Welchman, Hugh Welchman
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1u7s">Man with a Movie Camera</a>
      </td>
      <td data-cell="Diretor">
	Dziga Vertov
      </td>
      <td data-cell="Ano" class="align-right">
	1929
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/i3RC">Marighella</a>
      </td>
      <td data-cell="Diretor">
	Wagner Moura
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/yoPa">Mars One</a>
      </td>
      <td data-cell="Diretor">
	Gabriel Martins
      </td>
      <td data-cell="Ano" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2b6s">Match Point</a>
      </td>
      <td data-cell="Diretor">
	Woody Allen
      </td>
      <td data-cell="Ano" class="align-right">
	2005
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/d6bE">Moonlight</a>
      </td>
      <td data-cell="Diretor">
	Barry Jenkins
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2Wng">Moonrise Kingdom</a>
      </td>
      <td data-cell="Diretor">
	Wes Anderson
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/sfyC">Mulher Oceano</a>
      </td>
      <td data-cell="Diretor">
	Djin Sganzerla
      </td>
      <td data-cell="Ano" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/yzY8">My Small Land</a>
      </td>
      <td data-cell="Diretor">
	Emma Kawawada
      </td>
      <td data-cell="Ano" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/a6Ke">Neon Bull</a>
      </td>
      <td data-cell="Diretor">
	Gabriel Mascaro
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/glZU">No Drowning</a>
      </td>
      <td data-cell="Diretor">
	Mélanie Laleu
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/dvXe">Okja</a>
      </td>
      <td data-cell="Diretor">
	Bong Joon-ho
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29R2">Oldboy</a>
      </td>
      <td data-cell="Diretor">
	Park Chan-wook
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/tbjq">One for the Road</a>
      </td>
      <td data-cell="Diretor">
	Nattawut Poonpiriya
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/hTha">Parasite</a>
      </td>
      <td data-cell="Diretor">
	Bong Joon-ho
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/oNB8">Past Lives</a>
      </td>
      <td data-cell="Diretor">
	Celine Song
      </td>
      <td data-cell="Ano" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/ATh8">Perfect Days</a>
      </td>
      <td data-cell="Diretor">
	Wim Wenders
      </td>
      <td data-cell="Ano" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/28LW">Perfume: The Story of a Murderer</a>
      </td>
      <td data-cell="Diretor">
	Tom Tykwer
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/G55S">Pictures of Ghosts</a>
      </td>
      <td data-cell="Diretor">
	Kleber Mendonça Filho
      </td>
      <td data-cell="Ano" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/n5W">Pina</a>
      </td>
      <td data-cell="Diretor">
	Wim Wenders
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2ab2">Psycho</a>
      </td>
      <td data-cell="Diretor">
	Alfred Hitchcock
      </td>
      <td data-cell="Ano" class="align-right">
	1960
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29Pq">Pulp Fiction</a>
      </td>
      <td data-cell="Diretor">
	Quentin Tarantino
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1ttW">Red Desert</a>
      </td>
      <td data-cell="Diretor">
	Michelangelo Antonioni
      </td>
      <td data-cell="Ano" class="align-right">
	1964
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/aZjs">Requiem for the American Dream</a>
      </td>
      <td data-cell="Diretor">
	Kelly Nyks, Peter D. Hutchison
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2agc">Reservoir Dogs</a>
      </td>
      <td data-cell="Diretor">
	Quentin Tarantino
      </td>
      <td data-cell="Ano" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/zXDg">Return to Seoul</a>
      </td>
      <td data-cell="Diretor">
	Davy Chou
      </td>
      <td data-cell="Ano" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/f69M">Roma</a>
      </td>
      <td data-cell="Diretor">
	Alfonso Cuarón
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29zM">Rosemary&#39;s Baby</a>
      </td>
      <td data-cell="Diretor">
	Roman Polanski
      </td>
      <td data-cell="Ano" class="align-right">
	1968
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/3ada">Samsara</a>
      </td>
      <td data-cell="Diretor">
	Ron Fricke
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/28B8">Sans Soleil</a>
      </td>
      <td data-cell="Diretor">
	Chris Marker
      </td>
      <td data-cell="Ano" class="align-right">
	1983
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1YAu">Scent of a Woman</a>
      </td>
      <td data-cell="Diretor">
	Martin Brest
      </td>
      <td data-cell="Ano" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aq2">Schindler&#39;s List</a>
      </td>
      <td data-cell="Diretor">
	Steven Spielberg
      </td>
      <td data-cell="Ano" class="align-right">
	1993
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29zs">Se7en</a>
      </td>
      <td data-cell="Diretor">
	David Fincher
      </td>
      <td data-cell="Ano" class="align-right">
	1995
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2axi">Seven Samurai</a>
      </td>
      <td data-cell="Diretor">
	Akira Kurosawa
      </td>
      <td data-cell="Ano" class="align-right">
	1954
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/28PO">Stalker</a>
      </td>
      <td data-cell="Diretor">
	Andrei Tarkovsky
      </td>
      <td data-cell="Ano" class="align-right">
	1979
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/72s">Star Wars</a>
      </td>
      <td data-cell="Diretor">
	George Lucas
      </td>
      <td data-cell="Ano" class="align-right">
	1977
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/5vTA">T2 Trainspotting</a>
      </td>
      <td data-cell="Diretor">
	Danny Boyle
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2beG">Talk to Her</a>
      </td>
      <td data-cell="Diretor">
	Pedro Almodóvar
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1Ekw">The Adventures of Mark Twain</a>
      </td>
      <td data-cell="Diretor">
	Will Vinton
      </td>
      <td data-cell="Ano" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1UMG">The Barbarian Invasions</a>
      </td>
      <td data-cell="Diretor">
	Denys Arcand
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aHC">The Edukators</a>
      </td>
      <td data-cell="Diretor">
	Hans Weingartner
      </td>
      <td data-cell="Ano" class="align-right">
	2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/jLP8">The French Dispatch</a>
      </td>
      <td data-cell="Diretor">
	Wes Anderson
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aNK">The Godfather</a>
      </td>
      <td data-cell="Diretor">
	Francis Ford Coppola
      </td>
      <td data-cell="Ano" class="align-right">
	1972
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/948A">The Handmaiden</a>
      </td>
      <td data-cell="Diretor">
	Park Chan-wook
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/eBse">The Image Book</a>
      </td>
      <td data-cell="Diretor">
	Jean-Luc Godard
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/7lcA">The Internet&#39;s Own Boy: The Story of Aaron Swartz</a>
      </td>
      <td data-cell="Diretor">
	Brian Knappenberger
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/dZ5G">The Killing of a Sacred Deer</a>
      </td>
      <td data-cell="Diretor">
	Yorgos Lanthimos
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2a4A">The Lives of Others</a>
      </td>
      <td data-cell="Diretor">
	Florian Henckel von Donnersmarck
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1MYu">The Mists of Avalon</a>
      </td>
      <td data-cell="Diretor">
	Uli Edel
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1Y8q">The Passenger</a>
      </td>
      <td data-cell="Diretor">
	Michelangelo Antonioni
      </td>
      <td data-cell="Ano" class="align-right">
	1975
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aqc">The Pianist</a>
      </td>
      <td data-cell="Diretor">
	Roman Polanski
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1fTw">The Revolution Will Not Be Televised</a>
      </td>
      <td data-cell="Diretor">
	Kim Bartley, Donnacha O&#39;Briain
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/7Uyc">The Salt of the Earth</a>
      </td>
      <td data-cell="Diretor">
	Wim Wenders, Juliano Ribeiro Salgado
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2ahO">The Seventh Seal</a>
      </td>
      <td data-cell="Diretor">
	Ingmar Bergman
      </td>
      <td data-cell="Ano" class="align-right">
	1957
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29Nu">The Shining</a>
      </td>
      <td data-cell="Diretor">
	Stanley Kubrick
      </td>
      <td data-cell="Ano" class="align-right">
	1980
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2aHW">The Silence of the Lambs</a>
      </td>
      <td data-cell="Diretor">
	Jonathan Demme
      </td>
      <td data-cell="Ano" class="align-right">
	1991
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/99A">The Skin I Live In</a>
      </td>
      <td data-cell="Diretor">
	Pedro Almodóvar
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2b7K">Three Colours: Blue</a>
      </td>
      <td data-cell="Diretor">
	Krzysztof Kieślowski
      </td>
      <td data-cell="Ano" class="align-right">
	1993
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2b7q">Three Colours: Red</a>
      </td>
      <td data-cell="Diretor">
	Krzysztof Kieślowski
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2b7A">Three Colours: White</a>
      </td>
      <td data-cell="Diretor">
	Krzysztof Kieślowski
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/251w">Throne of Blood</a>
      </td>
      <td data-cell="Diretor">
	Akira Kurosawa
      </td>
      <td data-cell="Ano" class="align-right">
	1957
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1HuY">Tokyo Story</a>
      </td>
      <td data-cell="Diretor">
	Yasujirō Ozu
      </td>
      <td data-cell="Ano" class="align-right">
	1953
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29XY">Trainspotting</a>
      </td>
      <td data-cell="Diretor">
	Danny Boyle
      </td>
      <td data-cell="Ano" class="align-right">
	1996
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/4VMe">Utopia and Barbarism</a>
      </td>
      <td data-cell="Diretor">
	Silvio Tendler
      </td>
      <td data-cell="Ano" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2878">Velvet Goldmine</a>
      </td>
      <td data-cell="Diretor">
	Todd Haynes
      </td>
      <td data-cell="Ano" class="align-right">
	1998
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1hLa">Vincent</a>
      </td>
      <td data-cell="Diretor">
	Tim Burton
      </td>
      <td data-cell="Ano" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/2wsa">Vive l&#39;Amour</a>
      </td>
      <td data-cell="Diretor">
	Tsai Ming-liang
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/1Zdc">Waking Life</a>
      </td>
      <td data-cell="Diretor">
	Richard Linklater
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/7bQA">Whiplash</a>
      </td>
      <td data-cell="Diretor">
	Damien Chazelle
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/adOW">Without Losing Tenderness - 1968</a>
      </td>
      <td data-cell="Diretor">
	Vladimir Carvalho
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/28QM">Y Tu Mamá También</a>
      </td>
      <td data-cell="Diretor">
	Alfonso Cuarón
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/25Yy">Zabriskie Point</a>
      </td>
      <td data-cell="Diretor">
	Michelangelo Antonioni
      </td>
      <td data-cell="Ano" class="align-right">
	1970
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/27MO">Zodiac</a>
      </td>
      <td data-cell="Diretor">
	David Fincher
      </td>
      <td data-cell="Ano" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Filme">
	<a href="https://boxd.it/29tu">2046</a>
      </td>
      <td data-cell="Diretor">
	Wong Kar-wai
      </td>
      <td data-cell="Ano" class="align-right">
	2004
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Films</title><link>https://eternodevir.com/dg/films/</link><pubDate>Thu, 04 Jan 2024 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/films/</guid><description>Featuring list Man with a Movie Camera Sans Soleil Fallen Angels Audition La Jetée Dekalog Janela da Alma Araby Alphabetical list Favorite Films Film Director Year A Beautiful Mind Ron Howard 2001 A Treat of Coutinho Josafá Veloso 2019 A Woman Is a Woman Jean-Luc Godard 1961 Akira Katsuhiro Otomo 1988 Alphaville Jean-Luc Godard 1965 Amadeus Miloš Forman 1984 Amélie Jean-Pierre Jeunet 2001 American Psycho Mary Harron 2000 Apocalypse Now Francis Ford Coppola 1979 Araby João Dumans, Affonso Uchôa 2017 As Tears Go By Wong Kar-wai 1988 Audition Takashi Miike 1999 B-Movie: Lust &amp;amp; Sound in West-Berlin 1979-1989 Klaus Maeck, Jörg A.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Featuring list
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--poster">
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/man-with-a-movie-camera.jpg" alt="Man with a Movie Camera" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/1u7s">
	    
	    
	    Man with a Movie Camera
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/sans-soleil.jpg" alt="Sans Soleil" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/28B8">
	    
	    
	    Sans Soleil
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/fallen-angels.jpg" alt="Fallen Angels" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/1UkW">
	    
	    
	    Fallen Angels
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/audition.jpg" alt="Audition" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/1UHm">
	    
	    
	    Audition
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/la-jet%c3%a9e.jpg" alt="La Jetée" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/29Sk">
	    
	    
	    La Jetée
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/dekalog.jpg" alt="Dekalog" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/bv4u">
	    
	    
	    Dekalog
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/janela-da-alma.jpg" alt="Janela da Alma" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/8UA">
	    
	    
	    Janela da Alma
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/films/araby.jpg" alt="Araby" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://boxd.it/fpKs">
	    
	    
	    Araby
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Alphabetical list
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Films
  </caption>
  <thead>
    <tr>
      <th>Film</th>
      <th>Director</th>
      <th class="align-right">Year</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2amk">A Beautiful Mind</a>
      </td>
      <td data-cell="Director">
	Ron Howard
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/mbW4">A Treat of Coutinho</a>
      </td>
      <td data-cell="Director">
	Josafá Veloso
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1iUC">A Woman Is a Woman</a>
      </td>
      <td data-cell="Director">
	Jean-Luc Godard
      </td>
      <td data-cell="Year" class="align-right">
	1961
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2b1i">Akira</a>
      </td>
      <td data-cell="Director">
	Katsuhiro Otomo
      </td>
      <td data-cell="Year" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/20AG">Alphaville</a>
      </td>
      <td data-cell="Director">
	Jean-Luc Godard
      </td>
      <td data-cell="Year" class="align-right">
	1965
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aH8">Amadeus</a>
      </td>
      <td data-cell="Director">
	Miloš Forman
      </td>
      <td data-cell="Year" class="align-right">
	1984
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aUc">Amélie</a>
      </td>
      <td data-cell="Director">
	Jean-Pierre Jeunet
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/28Vs">American Psycho</a>
      </td>
      <td data-cell="Director">
	Mary Harron
      </td>
      <td data-cell="Year" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/6ZS">Apocalypse Now</a>
      </td>
      <td data-cell="Director">
	Francis Ford Coppola
      </td>
      <td data-cell="Year" class="align-right">
	1979
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/fpKs">Araby</a>
      </td>
      <td data-cell="Director">
	João Dumans, Affonso Uchôa
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1ybI">As Tears Go By</a>
      </td>
      <td data-cell="Director">
	Wong Kar-wai
      </td>
      <td data-cell="Year" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1UHm">Audition</a>
      </td>
      <td data-cell="Director">
	Takashi Miike
      </td>
      <td data-cell="Year" class="align-right">
	1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/ai0W">B-Movie: Lust &amp; Sound in West-Berlin 1979-1989</a>
      </td>
      <td data-cell="Director">
	Klaus Maeck, Jörg A. Hoppe
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/fSUG">Bacurau</a>
      </td>
      <td data-cell="Director">
	Kleber Mendonça Filho, Juliano Dornelles
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2asM">Basic Instinct</a>
      </td>
      <td data-cell="Director">
	Paul Verhoeven
      </td>
      <td data-cell="Year" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/24QI">Beetlejuice</a>
      </td>
      <td data-cell="Director">
	Tim Burton
      </td>
      <td data-cell="Year" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/h86E">Bergman Island</a>
      </td>
      <td data-cell="Director">
	Mia Hansen-Løve
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2fmY">Black God, White Devil</a>
      </td>
      <td data-cell="Director">
	Glauber Rocha
      </td>
      <td data-cell="Year" class="align-right">
	1964
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/Sw0">Black Swan</a>
      </td>
      <td data-cell="Director">
	Darren Aronofsky
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2bcA">Blade Runner</a>
      </td>
      <td data-cell="Director">
	Ridley Scott
      </td>
      <td data-cell="Year" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2966">Blow-Up</a>
      </td>
      <td data-cell="Director">
	Michelangelo Antonioni
      </td>
      <td data-cell="Year" class="align-right">
	1966
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/223a">Bram Stoker&#39;s Dracula</a>
      </td>
      <td data-cell="Director">
	Francis Ford Coppola
      </td>
      <td data-cell="Year" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/dYmm">Call Me by Your Name</a>
      </td>
      <td data-cell="Director">
	Luca Guadagnino
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aG0">Casablanca</a>
      </td>
      <td data-cell="Director">
	Michael Curtiz
      </td>
      <td data-cell="Year" class="align-right">
	1942
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1ZGe">Che: Part One</a>
      </td>
      <td data-cell="Director">
	Steven Soderbergh
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29vU">Chinatown</a>
      </td>
      <td data-cell="Director">
	Roman Polanski
      </td>
      <td data-cell="Year" class="align-right">
	1974
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1UlA">Cinema Paradiso</a>
      </td>
      <td data-cell="Director">
	Giuseppe Tornatore
      </td>
      <td data-cell="Year" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2a2a">City of God</a>
      </td>
      <td data-cell="Director">
	Fernando Meirelles
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1Uc4">Cowboy Bebop: The Movie</a>
      </td>
      <td data-cell="Director">
	Shinichiro Watanabe
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/71E">Dancer in the Dark</a>
      </td>
      <td data-cell="Director">
	Lars von Trier
      </td>
      <td data-cell="Year" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/28kG">Day for Night</a>
      </td>
      <td data-cell="Director">
	François Truffaut
      </td>
      <td data-cell="Year" class="align-right">
	1973
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/bv4u">Dekalog</a>
      </td>
      <td data-cell="Director">
	Krzysztof Kieślowski
      </td>
      <td data-cell="Year" class="align-right">
	1989
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29lK">Delicatessen</a>
      </td>
      <td data-cell="Director">
	Jean-Pierre Jeunet, Marc Caro
      </td>
      <td data-cell="Year" class="align-right">
	1991
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2Qfq">Dernier maquis</a>
      </td>
      <td data-cell="Director">
	Rabah Ameur-Zaïmeche
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/sv94">Drive My Car</a>
      </td>
      <td data-cell="Director">
	Ryusuke Hamaguchi
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aZc">Edward Scissorhands</a>
      </td>
      <td data-cell="Director">
	Tim Burton
      </td>
      <td data-cell="Year" class="align-right">
	1990
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/baba">Embrace of the Serpent</a>
      </td>
      <td data-cell="Director">
	Ciro Guerra
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/GSS">Empire of Passion</a>
      </td>
      <td data-cell="Director">
	Nagisa Ōshima
      </td>
      <td data-cell="Year" class="align-right">
	1978
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/7T2k">Ex Machina</a>
      </td>
      <td data-cell="Director">
	Alex Garland
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2axs">Eyes Wide Shut</a>
      </td>
      <td data-cell="Director">
	Stanley Kubrick
      </td>
      <td data-cell="Year" class="align-right">
	1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/g7ck">Faces Places</a>
      </td>
      <td data-cell="Director">
	Agnès Varda, JR
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1UkW">Fallen Angels</a>
      </td>
      <td data-cell="Director">
	Wong Kar-wai
      </td>
      <td data-cell="Year" class="align-right">
	1995
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/kRw4">Fantasy Pea</a>
      </td>
      <td data-cell="Director">
	Werner Schumann
      </td>
      <td data-cell="Year" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2a9q">Fight Club</a>
      </td>
      <td data-cell="Director">
	David Fincher
      </td>
      <td data-cell="Year" class="align-right">
	1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/d6Tw">Fire at Sea</a>
      </td>
      <td data-cell="Director">
	Gianfranco Rosi
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1YV8">Fitzcarraldo</a>
      </td>
      <td data-cell="Director">
	Werner Herzog
      </td>
      <td data-cell="Year" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/41Xg">Frances Ha</a>
      </td>
      <td data-cell="Director">
	Noah Baumbach
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/GZY">Gravity</a>
      </td>
      <td data-cell="Director">
	Alfonso Cuarón
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/881G">Hail, Caesar!</a>
      </td>
      <td data-cell="Director">
	Joel Coen, Ethan Coen
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1XVc">Hannibal</a>
      </td>
      <td data-cell="Director">
	Ridley Scott
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1Qn8">Helvetica</a>
      </td>
      <td data-cell="Director">
	Gary Hustwit
      </td>
      <td data-cell="Year" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1hUQ">I Am Cuba</a>
      </td>
      <td data-cell="Director">
	Mikhail Kalatozov
      </td>
      <td data-cell="Year" class="align-right">
	1964
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/d0xa">I, Daniel Blake</a>
      </td>
      <td data-cell="Director">
	Ken Loach
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1Y1O">Ichi the Killer</a>
      </td>
      <td data-cell="Director">
	Takashi Miike
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1RuO">Il Mare</a>
      </td>
      <td data-cell="Director">
	Lee Hyun-seung
      </td>
      <td data-cell="Year" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/fHl6">In the Intense Now</a>
      </td>
      <td data-cell="Director">
	João Moreira Salles
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29tE">In the Mood for Love</a>
      </td>
      <td data-cell="Director">
	Wong Kar-wai
      </td>
      <td data-cell="Year" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1JzG">Inglourious Basterds</a>
      </td>
      <td data-cell="Director">
	Quentin Tarantino
      </td>
      <td data-cell="Year" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/4VZ8">Interstellar</a>
      </td>
      <td data-cell="Director">
	Christopher Nolan
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29XO">Interview with the Vampire</a>
      </td>
      <td data-cell="Director">
	Neil Jordan
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/22m2">Into the Wild</a>
      </td>
      <td data-cell="Director">
	Sean Penn
      </td>
      <td data-cell="Year" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29as">Irreversible</a>
      </td>
      <td data-cell="Director">
	Gaspar Noé
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/jEVe">It Must Be Heaven</a>
      </td>
      <td data-cell="Director">
	Elia Suleiman
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/68tc">Jack and the Cuckoo-Clock Heart</a>
      </td>
      <td data-cell="Director">
	Stéphane Berla, Mathias Malzieu
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/8UA">Janela da Alma</a>
      </td>
      <td data-cell="Director">
	Walter Carvalho, João Jardim
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/28rM">Jules and Jim</a>
      </td>
      <td data-cell="Director">
	François Truffaut
      </td>
      <td data-cell="Year" class="align-right">
	1962
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29Sk">La Jetée</a>
      </td>
      <td data-cell="Director">
	Chris Marker
      </td>
      <td data-cell="Year" class="align-right">
	1962
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/a5fa">La La Land</a>
      </td>
      <td data-cell="Director">
	Damien Chazelle
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2b8S">Léon: The Professional</a>
      </td>
      <td data-cell="Director">
	Luc Besson
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1Qr0">Let the Right One In</a>
      </td>
      <td data-cell="Director">
	Tomas Alfredson
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29Wm">Life Is Beautiful</a>
      </td>
      <td data-cell="Director">
	Roberto Benigni
      </td>
      <td data-cell="Year" class="align-right">
	1997
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/eqj6">Linha de Montagem</a>
      </td>
      <td data-cell="Director">
	Renato Tapajós
      </td>
      <td data-cell="Year" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2b0E">Lost in Translation</a>
      </td>
      <td data-cell="Director">
	Sofia Coppola
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/biIQ">Loving Vincent</a>
      </td>
      <td data-cell="Director">
	DK Welchman, Hugh Welchman
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1u7s">Man with a Movie Camera</a>
      </td>
      <td data-cell="Director">
	Dziga Vertov
      </td>
      <td data-cell="Year" class="align-right">
	1929
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/i3RC">Marighella</a>
      </td>
      <td data-cell="Director">
	Wagner Moura
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/yoPa">Mars One</a>
      </td>
      <td data-cell="Director">
	Gabriel Martins
      </td>
      <td data-cell="Year" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2b6s">Match Point</a>
      </td>
      <td data-cell="Director">
	Woody Allen
      </td>
      <td data-cell="Year" class="align-right">
	2005
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/d6bE">Moonlight</a>
      </td>
      <td data-cell="Director">
	Barry Jenkins
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2Wng">Moonrise Kingdom</a>
      </td>
      <td data-cell="Director">
	Wes Anderson
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/sfyC">Mulher Oceano</a>
      </td>
      <td data-cell="Director">
	Djin Sganzerla
      </td>
      <td data-cell="Year" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/yzY8">My Small Land</a>
      </td>
      <td data-cell="Director">
	Emma Kawawada
      </td>
      <td data-cell="Year" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/a6Ke">Neon Bull</a>
      </td>
      <td data-cell="Director">
	Gabriel Mascaro
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/glZU">No Drowning</a>
      </td>
      <td data-cell="Director">
	Mélanie Laleu
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/dvXe">Okja</a>
      </td>
      <td data-cell="Director">
	Bong Joon-ho
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29R2">Oldboy</a>
      </td>
      <td data-cell="Director">
	Park Chan-wook
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/tbjq">One for the Road</a>
      </td>
      <td data-cell="Director">
	Nattawut Poonpiriya
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/hTha">Parasite</a>
      </td>
      <td data-cell="Director">
	Bong Joon-ho
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/oNB8">Past Lives</a>
      </td>
      <td data-cell="Director">
	Celine Song
      </td>
      <td data-cell="Year" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/ATh8">Perfect Days</a>
      </td>
      <td data-cell="Director">
	Wim Wenders
      </td>
      <td data-cell="Year" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/28LW">Perfume: The Story of a Murderer</a>
      </td>
      <td data-cell="Director">
	Tom Tykwer
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/G55S">Pictures of Ghosts</a>
      </td>
      <td data-cell="Director">
	Kleber Mendonça Filho
      </td>
      <td data-cell="Year" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/n5W">Pina</a>
      </td>
      <td data-cell="Director">
	Wim Wenders
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2ab2">Psycho</a>
      </td>
      <td data-cell="Director">
	Alfred Hitchcock
      </td>
      <td data-cell="Year" class="align-right">
	1960
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29Pq">Pulp Fiction</a>
      </td>
      <td data-cell="Director">
	Quentin Tarantino
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1ttW">Red Desert</a>
      </td>
      <td data-cell="Director">
	Michelangelo Antonioni
      </td>
      <td data-cell="Year" class="align-right">
	1964
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/aZjs">Requiem for the American Dream</a>
      </td>
      <td data-cell="Director">
	Kelly Nyks, Peter D. Hutchison
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2agc">Reservoir Dogs</a>
      </td>
      <td data-cell="Director">
	Quentin Tarantino
      </td>
      <td data-cell="Year" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/zXDg">Return to Seoul</a>
      </td>
      <td data-cell="Director">
	Davy Chou
      </td>
      <td data-cell="Year" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/f69M">Roma</a>
      </td>
      <td data-cell="Director">
	Alfonso Cuarón
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29zM">Rosemary&#39;s Baby</a>
      </td>
      <td data-cell="Director">
	Roman Polanski
      </td>
      <td data-cell="Year" class="align-right">
	1968
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/3ada">Samsara</a>
      </td>
      <td data-cell="Director">
	Ron Fricke
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/28B8">Sans Soleil</a>
      </td>
      <td data-cell="Director">
	Chris Marker
      </td>
      <td data-cell="Year" class="align-right">
	1983
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1YAu">Scent of a Woman</a>
      </td>
      <td data-cell="Director">
	Martin Brest
      </td>
      <td data-cell="Year" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aq2">Schindler&#39;s List</a>
      </td>
      <td data-cell="Director">
	Steven Spielberg
      </td>
      <td data-cell="Year" class="align-right">
	1993
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29zs">Se7en</a>
      </td>
      <td data-cell="Director">
	David Fincher
      </td>
      <td data-cell="Year" class="align-right">
	1995
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2axi">Seven Samurai</a>
      </td>
      <td data-cell="Director">
	Akira Kurosawa
      </td>
      <td data-cell="Year" class="align-right">
	1954
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/28PO">Stalker</a>
      </td>
      <td data-cell="Director">
	Andrei Tarkovsky
      </td>
      <td data-cell="Year" class="align-right">
	1979
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/72s">Star Wars</a>
      </td>
      <td data-cell="Director">
	George Lucas
      </td>
      <td data-cell="Year" class="align-right">
	1977
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/5vTA">T2 Trainspotting</a>
      </td>
      <td data-cell="Director">
	Danny Boyle
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2beG">Talk to Her</a>
      </td>
      <td data-cell="Director">
	Pedro Almodóvar
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1Ekw">The Adventures of Mark Twain</a>
      </td>
      <td data-cell="Director">
	Will Vinton
      </td>
      <td data-cell="Year" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1UMG">The Barbarian Invasions</a>
      </td>
      <td data-cell="Director">
	Denys Arcand
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aHC">The Edukators</a>
      </td>
      <td data-cell="Director">
	Hans Weingartner
      </td>
      <td data-cell="Year" class="align-right">
	2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/jLP8">The French Dispatch</a>
      </td>
      <td data-cell="Director">
	Wes Anderson
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aNK">The Godfather</a>
      </td>
      <td data-cell="Director">
	Francis Ford Coppola
      </td>
      <td data-cell="Year" class="align-right">
	1972
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/948A">The Handmaiden</a>
      </td>
      <td data-cell="Director">
	Park Chan-wook
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/eBse">The Image Book</a>
      </td>
      <td data-cell="Director">
	Jean-Luc Godard
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/7lcA">The Internet&#39;s Own Boy: The Story of Aaron Swartz</a>
      </td>
      <td data-cell="Director">
	Brian Knappenberger
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/dZ5G">The Killing of a Sacred Deer</a>
      </td>
      <td data-cell="Director">
	Yorgos Lanthimos
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2a4A">The Lives of Others</a>
      </td>
      <td data-cell="Director">
	Florian Henckel von Donnersmarck
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1MYu">The Mists of Avalon</a>
      </td>
      <td data-cell="Director">
	Uli Edel
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1Y8q">The Passenger</a>
      </td>
      <td data-cell="Director">
	Michelangelo Antonioni
      </td>
      <td data-cell="Year" class="align-right">
	1975
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aqc">The Pianist</a>
      </td>
      <td data-cell="Director">
	Roman Polanski
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1fTw">The Revolution Will Not Be Televised</a>
      </td>
      <td data-cell="Director">
	Kim Bartley, Donnacha O&#39;Briain
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/7Uyc">The Salt of the Earth</a>
      </td>
      <td data-cell="Director">
	Wim Wenders, Juliano Ribeiro Salgado
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2ahO">The Seventh Seal</a>
      </td>
      <td data-cell="Director">
	Ingmar Bergman
      </td>
      <td data-cell="Year" class="align-right">
	1957
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29Nu">The Shining</a>
      </td>
      <td data-cell="Director">
	Stanley Kubrick
      </td>
      <td data-cell="Year" class="align-right">
	1980
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2aHW">The Silence of the Lambs</a>
      </td>
      <td data-cell="Director">
	Jonathan Demme
      </td>
      <td data-cell="Year" class="align-right">
	1991
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/99A">The Skin I Live In</a>
      </td>
      <td data-cell="Director">
	Pedro Almodóvar
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2b7K">Three Colours: Blue</a>
      </td>
      <td data-cell="Director">
	Krzysztof Kieślowski
      </td>
      <td data-cell="Year" class="align-right">
	1993
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2b7q">Three Colours: Red</a>
      </td>
      <td data-cell="Director">
	Krzysztof Kieślowski
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2b7A">Three Colours: White</a>
      </td>
      <td data-cell="Director">
	Krzysztof Kieślowski
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/251w">Throne of Blood</a>
      </td>
      <td data-cell="Director">
	Akira Kurosawa
      </td>
      <td data-cell="Year" class="align-right">
	1957
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1HuY">Tokyo Story</a>
      </td>
      <td data-cell="Director">
	Yasujirō Ozu
      </td>
      <td data-cell="Year" class="align-right">
	1953
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29XY">Trainspotting</a>
      </td>
      <td data-cell="Director">
	Danny Boyle
      </td>
      <td data-cell="Year" class="align-right">
	1996
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/4VMe">Utopia and Barbarism</a>
      </td>
      <td data-cell="Director">
	Silvio Tendler
      </td>
      <td data-cell="Year" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2878">Velvet Goldmine</a>
      </td>
      <td data-cell="Director">
	Todd Haynes
      </td>
      <td data-cell="Year" class="align-right">
	1998
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1hLa">Vincent</a>
      </td>
      <td data-cell="Director">
	Tim Burton
      </td>
      <td data-cell="Year" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/2wsa">Vive l&#39;Amour</a>
      </td>
      <td data-cell="Director">
	Tsai Ming-liang
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/1Zdc">Waking Life</a>
      </td>
      <td data-cell="Director">
	Richard Linklater
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/7bQA">Whiplash</a>
      </td>
      <td data-cell="Director">
	Damien Chazelle
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/adOW">Without Losing Tenderness - 1968</a>
      </td>
      <td data-cell="Director">
	Vladimir Carvalho
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/28QM">Y Tu Mamá También</a>
      </td>
      <td data-cell="Director">
	Alfonso Cuarón
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/25Yy">Zabriskie Point</a>
      </td>
      <td data-cell="Director">
	Michelangelo Antonioni
      </td>
      <td data-cell="Year" class="align-right">
	1970
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/27MO">Zodiac</a>
      </td>
      <td data-cell="Director">
	David Fincher
      </td>
      <td data-cell="Year" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Film">
	<a href="https://boxd.it/29tu">2046</a>
      </td>
      <td data-cell="Director">
	Wong Kar-wai
      </td>
      <td data-cell="Year" class="align-right">
	2004
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Books</title><link>https://eternodevir.com/dg/books/</link><pubDate>Wed, 03 Jan 2024 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/books/</guid><description>Featuring list Toda Poesia Open City Ficções Poemas Malone Dies Metamorfoses Poemas 1913 A Primeira Pessoa Alphabetical list Favorite Books Book Author Year A Anatomia da Influência: literatura como modo de vida Harold Bloom 2011 A Arte no Horizonte do Provável Haroldo de Campos 1977 A Primeira Pessoa Ali Smith 2008 A Tradução e a Letra ou o Albergue do Longínquo Antoine Berman 2004 Also sprach Zarathustra Friedrich Nietzsche 1998 Antologia da Literatura Fantástica Jorge Luis Borges 1940 Ars Poetica Horatius -19 As Moscas Jean-Paul Sartre 1942 Camera Lucida: Reflections on Photography Roland Barthes 1980 Cartas Pônticas Ovidius 16 Confesso Que Vivi Pablo Neruda 1974 Die schreckliche deutsche Sprache Mark Twain 1880 Edgar Allan Poe: Complete Tales and Poems Edgar Allan Poe 1845 Ein Brasilianer in Berlin João Ubaldo Ribeiro 1994 Ele que o Abismo Viu: Epopeia de Gilgámesh Sîn-lēqi-unninni -2000 Escola de Tradutores Paulo Rónai 2012 Estética da Criação Verbal Mikhail Bakhtin 1979 Ficções Jorge Luis Borges 1944 Gota d&amp;#39;Água Chico Buarque 1975 História do Cinema Mundial Fernando Mascarello 2006 How to Write a Thesis Umberto Eco 1977 Ilíada Hómēros -700 Interpretação e Superinterpretação Umberto Eco 1992 Magia e Técnica, Arte e Política: ensaios sobre literatura e história da cultura Walter Benjamin 1985 Malleus Maleficarum Heinrich Kramer 1485 Malone Dies Samuel Beckett 1951 Medeia Eurípedes -431 Memórias do Subsolo Fyódor Dostoyévskiy 1864 Memórias Póstumas de Brás Cubas Machado de Assis 1881 Metamorfoses Ovidius 8 Natural Language Annotation for Machine Learning James Pustejovsky 2012 O Homem Unidimensional Herbert Marcuse 1964 O livro de Catulo Catullus -60 O Mito de Sísifo Albert Camus 1942 O que é um autor?</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Featuring list
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--poster">
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/toda-poesia.jpg" alt="Toda Poesia" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/17455042">
	    
	    
	    Toda Poesia
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/open-city.jpg" alt="Open City" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/8526694">
	    
	    
	    Open City
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/fic%c3%a7%c3%b5es.jpg" alt="Ficções" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/3640776">
	    
	    
	    Ficções
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/poemas.jpg" alt="Poemas" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/12902036">
	    
	    
	    Poemas
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/malone-dies.jpg" alt="Malone Dies" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/54042">
	    
	    
	    Malone Dies
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/metamorfoses.jpg" alt="Metamorfoses" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/13482633">
	    
	    
	    Metamorfoses
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/poemas-1913-1956.jpg" alt="Poemas 1913-1956" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/18387160">
	    
	    
	    Poemas 1913
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/a-primeira-pessoa.jpg" alt="A Primeira Pessoa" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/18136903">
	    
	    
	    A Primeira Pessoa
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Alphabetical list
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Books
  </caption>
  <thead>
    <tr>
      <th>Book</th>
      <th>Author</th>
      <th class="align-right">Year</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/18632171">A Anatomia da Influência: literatura como modo de vida</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Harold Bloom
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/11174946">A Arte no Horizonte do Provável</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Haroldo de Campos
      </td>
      <td data-cell="Year" class="align-right">
	1977
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/18136903">A Primeira Pessoa</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Ali Smith
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/18395516">A Tradução e a Letra ou o Albergue do Longínquo</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Antoine Berman
      </td>
      <td data-cell="Year" class="align-right">
	2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/18446283">Also sprach Zarathustra</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Friedrich Nietzsche
      </td>
      <td data-cell="Year" class="align-right">
	1998
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/18457911">Antologia da Literatura Fantástica</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Jorge Luis Borges
      </td>
      <td data-cell="Year" class="align-right">
	1940
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/17368752">Ars Poetica</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Horatius
      </td>
      <td data-cell="Year" class="align-right">
	-19
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/18367037">As Moscas</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Jean-Paul Sartre
      </td>
      <td data-cell="Year" class="align-right">
	1942
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/497164">Camera Lucida: Reflections on Photography</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Roland Barthes
      </td>
      <td data-cell="Year" class="align-right">
	1980
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/42288065">Cartas Pônticas</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Ovidius
      </td>
      <td data-cell="Year" class="align-right">
	16
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/50756182">Confesso Que Vivi</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Pablo Neruda
      </td>
      <td data-cell="Year" class="align-right">
	1974
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/8144897">Die schreckliche deutsche Sprache</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Mark Twain
      </td>
      <td data-cell="Year" class="align-right">
	1880
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/16126730">Edgar Allan Poe: Complete Tales and Poems</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Edgar Allan Poe
      </td>
      <td data-cell="Year" class="align-right">
	1845
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/13614950">Ein Brasilianer in Berlin</a>
      </td>
      <td data-cell="Author" class="nowrap">
	João Ubaldo Ribeiro
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/36391645">Ele que o Abismo Viu: Epopeia de Gilgámesh</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Sîn-lēqi-unninni
      </td>
      <td data-cell="Year" class="align-right">
	-2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/16091251">Escola de Tradutores</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Paulo Rónai
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/15777718">Estética da Criação Verbal</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Mikhail Bakhtin
      </td>
      <td data-cell="Year" class="align-right">
	1979
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/3640776">Ficções</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Jorge Luis Borges
      </td>
      <td data-cell="Year" class="align-right">
	1944
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/6435901">Gota d&#39;Água</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Chico Buarque
      </td>
      <td data-cell="Year" class="align-right">
	1975
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/16177584">História do Cinema Mundial</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Fernando Mascarello
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/23461426">How to Write a Thesis</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Umberto Eco
      </td>
      <td data-cell="Year" class="align-right">
	1977
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/28236189">Ilíada</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Hómēros
      </td>
      <td data-cell="Year" class="align-right">
	-700
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/11357966">Interpretação e Superinterpretação</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Umberto Eco
      </td>
      <td data-cell="Year" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/13583937">Magia e Técnica, Arte e Política: ensaios sobre literatura e história da cultura</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Walter Benjamin
      </td>
      <td data-cell="Year" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/25695813">Malleus Maleficarum</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Heinrich Kramer
      </td>
      <td data-cell="Year" class="align-right">
	1485
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/54042">Malone Dies</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Samuel Beckett
      </td>
      <td data-cell="Year" class="align-right">
	1951
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/13496059">Medeia</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Eurípedes
      </td>
      <td data-cell="Year" class="align-right">
	-431
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/517435">Memórias do Subsolo</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Fyódor Dostoyévskiy
      </td>
      <td data-cell="Year" class="align-right">
	1864
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/87264">Memórias Póstumas de Brás Cubas</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Machado de Assis
      </td>
      <td data-cell="Year" class="align-right">
	1881
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/13482633">Metamorfoses</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Ovidius
      </td>
      <td data-cell="Year" class="align-right">
	8
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/15808115">Natural Language Annotation for Machine Learning</a>
      </td>
      <td data-cell="Author" class="nowrap">
	James Pustejovsky
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/50439241">O Homem Unidimensional</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Herbert Marcuse
      </td>
      <td data-cell="Year" class="align-right">
	1964
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/25233531">O livro de Catulo</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Catullus
      </td>
      <td data-cell="Year" class="align-right">
	-60
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/34638757">O Mito de Sísifo</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Albert Camus
      </td>
      <td data-cell="Year" class="align-right">
	1942
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/48563344">O que é um autor?</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Roger Chartier
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/12024090">Obra Aberta</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Umberto Eco
      </td>
      <td data-cell="Year" class="align-right">
	1962
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/28236235">Odisseia</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Hómēros
      </td>
      <td data-cell="Year" class="align-right">
	-700
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/8526694">Open City</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Teju Cole
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/699151">Palimpsests: Literature in the Second Degree</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Gérard Genette
      </td>
      <td data-cell="Year" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/12902036">Poemas</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Wisława Szymborska
      </td>
      <td data-cell="Year" class="align-right">
	1981
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/18387160">Poemas 1913-1956</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Bertolt Brecht
      </td>
      <td data-cell="Year" class="align-right">
	1969
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/13609325">Primeiro como tragédia, depois como farsa</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Slavoj Žižek
      </td>
      <td data-cell="Year" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/1431007">Reception Studies</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Lorna Hardwick
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/12985">The Tempest</a>
      </td>
      <td data-cell="Author" class="nowrap">
	William Shakespeare
      </td>
      <td data-cell="Year" class="align-right">
	1611
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/17455042">Toda Poesia</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Paulo Leminski
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Book">
	<a href="https://www.goodreads.com/book/show/18414">Utopia</a>
      </td>
      <td data-cell="Author" class="nowrap">
	Thomas More
      </td>
      <td data-cell="Year" class="align-right">
	1516
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Livros</title><link>https://eternodevir.com/pt-br/dg/books/</link><pubDate>Wed, 03 Jan 2024 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/books/</guid><description>Destaques Toda Poesia Open City Ficções Poemas Malone Dies Metamorfoses Poemas 1913 A Primeira Pessoa Lista em ordem alfabética Favorite Books Livro Autor Ano A Anatomia da Influência: literatura como modo de vida Harold Bloom 2011 A Arte no Horizonte do Provável Haroldo de Campos 1977 A Primeira Pessoa Ali Smith 2008 A Tradução e a Letra ou o Albergue do Longínquo Antoine Berman 2004 Also sprach Zarathustra Friedrich Nietzsche 1998 Antologia da Literatura Fantástica Jorge Luis Borges 1940 Ars Poetica Horatius -19 As Moscas Jean-Paul Sartre 1942 Camera Lucida: Reflections on Photography Roland Barthes 1980 Cartas Pônticas Ovidius 16 Confesso Que Vivi Pablo Neruda 1974 Die schreckliche deutsche Sprache Mark Twain 1880 Edgar Allan Poe: Complete Tales and Poems Edgar Allan Poe 1845 Ein Brasilianer in Berlin João Ubaldo Ribeiro 1994 Ele que o Abismo Viu: Epopeia de Gilgámesh Sîn-lēqi-unninni -2000 Escola de Tradutores Paulo Rónai 2012 Estética da Criação Verbal Mikhail Bakhtin 1979 Ficções Jorge Luis Borges 1944 Gota d&amp;#39;Água Chico Buarque 1975 História do Cinema Mundial Fernando Mascarello 2006 How to Write a Thesis Umberto Eco 1977 Ilíada Hómēros -700 Interpretação e Superinterpretação Umberto Eco 1992 Magia e Técnica, Arte e Política: ensaios sobre literatura e história da cultura Walter Benjamin 1985 Malleus Maleficarum Heinrich Kramer 1485 Malone Dies Samuel Beckett 1951 Medeia Eurípedes -431 Memórias do Subsolo Fyódor Dostoyévskiy 1864 Memórias Póstumas de Brás Cubas Machado de Assis 1881 Metamorfoses Ovidius 8 Natural Language Annotation for Machine Learning James Pustejovsky 2012 O Homem Unidimensional Herbert Marcuse 1964 O livro de Catulo Catullus -60 O Mito de Sísifo Albert Camus 1942 O que é um autor?</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Destaques
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--poster">
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/toda-poesia.jpg" alt="Toda Poesia" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/17455042">
	    
	    
	    Toda Poesia
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/open-city.jpg" alt="Open City" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/8526694">
	    
	    
	    Open City
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/fic%c3%a7%c3%b5es.jpg" alt="Ficções" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/3640776">
	    
	    
	    Ficções
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/poemas.jpg" alt="Poemas" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/12902036">
	    
	    
	    Poemas
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/malone-dies.jpg" alt="Malone Dies" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/54042">
	    
	    
	    Malone Dies
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/metamorfoses.jpg" alt="Metamorfoses" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/13482633">
	    
	    
	    Metamorfoses
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/poemas-1913-1956.jpg" alt="Poemas 1913-1956" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/18387160">
	    
	    
	    Poemas 1913
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/books/a-primeira-pessoa.jpg" alt="A Primeira Pessoa" class="grid__img grid__img--poster">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://www.goodreads.com/book/show/18136903">
	    
	    
	    A Primeira Pessoa
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Lista em ordem alfabética
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Books
  </caption>
  <thead>
    <tr>
      <th>Livro</th>
      <th>Autor</th>
      <th class="align-right">Ano</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/18632171">A Anatomia da Influência: literatura como modo de vida</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Harold Bloom
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/11174946">A Arte no Horizonte do Provável</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Haroldo de Campos
      </td>
      <td data-cell="Ano" class="align-right">
	1977
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/18136903">A Primeira Pessoa</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Ali Smith
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/18395516">A Tradução e a Letra ou o Albergue do Longínquo</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Antoine Berman
      </td>
      <td data-cell="Ano" class="align-right">
	2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/18446283">Also sprach Zarathustra</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Friedrich Nietzsche
      </td>
      <td data-cell="Ano" class="align-right">
	1998
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/18457911">Antologia da Literatura Fantástica</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Jorge Luis Borges
      </td>
      <td data-cell="Ano" class="align-right">
	1940
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/17368752">Ars Poetica</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Horatius
      </td>
      <td data-cell="Ano" class="align-right">
	-19
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/18367037">As Moscas</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Jean-Paul Sartre
      </td>
      <td data-cell="Ano" class="align-right">
	1942
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/497164">Camera Lucida: Reflections on Photography</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Roland Barthes
      </td>
      <td data-cell="Ano" class="align-right">
	1980
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/42288065">Cartas Pônticas</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Ovidius
      </td>
      <td data-cell="Ano" class="align-right">
	16
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/50756182">Confesso Que Vivi</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Pablo Neruda
      </td>
      <td data-cell="Ano" class="align-right">
	1974
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/8144897">Die schreckliche deutsche Sprache</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Mark Twain
      </td>
      <td data-cell="Ano" class="align-right">
	1880
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/16126730">Edgar Allan Poe: Complete Tales and Poems</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Edgar Allan Poe
      </td>
      <td data-cell="Ano" class="align-right">
	1845
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/13614950">Ein Brasilianer in Berlin</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	João Ubaldo Ribeiro
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/36391645">Ele que o Abismo Viu: Epopeia de Gilgámesh</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Sîn-lēqi-unninni
      </td>
      <td data-cell="Ano" class="align-right">
	-2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/16091251">Escola de Tradutores</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Paulo Rónai
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/15777718">Estética da Criação Verbal</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Mikhail Bakhtin
      </td>
      <td data-cell="Ano" class="align-right">
	1979
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/3640776">Ficções</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Jorge Luis Borges
      </td>
      <td data-cell="Ano" class="align-right">
	1944
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/6435901">Gota d&#39;Água</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Chico Buarque
      </td>
      <td data-cell="Ano" class="align-right">
	1975
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/16177584">História do Cinema Mundial</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Fernando Mascarello
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/23461426">How to Write a Thesis</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Umberto Eco
      </td>
      <td data-cell="Ano" class="align-right">
	1977
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/28236189">Ilíada</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Hómēros
      </td>
      <td data-cell="Ano" class="align-right">
	-700
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/11357966">Interpretação e Superinterpretação</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Umberto Eco
      </td>
      <td data-cell="Ano" class="align-right">
	1992
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/13583937">Magia e Técnica, Arte e Política: ensaios sobre literatura e história da cultura</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Walter Benjamin
      </td>
      <td data-cell="Ano" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/25695813">Malleus Maleficarum</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Heinrich Kramer
      </td>
      <td data-cell="Ano" class="align-right">
	1485
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/54042">Malone Dies</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Samuel Beckett
      </td>
      <td data-cell="Ano" class="align-right">
	1951
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/13496059">Medeia</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Eurípedes
      </td>
      <td data-cell="Ano" class="align-right">
	-431
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/517435">Memórias do Subsolo</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Fyódor Dostoyévskiy
      </td>
      <td data-cell="Ano" class="align-right">
	1864
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/87264">Memórias Póstumas de Brás Cubas</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Machado de Assis
      </td>
      <td data-cell="Ano" class="align-right">
	1881
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/13482633">Metamorfoses</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Ovidius
      </td>
      <td data-cell="Ano" class="align-right">
	8
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/15808115">Natural Language Annotation for Machine Learning</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	James Pustejovsky
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/50439241">O Homem Unidimensional</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Herbert Marcuse
      </td>
      <td data-cell="Ano" class="align-right">
	1964
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/25233531">O livro de Catulo</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Catullus
      </td>
      <td data-cell="Ano" class="align-right">
	-60
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/34638757">O Mito de Sísifo</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Albert Camus
      </td>
      <td data-cell="Ano" class="align-right">
	1942
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/48563344">O que é um autor?</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Roger Chartier
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/12024090">Obra Aberta</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Umberto Eco
      </td>
      <td data-cell="Ano" class="align-right">
	1962
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/28236235">Odisseia</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Hómēros
      </td>
      <td data-cell="Ano" class="align-right">
	-700
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/8526694">Open City</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Teju Cole
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/699151">Palimpsests: Literature in the Second Degree</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Gérard Genette
      </td>
      <td data-cell="Ano" class="align-right">
	1982
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/12902036">Poemas</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Wisława Szymborska
      </td>
      <td data-cell="Ano" class="align-right">
	1981
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/18387160">Poemas 1913-1956</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Bertolt Brecht
      </td>
      <td data-cell="Ano" class="align-right">
	1969
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/13609325">Primeiro como tragédia, depois como farsa</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Slavoj Žižek
      </td>
      <td data-cell="Ano" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/1431007">Reception Studies</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Lorna Hardwick
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/12985">The Tempest</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	William Shakespeare
      </td>
      <td data-cell="Ano" class="align-right">
	1611
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/17455042">Toda Poesia</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Paulo Leminski
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Livro">
	<a href="https://www.goodreads.com/book/show/18414">Utopia</a>
      </td>
      <td data-cell="Autor" class="nowrap">
	Thomas More
      </td>
      <td data-cell="Ano" class="align-right">
	1516
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Citações</title><link>https://eternodevir.com/pt-br/dg/quotes/</link><pubDate>Wed, 04 Oct 2023 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/quotes/</guid><description>Novas entradas são organizadas mais ou menos intencionalmente.
Certain things are visible only in speech.
— Teju Cole, escritor/fotógrafo
Aqui poemas para lerem, em silêncio, o olho, o coração e a inteligência…
— Paulo Leminski, poeta
If you ask me for really dangerous ideological films, for ideology at its purest, I’d say Kung Fu Panda.
— Slavoj Žižek, filósofo
Alors, Monsieur Beckett, vous êtes anglais ?
Au contraire.
— Samuel Beckett, dramaturgo</description><content:encoded><![CDATA[<p>
Novas entradas são organizadas mais ou menos intencionalmente.</p>
<p>
<br></p>
<blockquote>
<p>Certain things are visible only in speech.</p>
<p>
<span class="style-normal">— <strong>Teju Cole</strong>, escritor/fotógrafo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Aqui poemas para lerem, em silêncio, o olho, o coração e a inteligência…</p>
<p>
<span class="style-normal">— <strong>Paulo Leminski</strong>, poeta</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>If you ask me for really dangerous ideological films, for ideology at its purest, I’d say Kung Fu Panda.</p>
<p>
<span class="style-normal">— <strong>Slavoj Žižek</strong>, filósofo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Alors, Monsieur Beckett, vous êtes anglais ?</p>
<p>
Au contraire.</p>
<p>
<span class="style-normal">— <strong>Samuel Beckett</strong>, dramaturgo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Cuando miro la forma de América en el mapa, amor, a ti te veo.</p>
<p>
<span class="style-normal">— <strong>Pablo Neruda</strong>, poeta</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Design something that gets better with use.</p>
<p>
<span class="style-normal">— <strong>Bill Moggridge</strong>, designer</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Fracassei em tudo o que tentei na vida. Tentei alfabetizar as crianças brasileiras, não consegui. Tentei salvar os índios, não consegui. Tentei fazer uma universidade séria e fracassei. Tentei fazer o Brasil desenvolver-se autonomamente e fracassei. Mas os fracassos são minhas vitórias. Eu detestaria estar no lugar de quem me venceu.</p>
<p>
<span class="style-normal">— <strong>Darcy Ribeiro</strong>, antropólogo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Try again. Fail again. Fail better.</p>
<p>
<span class="style-normal">— <strong>Samuel Beckett</strong>, dramaturgo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A book is not an isolated being: it is a relationship, an axis of innumerable relationships.</p>
<p>
<span class="style-normal">— <strong>Jorge Luis Borges</strong>, escritor</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Nothing&#39;s sacred for those who think. The filthy fingering of touchy subjects is music to their ears.</p>
<p>
<span class="style-normal">— <strong>Wisława Szymborska</strong>, poeta</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.</p>
<p>
<span class="style-normal">— <strong>Leonard Cohen</strong>, músico</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A photograph is both a pseudo-presence and a token of absence.</p>
<p>
<span class="style-normal">— <strong>Roland Barthes</strong>, semioticista</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>There&#39;s beauty in simplicity; the smallest moments can hold the greatest significance.</p>
<p>
<span class="style-normal">— <strong>Wong Kar-Wai</strong>, diretor</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Simplicity is a great virtue but it requires hard work to achieve it and education to appreciate it. And to make matters worse: complexity sells better.</p>
<p>
<span class="style-normal">— <strong>Edsger Dijkstra</strong>, cientista da computação</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A luz no fim do túnel é, no máximo, outro trem vindo em alta velocidade.</p>
<p>
<span class="style-normal">— <strong>Slavoj Žižek</strong>, filósofo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>The Times asked Samuel Beckett for his New Year&#39;s resolutions and hopes.</p>
<p>
resolutions colon zero stop period hopes colon zero stop beckett.</p>
<p>
<span class="style-normal">— <strong>Samuel Beckett</strong>, dramaturgo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Pessimism of the intellect, optimism of the will.</p>
<p>
<span class="style-normal">— <strong>Antonio Gramsci</strong>, filósofo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>I&#39;m not interested in how people move, but what moves them.</p>
<p>
<span class="style-normal">— <strong>Pina Bausch</strong>, coreógrafa</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>I don&#39;t want to show things, but to give people the desire to see.</p>
<p>
<span class="style-normal">— <strong>Agnès Varda</strong>, diretora</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>O objetivo de toda arte não é algo impossível? O poeta exprime (ou quer exprimir) o inexprimível, o pintor reproduz o irreproduzível, o estatuário fixa o infixável. Não é surpreendente, pois, que o tradutor se empenhe em traduzir o intraduzível.</p>
<p>
— <strong>Paulo Rónai</strong>, tradutor</p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Soyez réalistes, demandez l&#39;impossible.</p>
<p>
<span class="style-normal">— May 68, Sciences-Po</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>É tempo de não mais se contentarem com essas gotas no oceano.</p>
<p>
<span class="style-normal">— <strong>Bertolt Brecht</strong>, dramaturgo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>POESIA: “words set to music” (Dante via Pound), “uma viagem ao desconhecido” (Maiakovski), “cernes e medulas” (Ezra Pound), “a fala do infalável (Goethe), “linguagem voltada para a sua própria materialidade” (Jakobson), “permanente hesitação entre som e sentido” (Paul Valéry), “fundação do ser mediante a palavra” (Heidegger), “a religião original da humanidade” (Novalis), “as melhores palavras na melhor ordem” (Coleridge), “emoção relembrada na tranquilidade” (Wordsworth), “ciência e paixão” (Alfred de Vigny), “se faz com palavras, não com idéias” (Mallarmé), “música que se faz com idéias” (Ricardo Reis/ Fernando Pessoa), “um fingimento deveras” (Fernando Pessoa), “criticism of life” (Mathew Arnold), “palavra-coisa” (Sartre), “linguagem em estado de pureza selvagem” (Octavio Paz), “poetry is to inspire” (Bob Dylan), “design de linguagem” (Décio Pignatari), “lo imposible hecho posible” (García Lorca), “aquilo que se perde na tradução” (Robert Frost), “a liberdade da minha linguagem” (Paulo Leminski)…</p>
<p>
<span class="style-normal">— <strong>Paulo Leminski</strong>, poeta</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>My world has just become perfect, pain is also a joy. Go away, or you&#39;ll learn: a wise man is also insane.</p>
<p>
<span class="style-normal">— <strong>Friedrich Nietzsche</strong>, filósofo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Colorless green ideas sleep furiously.</p>
<p>
<span class="style-normal">— <strong>Noam Chomsky</strong>, linguista</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Insignificance, my friend, is the essence of existence… It&#39;s all around us, we must learn to love it.</p>
<p>
<span class="style-normal">— <strong>Milan Kundera</strong>, romancista</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A photographer is literally someone who writes and rewrites the world with light and shadow.</p>
<p>
<span class="style-normal">— <strong>Sebastião Salgado</strong>, fotógrafo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Being diferent isn&#39;t good or bad. It only means that you are brave enough to be yourself.</p>
<p>
<span class="style-normal">— <strong>Albert Camus</strong>, filósofo</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Pedicabo ego vos et irrumabo.</p>
<p>
<span class="style-normal">— <strong>Valerius Catullus</strong>, poeta</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Il faut être absolument moderne.</p>
<p>
<span class="style-normal">— <strong>Arthur Rimbaud</strong>, poeta</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A verdade está na totalidade.</p>
<p>
<span class="style-normal">— <strong>Friedrich Hegel</strong>, filósofo</span></p>
</blockquote>
]]></content:encoded></item><item><title>Quotes</title><link>https://eternodevir.com/dg/quotes/</link><pubDate>Wed, 04 Oct 2023 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/quotes/</guid><description>New entries are more or less intentionally arranged.
Certain things are visible only in speech.
— Teju Cole, writer/photographer
Aqui poemas para lerem, em silêncio, o olho, o coração e a inteligência…
— Paulo Leminski, poet
If you ask me for really dangerous ideological films, for ideology at its purest, I’d say Kung Fu Panda.
— Slavoj Žižek, philosopher
Alors, Monsieur Beckett, vous êtes anglais ?
Au contraire.
— Samuel Beckett, dramatist</description><content:encoded><![CDATA[<p>
New entries are more or less intentionally arranged.</p>
<p>
<br></p>
<blockquote>
<p>Certain things are visible only in speech.</p>
<p>
<span class="style-normal">— <strong>Teju Cole</strong>, writer/photographer</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Aqui poemas para lerem, em silêncio, o olho, o coração e a inteligência…</p>
<p>
<span class="style-normal">— <strong>Paulo Leminski</strong>, poet</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>If you ask me for really dangerous ideological films, for ideology at its purest, I’d say Kung Fu Panda.</p>
<p>
<span class="style-normal">— <strong>Slavoj Žižek</strong>, philosopher</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Alors, Monsieur Beckett, vous êtes anglais ?</p>
<p>
Au contraire.</p>
<p>
<span class="style-normal">— <strong>Samuel Beckett</strong>, dramatist</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Cuando miro la forma de América en el mapa, amor, a ti te veo.</p>
<p>
<span class="style-normal">— <strong>Pablo Neruda</strong>, poet</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Design something that gets better with use.</p>
<p>
<span class="style-normal">— <strong>Bill Moggridge</strong>, designer</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Fracassei em tudo o que tentei na vida. Tentei alfabetizar as crianças brasileiras, não consegui. Tentei salvar os índios, não consegui. Tentei fazer uma universidade séria e fracassei. Tentei fazer o Brasil desenvolver-se autonomamente e fracassei. Mas os fracassos são minhas vitórias. Eu detestaria estar no lugar de quem me venceu.</p>
<p>
<span class="style-normal">— <strong>Darcy Ribeiro</strong>, anthropologist</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Try again. Fail again. Fail better.</p>
<p>
<span class="style-normal">— <strong>Samuel Beckett</strong>, dramatist</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A book is not an isolated being: it is a relationship, an axis of innumerable relationships.</p>
<p>
<span class="style-normal">— <strong>Jorge Luis Borges</strong>, writer</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Nothing&#39;s sacred for those who think. The filthy fingering of touchy subjects is music to their ears.</p>
<p>
<span class="style-normal">— <strong>Wisława Szymborska</strong>, poet</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.</p>
<p>
<span class="style-normal">— <strong>Leonard Cohen</strong>, musician</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A photograph is both a pseudo-presence and a token of absence.</p>
<p>
<span class="style-normal">— <strong>Roland Barthes</strong>, semiotician</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>There&#39;s beauty in simplicity; the smallest moments can hold the greatest significance.</p>
<p>
<span class="style-normal">— <strong>Wong Kar-Wai</strong>, director</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Simplicity is a great virtue but it requires hard work to achieve it and education to appreciate it. And to make matters worse: complexity sells better.</p>
<p>
<span class="style-normal">— <strong>Edsger Dijkstra</strong>, computer scientist</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A luz no fim do túnel é, no máximo, outro trem vindo em alta velocidade.</p>
<p>
<span class="style-normal">— <strong>Slavoj Žižek</strong>, philosopher</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>The Times asked Samuel Beckett for his New Year&#39;s resolutions and hopes.</p>
<p>
resolutions colon zero stop period hopes colon zero stop beckett.</p>
<p>
<span class="style-normal">— <strong>Samuel Beckett</strong>, dramatist</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Pessimism of the intellect, optimism of the will.</p>
<p>
<span class="style-normal">— <strong>Antonio Gramsci</strong>, philosopher</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>I&#39;m not interested in how people move, but what moves them.</p>
<p>
<span class="style-normal">— <strong>Pina Bausch</strong>, choreographer</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>I don&#39;t want to show things, but to give people the desire to see.</p>
<p>
<span class="style-normal">— <strong>Agnès Varda</strong>, director</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>O objetivo de toda arte não é algo impossível? O poeta exprime (ou quer exprimir) o inexprimível, o pintor reproduz o irreproduzível, o estatuário fixa o infixável. Não é surpreendente, pois, que o tradutor se empenhe em traduzir o intraduzível.</p>
<p>
<span class="style-normal">— <strong>Paulo Rónai</strong>, translator</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Soyez réalistes, demandez l&#39;impossible.</p>
<p>
<span class="style-normal">— May 68, Sciences-Po</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>É tempo de não mais se contentarem com essas gotas no oceano.</p>
<p>
<span class="style-normal">— <strong>Bertolt Brecht</strong>, dramatist</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>POESIA: “words set to music” (Dante via Pound), “uma viagem ao desconhecido” (Maiakovski), “cernes e medulas” (Ezra Pound), “a fala do infalável (Goethe), “linguagem voltada para a sua própria materialidade” (Jakobson), “permanente hesitação entre som e sentido” (Paul Valéry), “fundação do ser mediante a palavra” (Heidegger), “a religião original da humanidade” (Novalis), “as melhores palavras na melhor ordem” (Coleridge), “emoção relembrada na tranquilidade” (Wordsworth), “ciência e paixão” (Alfred de Vigny), “se faz com palavras, não com idéias” (Mallarmé), “música que se faz com idéias” (Ricardo Reis/ Fernando Pessoa), “um fingimento deveras” (Fernando Pessoa), “criticism of life” (Mathew Arnold), “palavra-coisa” (Sartre), “linguagem em estado de pureza selvagem” (Octavio Paz), “poetry is to inspire” (Bob Dylan), “design de linguagem” (Décio Pignatari), “lo imposible hecho posible” (García Lorca), “aquilo que se perde na tradução” (Robert Frost), “a liberdade da minha linguagem” (Paulo Leminski)…</p>
<p>
<span class="style-normal">— <strong>Paulo Leminski</strong>, poet</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>My world has just become perfect, pain is also a joy. Go away, or you&#39;ll learn: a wise man is also insane.</p>
<p>
<span class="style-normal">— <strong>Friedrich Nietzsche</strong>, philosopher</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Colorless green ideas sleep furiously.</p>
<p>
<span class="style-normal">— <strong>Noam Chomsky</strong>, linguist</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Insignificance, my friend, is the essence of existence… It&#39;s all around us, we must learn to love it.</p>
<p>
<span class="style-normal">— <strong>Milan Kundera</strong>, novelist</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>A photographer is literally someone who writes and rewrites the world with light and shadow.</p>
<p>
<span class="style-normal">— <strong>Sebastião Salgado</strong>, photographer</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Being diferent isn&#39;t good or bad. It only means that you are brave enough to be yourself.</p>
<p>
<span class="style-normal">— <strong>Albert Camus</strong>, philosopher</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Pedicabo ego vos et irrumabo.</p>
<p>
<span class="style-normal">— <strong>Valerius Catullus</strong>, poet</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>Il faut être absolument moderne.</p>
<p>
<span class="style-normal">— <strong>Arthur Rimbaud</strong>, poet</span></p>
</blockquote>
<p>
<br></p>
<blockquote>
<p>The truth is the whole.</p>
<p>
<span class="style-normal">— <strong>Friedrich Hegel</strong>, philosopher</span></p>
</blockquote>
]]></content:encoded></item><item><title>Aprendendo digitação por toque</title><link>https://eternodevir.com/pt-br/palimpsests/aprendendo-digita%C3%A7%C3%A3o-por-toque/</link><pubDate>Sun, 13 Aug 2023 08:45:32 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/aprendendo-digita%C3%A7%C3%A3o-por-toque/</guid><description>Assim que meu teclado X-Bows chegou, também comecei a aprender digitação por toque. É um método em que se utiliza o tato em vez da visão para localizar as teclas do teclado. Em outras palavras, um digitador por toque consegue digitar todas as teclas através da memória muscular. Essa prática envolve uma série de conceitos, que são resumidos na imagem abaixo e explicados com mais detalhes nos sites a seguir.</description><content:encoded><![CDATA[
<p>
Assim que meu teclado <a href="/pt-br/palimpsests/um-teclado-mais-sensato/">X-Bows</a> chegou, também comecei a aprender digitação por toque. É um método em que se utiliza o tato em vez da visão para localizar as teclas do teclado. Em outras palavras, um <strong>digitador por toque</strong> consegue digitar todas as teclas através da memória muscular. Essa prática envolve uma série de conceitos, que são resumidos na imagem abaixo e explicados com mais detalhes nos sites a seguir.</p>
<figure>
  <img src="/images/palimpsests/2023/image04.webp" alt="Posição de descanso dos dedos na fileira inicial">
  <figcaption>
    <p>Posição de descanso dos dedos na fileira inicial<sup class="footnote-reference"><a id="footnote-reference-1" href="#footnote-1">1</a></sup></p>
  </figcaption>
</figure>
<p>
É importante destacar que, além dos desafios inerentes à transição para a digitação por toque, eu também estava enfrentando mudanças de layout do teclado (de <code class="verbatim">pt-br</code> para <code class="verbatim">us</code>), design (de convencional para <em>thumb cluster</em>) e linguagem (de português para inglês) devido ao aspecto anglófono dos exercícios.</p>
<p>
Depois de testar algumas opções, decidi utilizar estes dois sites para aprender:</p>
<dl>
<dt>
<a href="https://www.typing.com">typing.com</a>
</dt>
<dd>Para conteúdo teórico e exercícios básicos.</dd>
<dt>
<a href="https://www.keybr.com/">keybr.com</a>
</dt>
<dd>Para exercícios mais avançados, adaptados ao meu nível de progresso.</dd>
</dl>
<p>Pratiquei <strong>30 minutos por dia durante um mês</strong>. 15 minutos de <code class="verbatim">typing.com</code> seguidos de 15 minutos de <code class="verbatim">keybr.com</code>. Além disso, fiz um esforço deliberado para não abandonar o método de digitação por toque sempre que precisasse utilizar o computador para as tarefas do dia a dia. <em>Sim, o começo foi bastante difícil.</em></p>
<p>
Aqui estão algumas <a href="https://www.keybr.com/profile/q43lvyf">estatísticas</a> do <code class="verbatim">keybr.com</code> sobre meu processo de aprendizagem. Também anotei minhas impressões de cada dia no meu diário, que resumi por semana no final deste texto.</p>
<p>
Ao todo, depois de um mês dessa rotina, saí de 36 palavras por minuto com o método visual para uma média de <strong>85 palavras por minuto</strong> com a digitação por toque. Além dos benefícios em velocidade e memória muscular, digitar corretamente também me proporcionou muito mais conforto. Certamente, é uma habilidade que gostaria de ter desenvolvido antes e que é absolutamente bem-vinda nos nossos tempos.</p>
<p>
Após esse período de aprendizado, passei a utilizar o <a href="https://monkeytype.com/">monkeytype.com</a> para manutenção e aquecimento sempre que sinto necessidade.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Semana 1
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
Certamente, esta foi a semana mais difícil. A vontade de voltar a digitar da maneira antiga é forte. Tarefas básicas levam muito tempo, a ponto de o computador se tornar praticamente inutilizável.</p>
<p>
Depois de alguns dias, com bastante esforço para posicionar os dedos corretamente, tarefas simples já se tornaram possíveis.</p>
<p>
Do meio para o final desta semana, notei alguns sinais de fluidez.</p>
<p>
As práticas já começaram a envolver letras maiúsculas e um conjunto mais amplo de sequências.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Semana 2
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
A velocidade de digitação está aumentando. Agora consigo digitar letras maiúsculas rapidamente.</p>
<p>
As práticas começaram a envolver acentuação e pontuação.</p>
<p>
Apesar do aumento no número de erros, estou conseguindo manter a mesma velocidade de antes.</p>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Semana 3
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<p>
Acertar os acentos e as letras maiúsculas é bastante agradável.</p>
<p>
Os exercícios estão progredindo sem muitas surpresas.</p>
<p>
A velocidade de digitação continua aumentando, mas em um ritmo mais lento.</p>
</div>
</div>
<div id="outline-container-headline-4" class="outline-2">
<h2 id="headline-4">
Semana 4
</h2>
<div id="outline-text-headline-4" class="outline-text-2">
<p>
Os erros estão se tornando muito menos frequentes.</p>
<p>
Já estou digitando de maneira confortável e fluída.</p>
<p>
Existe um dilema entre digitar mais rápido e cometer mais erros e digitar mais devagar e ser mais preciso.</p>
<p>
A segunda opção tende a ser mais eficaz ao final das sessões, tanto em termos de aprendizado quanto de palavras digitadas.</p>
<div class="footnotes">
  <hr class="footnotes-separatator">
  <div class="footnote-definitions">
    <div class="footnote-definition">
      <sup id="footnote-1"><a href="#footnote-reference-1">1</a></sup>
      <div class="footnote-body">
        <p>Sakurambo, via <a href="https://commons.wikimedia.org/wiki/File:Keyboard_layout_english_fingers.png#/media/File:Keyboard_layout_english_fingers.png">Wikimedia Commons</a></p>
      </div>
    </div>
  </div>
</div>
</div>
</div>
]]></content:encoded></item><item><title>Learning touch typing</title><link>https://eternodevir.com/palimpsests/learning-touch-typing/</link><pubDate>Sun, 13 Aug 2023 08:45:32 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/learning-touch-typing/</guid><description>As soon as my X-Bows keyboard arrived, I also started learning touch typing. It is a method where touch is relied upon instead of vision to locate the keys on the keyboard. In other words, a touch typist can type all the keys through muscle memory. This practice involves a series of concepts, which are summarized in the image below and further explained on the websites ahead.
Resting position of fingers on the home row1</description><content:encoded><![CDATA[
<p>
As soon as my <a href="/palimpsests/a-saner-keyboard/">X-Bows</a> keyboard arrived, I also started learning touch typing. It is a method where touch is relied upon instead of vision to locate the keys on the keyboard. In other words, a <strong>touch typist</strong> can type all the keys through muscle memory. This practice involves a series of concepts, which are summarized in the image below and further explained on the websites ahead.</p>
<figure>
  <img src="/images/palimpsests/2023/image04.webp" alt="Resting position of fingers on the home row">
  <figcaption>
    <p>Resting position of fingers on the home row<sup class="footnote-reference"><a id="footnote-reference-1" href="#footnote-1">1</a></sup></p>
  </figcaption>
</figure>
<p>
It is worth saying that besides the inherent challenges of transitioning to touch typing, I was also facing changes in keyboard layout (from <code class="verbatim">pt-br</code> to <code class="verbatim">us</code>), design (from conventional to thumb cluster), and language (from Portuguese to English) due to the anglophone aspect of the exercises.</p>
<p>
After testing some options, I decided to use these two websites for learning it:</p>
<dl>
<dt>
<a href="https://www.typing.com">typing.com</a>
</dt>
<dd>For theoretical content and basic exercises.</dd>
<dt>
<a href="https://www.keybr.com/">keybr.com</a>
</dt>
<dd>For more advanced exercises, adapted to my progress level.</dd>
</dl>
<p>I practiced <strong>30 minutes a day for a month</strong>. 15 minutes on <code class="verbatim">typing.com</code> followed by 15 minutes on <code class="verbatim">keybr.com</code>. Additionally, I made a conscious effort to not abandon the touch typing method whenever I needed to use the computer for day-to-day tasks. <em>Yes, the beginning was quite difficult.</em></p>
<p>
Here are some <a href="https://www.keybr.com/profile/q43lvyf">statistics</a> from <code class="verbatim">keybr.com</code> about my learning process. I also wrote down my daily impressions in my journal, which I recapped by week at the end of this text.</p>
<p>
All in all, after a month of this routine, I went from 36 words per minute with the visual method to an average of <strong>85 words per minute</strong> with touch typing. In addition to benefits in speed and muscle memory, typing properly also provided me with much more comfort. Certainly, it is a skill that I wish I had developed sooner and that is absolutely welcome in our times.</p>
<p>
After this learning period, I started using <a href="https://monkeytype.com/">monkeytype.com</a> for maintenance and warming up whenever I feel the need.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Week 1
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
Certainly, this has been the hardest week. The desire to revert to typing the old way is strong. Basic tasks take a lot of time, to the point where the computer becomes practically unusable.</p>
<p>
After a few days, with persistent efforts to position the fingers correctly, simple tasks became manageable.</p>
<p>
From the middle to the end of this week, I noticed some signs of smoothness.</p>
<p>
Practices have already begun to involve capitalization and a broader set of sequences.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Week 2
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
Typing speed is increasing. I can now type capital letters quickly.</p>
<p>
Practices have begun to involve accentuation and punctuation.</p>
<p>
Despite an increase in the number of mistakes, I&#39;m managing to maintain the same speed as before.</p>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Week 3
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<p>
Getting accents and capital letters right is quite pleasant.</p>
<p>
Exercises are progressing without many surprises.</p>
<p>
Typing speed continues to increase, but at a slower pace.</p>
</div>
</div>
<div id="outline-container-headline-4" class="outline-2">
<h2 id="headline-4">
Week 4
</h2>
<div id="outline-text-headline-4" class="outline-text-2">
<p>
Mistakes are becoming much less frequent.</p>
<p>
I&#39;m already typing in a comfortable and smooth manner.</p>
<p>
There is a dilemma between typing faster and making more mistakes and typing slower and being more accurate.</p>
<p>
The second option tends to be more effective at the end of the sessions, both in terms of learning and words typed.</p>
<div class="footnotes">
  <hr class="footnotes-separatator">
  <div class="footnote-definitions">
    <div class="footnote-definition">
      <sup id="footnote-1"><a href="#footnote-reference-1">1</a></sup>
      <div class="footnote-body">
        <p>Sakurambo, via <a href="https://commons.wikimedia.org/wiki/File:Keyboard_layout_english_fingers.png#/media/File:Keyboard_layout_english_fingers.png">Wikimedia Commons</a></p>
      </div>
    </div>
  </div>
</div>
</div>
</div>
]]></content:encoded></item><item><title>Albums</title><link>https://eternodevir.com/dg/albums/</link><pubDate>Mon, 07 Aug 2023 11:48:48 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/albums/</guid><description>Featuring list Transa Construção Buena Vista Social Club Blade Runner The Singles 86&amp;gt;98 Psycho Tropical Berlin Alphabetical list Favorite Albums Album Artist Year Lang A Melhor Banda de Todos os Tempos da Última Semana Titãs 2001 pt A Night at the Opera Queen 1975 en A Place for Us to Dream Placebo 2016 en A Tábua de Esmeralda Jorge Ben 1974 pt Alucinação Belchior 1976 pt American IV: The Man Comes Around Johnny Cash 2002 en An Awesome Wave alt-J 2012 en Back to Black Amy Winehouse 2006 en Berlin Calling Paul Kalkbrenner 2008 en Blade Runner: Original Motion Picture Soundtrack Vangelis 1994 en Blonde Frank Ocean 2016 en Bluesman Baco Exu do Blues 2018 pt Buena Vista Social Club Buena Vista Social Club 1997 es Calango Skank 1994 pt Capoeira de Besouro Paulo César Pinheiro 2010 pt Com Você.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Featuring list
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--square">
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/transa.jpg" alt="Transa" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/4NIGwEvudtT3KZrYPymOmz?si=mkKS9XQiS6mR7dIXhHHJpw">
	    
	    
	    Transa
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/constru%c3%a7%c3%a3o.jpg" alt="Construção" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/7yrRo2o4XzDfv3mNnkPRE5?si=uddHowYYSfSusJXeEMOuag">
	    
	    
	    Construção
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/buena-vista-social-club.jpg" alt="Buena Vista Social Club" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/5qcOy8sMqROZ0VEfK8LJZt?si=NBGFqC34Rpi_2ubH4DstXA">
	    
	    
	    Buena Vista Social Club
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/blade-runner-original-motion-picture-soundtrack.jpg" alt="Blade Runner: Original Motion Picture Soundtrack" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/6NkuCdMz5tGmHbOXAWbtCW?si=732143c2bcdf47bc">
	    
	    
	    Blade Runner
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/the-singles-8698.jpg" alt="The Singles 86&gt;98" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/61h3VS8XDROIpvQznjTPTT?si=IJ47ZKJpQkyFbO2U8kMljQ">
	    
	    
	    The Singles 86&gt;98
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/psycho-tropical-berlin.jpg" alt="Psycho Tropical Berlin" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/7tzlVJedDBNAlH4BJHRKLp?si=bX-2yOf5TT-OPfvgjJMlLQ">
	    
	    
	    Psycho Tropical Berlin
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Alphabetical list
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Albums
  </caption>
  <thead>
    <tr>
      <th>Album</th>
      <th>Artist</th>
      <th class="align-right">Year</th>
      <th>Lang</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/71XhBGySJjyGOSHGVelZ4K?si=4df70d3667c942a4">A Melhor Banda de Todos os Tempos da Última Semana</a>
      </td>
      <td data-cell="Artist">
	Titãs
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/75eP8LZolyNBpqIRyB5pvB?si=ZQwYy4WGQAWg0rvF7mDZ9w">A Night at the Opera</a>
      </td>
      <td data-cell="Artist">
	Queen
      </td>
      <td data-cell="Year" class="align-right">
	1975
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0XYLcVMk3nU9R2DDT195s3?si=aaf86bccfd6c4869">A Place for Us to Dream</a>
      </td>
      <td data-cell="Artist">
	Placebo
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5rcMJNWebtl2r2S18Je1A0?si=ed0fe810d9704f0a">A Tábua de Esmeralda</a>
      </td>
      <td data-cell="Artist">
	Jorge Ben
      </td>
      <td data-cell="Year" class="align-right">
	1974
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2AwtTIdUFaUl69alioeFut?si=0606950c00a64ccc">Alucinação</a>
      </td>
      <td data-cell="Artist">
	Belchior
      </td>
      <td data-cell="Year" class="align-right">
	1976
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2BlL4Gv2DLPu8p58Wcmlm9?si=5C6LCDCbQXi7s-_bqdGbTw">American IV: The Man Comes Around</a>
      </td>
      <td data-cell="Artist">
	Johnny Cash
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6HbJlAnTRhWae1F3lEwGkv?si=02fc3da4de434797">An Awesome Wave</a>
      </td>
      <td data-cell="Artist">
	alt-J
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0E4xv5gPjykrwBgBZzI8XG?si=473ae3e0ad854af6">Back to Black</a>
      </td>
      <td data-cell="Artist">
	Amy Winehouse
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/1PjYHybPrB6rU3qABrNldm?si=D-OV8tXpTjOGGUY35lmvPQ">Berlin Calling</a>
      </td>
      <td data-cell="Artist">
	Paul Kalkbrenner
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6NkuCdMz5tGmHbOXAWbtCW?si=732143c2bcdf47bc">Blade Runner: Original Motion Picture Soundtrack</a>
      </td>
      <td data-cell="Artist">
	Vangelis
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/3mH6qwIy9crq0I9YQbOuDf?si=808d74b2587049c1">Blonde</a>
      </td>
      <td data-cell="Artist">
	Frank Ocean
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0QMVSKhzT4u2DEd8qdlz4I?si=1f0f231c3dd04ba8">Bluesman</a>
      </td>
      <td data-cell="Artist">
	Baco Exu do Blues
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5qcOy8sMqROZ0VEfK8LJZt?si=NBGFqC34Rpi_2ubH4DstXA">Buena Vista Social Club</a>
      </td>
      <td data-cell="Artist">
	Buena Vista Social Club
      </td>
      <td data-cell="Year" class="align-right">
	1997
      </td>
      <td data-cell="Lang">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5pp3Fjp4h728libl8vxoFn?si=1a8c1b869fa74577">Calango</a>
      </td>
      <td data-cell="Artist">
	Skank
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5lpSPwnoUfZ2b4I7zElxs3?si=6f5f8d3cd5d845b7">Capoeira de Besouro</a>
      </td>
      <td data-cell="Artist">
	Paulo César Pinheiro
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0LJ8bBHkmBScvY1gA2WUfY?si=-SEChkLlTWav6OYbJQi9Ew">Com Você... Meu Mundo Ficaria Completo</a>
      </td>
      <td data-cell="Artist">
	Cássia Eller
      </td>
      <td data-cell="Year" class="align-right">
	1999
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2ZYLme9VXn1Eo8JDtfN7Y9?si=56d7428218934fea">Computerwelt</a>
      </td>
      <td data-cell="Artist">
	Kraftwerk
      </td>
      <td data-cell="Year" class="align-right">
	1981
      </td>
      <td data-cell="Lang">
	de
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/7yrRo2o4XzDfv3mNnkPRE5?si=uddHowYYSfSusJXeEMOuag">Construção</a>
      </td>
      <td data-cell="Artist">
	Chico Buarque
      </td>
      <td data-cell="Year" class="align-right">
	1971
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2Fb37JsRMVPASJcl3wwDOa?si=y6sS-6deQs2TaB_H3lh-6w">Debut</a>
      </td>
      <td data-cell="Artist">
	Björk
      </td>
      <td data-cell="Year" class="align-right">
	1993
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4OCJTpOLqSgysGY4yBCGhn?si=6e256b2eede4410f">Dois</a>
      </td>
      <td data-cell="Artist">
	Legião Urbana
      </td>
      <td data-cell="Year" class="align-right">
	1986
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/1H4PN54o8NvYfML8qgMccS?si=5560ab53a4314f72">Dos voces de América en un canto a Cuba</a>
      </td>
      <td data-cell="Artist">
	Carlos Puebla
      </td>
      <td data-cell="Year" class="align-right">
	1965
      </td>
      <td data-cell="Lang">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6Go4OMNIKazTojDaZ7KmfU?si=0c2692fc06bb438c">El Reencuentro</a>
      </td>
      <td data-cell="Artist">
	Quilapayún
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
      <td data-cell="Lang">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/3SE9n6EaVOJ81KA1KPLUWS?si=1e46e8febc704a2a">Elis &amp; Tom</a>
      </td>
      <td data-cell="Artist">
	Elis Regina
      </td>
      <td data-cell="Year" class="align-right">
	1974
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2nkto6YNI4rUYTLqEwWJ3o?si=172f2663c5584872">Flower Boy</a>
      </td>
      <td data-cell="Artist">
	Tyle, the Creator
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0vi5ePiEHrGZJF7QhnDW2z?si=7fb8775dc4de4997">Franz Ferdinand</a>
      </td>
      <td data-cell="Artist">
	Franz Ferdinand
      </td>
      <td data-cell="Year" class="align-right">
	2004
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4EGy60w4omhOI8AJRxCSzI?si=b9dc58c94c1146fc">Gita</a>
      </td>
      <td data-cell="Artist">
	Raul Seixas
      </td>
      <td data-cell="Year" class="align-right">
	1974
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5MGJ5gIaNYJAj53JfcvndP?si=01bbfba05b1644c4">Gratidaoh</a>
      </td>
      <td data-cell="Artist">
	Wealstarcks
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6mRafvUDkcPpM8vV8CXAyo?si=d2d6df069a9046c3">Hisingen Blues</a>
      </td>
      <td data-cell="Artist">
	Graveyard
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0XvjdaLFvJ510mcmVXriw7?si=drqg7dwRRDqYnamJsZKAAg">Holy Ghost</a>
      </td>
      <td data-cell="Artist">
	Modern Baseball
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/3ofZeSWPHZOE5WC2tNZDez?si=100afb0de1f0457f">I Put a Spell on You</a>
      </td>
      <td data-cell="Artist">
	Nina Simone
      </td>
      <td data-cell="Year" class="align-right">
	1965
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/1boMSpoKkFe901QZaU7Gb3?si=Eu7WbmFzSrOqc999dX8xgQ">II</a>
      </td>
      <td data-cell="Artist">
	Unknown Mortal Orchestra
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/03JPFQvZRnHHysSZrSFmKY?si=74fd748009e8471a">Inside In/Inside Out</a>
      </td>
      <td data-cell="Artist">
	The Kooks
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/13xlpKbai3GGoMSr75lOeX?si=deddfe8d24334de3">Into the Wild (soundtrack)</a>
      </td>
      <td data-cell="Artist">
	Eddie Vedder
      </td>
      <td data-cell="Year" class="align-right">
	2007
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2yNaksHgeMQM9Quse463b5?si=e90afca4fdfa45b1">Is This It</a>
      </td>
      <td data-cell="Artist">
	The Strokes
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2Q1EjwzkRPhT1WKPLitYxH?si=82f0e597dafe48c9">Keine Nacht für Niemand</a>
      </td>
      <td data-cell="Artist">
	Kraftklub
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
      <td data-cell="Lang">
	de
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6GjwtEZcfenmOf6l18N7T7?si=e24fae20e6724432">Kid A</a>
      </td>
      <td data-cell="Artist">
	Radiohead
      </td>
      <td data-cell="Year" class="align-right">
	2000
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/7fjCl4UUhvatyhujWTaebT?si=2da53660d2734aae">Letrux em Noite de Climão</a>
      </td>
      <td data-cell="Artist">
	Letrux
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/3ipCE7NNJ2QIg95z05eKSD?si=c41f40b794e041ab">Lieder vom Ende des Kapitalismus</a>
      </td>
      <td data-cell="Artist">
	PeterLicht
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
      <td data-cell="Lang">
	de
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6k3oXZh66IHJ9EznRhC9kR?si=e482832fe7424c22">Maior Abandonado</a>
      </td>
      <td data-cell="Artist">
	Barão Vermelho
      </td>
      <td data-cell="Year" class="align-right">
	1984
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/7nf6cMzbnj1BqhY5VBwT16?si=5a99f2d36042463b">Melhor do Que Parece</a>
      </td>
      <td data-cell="Artist">
	O Terno
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/49MNmJhZQewjt06rpwp6QR?si=KdJvutaMRBW9FL2Mp3DxtQ">Mezzanine</a>
      </td>
      <td data-cell="Artist">
	Massive Attack
      </td>
      <td data-cell="Year" class="align-right">
	1998
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/51aNQsu6ChJzTmRGfCv9TV?si=ecac85f10b2b4c4e">MTV ao Vivo: Nando Reis e Os Infernais</a>
      </td>
      <td data-cell="Artist">
	Nando Reis
      </td>
      <td data-cell="Year" class="align-right">
	2004
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4HcPzKyKVtcZCwJgesoZWn?si=ee459adc52a04a7a">Nada Como um Dia Após o Outro Dia</a>
      </td>
      <td data-cell="Artist">
	Racionais MC&#39;s
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5odsgd8X7BBy1azAyyKZGY?si=d4d6b58f50844d55">Nouvelle Vague</a>
      </td>
      <td data-cell="Artist">
	Nouvelle Vague
      </td>
      <td data-cell="Year" class="align-right">
	2004
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/7Ff0Q5oeEoVKHtxJJoXyId?si=a2567c7325374cae">O Descobridor dos Sete Mares</a>
      </td>
      <td data-cell="Artist">
	Tim Maia
      </td>
      <td data-cell="Year" class="align-right">
	1983
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/195RDcBkD9dUqWBO75eCgQ?si=b0389745e3c74c8b">O Futuro Não Demora</a>
      </td>
      <td data-cell="Artist">
	BaianaSystem
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6mm1Skz3JE6AXneya9Nyiv?si=6b000a07b21641b0">Oracular Spectacular</a>
      </td>
      <td data-cell="Artist">
	MGMT
      </td>
      <td data-cell="Year" class="align-right">
	2007
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0RBkIFbQy91qv8Tqja20og?si=4518d18d7c064fb8">Os Mutantes</a>
      </td>
      <td data-cell="Artist">
	Os Mutantes
      </td>
      <td data-cell="Year" class="align-right">
	1968
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5XmjAhsZGqo1jyxickY36s?si=466aab65af344175">Perotá Chingó</a>
      </td>
      <td data-cell="Artist">
	Perotá Chingó
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
      <td data-cell="Lang">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/3U7Lcr4znatUgBYRrxijEk?si=2a477c7420c648d9">Profana</a>
      </td>
      <td data-cell="Artist">
	Gal Costa
      </td>
      <td data-cell="Year" class="align-right">
	1984
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/7tzlVJedDBNAlH4BJHRKLp?si=bX-2yOf5TT-OPfvgjJMlLQ">Psycho Tropical Berlin</a>
      </td>
      <td data-cell="Artist">
	La Femme
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
      <td data-cell="Lang">
	fr
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0i9SwtLwZ8cOuH5qtkwTvT?si=ef5b9a795fc04f12">Raízes do Samba</a>
      </td>
      <td data-cell="Artist">
	Cartola
      </td>
      <td data-cell="Year" class="align-right">
	1999
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/1Td5bSMxDrTIDAvxJQIo5t?si=8521b06ee7164dad">Roseland NYC Live</a>
      </td>
      <td data-cell="Artist">
	Portishead
      </td>
      <td data-cell="Year" class="align-right">
	1998
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/1iCwsK0jUzBPQx7XEpumbz?si=9ff7bda62bc445b9">Sadnecessary</a>
      </td>
      <td data-cell="Artist">
	Milky Chance
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/3qbjXmDq5KNBU5BbycE3cj?si=ce987654f2c0407f">Será Posible El Sur</a>
      </td>
      <td data-cell="Artist">
	Mercedes Sosa
      </td>
      <td data-cell="Year" class="align-right">
	1984
      </td>
      <td data-cell="Lang">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0urhQCsjpczjC8zbTMtd8t?si=SEK9jR-6SqSnVvYAWgo1LA">Silent Alarm</a>
      </td>
      <td data-cell="Artist">
	Block Party
      </td>
      <td data-cell="Year" class="align-right">
	2005
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0HHFfVAOIzKegm7pCAjHAh?si=GPQpyu14TyqC22_m2FJNoA">Sla Radical Dance Disco Club</a>
      </td>
      <td data-cell="Artist">
	Fernanda Abreu
      </td>
      <td data-cell="Year" class="align-right">
	1990
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/7ENKsNwViH6KjudEvVdMz1?si=cb4f40c7870846f0">Sound &amp; Color</a>
      </td>
      <td data-cell="Artist">
	Alabama Shakes
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/0HeAK5QnrTRrksc2WuTYgy?si=O2W8cd1fQMC7UDXWNv96Bg">Soviet Kitsch</a>
      </td>
      <td data-cell="Artist">
	Regina Spektor
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6v5IVMmY1IvWtbfnQoiFSf?si=441539a9fb814568">Strange Days</a>
      </td>
      <td data-cell="Artist">
	The Doors
      </td>
      <td data-cell="Year" class="align-right">
	1967
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2ym2jcqckXqWeTDoxz3Kst?si=aa790a6d6ee64927">Suck It and See</a>
      </td>
      <td data-cell="Artist">
	Arctic Monkeys
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5W9OT0a5iZlBr83a9WMKFY?si=Ec4l-P5bQ_6RcTHB0-gWsQ">Synchronicity</a>
      </td>
      <td data-cell="Artist">
	The Police
      </td>
      <td data-cell="Year" class="align-right">
	1983
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/1klALx0u4AavZNEvC4LrTL?si=CXboad6gRpqbfH3BorEEzQ">The Beatles</a>
      </td>
      <td data-cell="Artist">
	The Beatles
      </td>
      <td data-cell="Year" class="align-right">
	1968
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/7sRNEe2FCkTYhrEimChdkC?si=wSEP4z-bQMOYUnNTvW0-9Q">The Beautiful Game</a>
      </td>
      <td data-cell="Artist">
	Vulfpeck
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4LH4d3cOWNNsVw41Gqt2kv?si=bf49a3f86af642ac">The Dark Side of the Moon</a>
      </td>
      <td data-cell="Artist">
	Pink Floyd
      </td>
      <td data-cell="Year" class="align-right">
	1973
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6MFIBPVrZjHjP0pPkVF3IU?si=7kRq8xw5TCSblXMEKtWT6g">The Grand Illusion</a>
      </td>
      <td data-cell="Artist">
	Styx
      </td>
      <td data-cell="Year" class="align-right">
	1977
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/7BnUE62FYHaTPsQKTJYZDO?si=611e0c41fa9a491f">The Raven</a>
      </td>
      <td data-cell="Artist">
	Lou Reed
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/61h3VS8XDROIpvQznjTPTT?si=IJ47ZKJpQkyFbO2U8kMljQ">The Singles 86&gt;98</a>
      </td>
      <td data-cell="Artist">
	Depeche Mode
      </td>
      <td data-cell="Year" class="align-right">
	1998
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4xwx0x7k6c5VuThz5qVqmV?si=c0e87b96b0c64373">The Velvet Underground &amp; Nico</a>
      </td>
      <td data-cell="Artist">
	The Velvet Underground
      </td>
      <td data-cell="Year" class="align-right">
	1967
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5Dbax7G8SWrP9xyzkOvy2F?si=fc3148d6d85a4c36">The Wall</a>
      </td>
      <td data-cell="Artist">
	Pink Floyd
      </td>
      <td data-cell="Year" class="align-right">
	1979
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4NIGwEvudtT3KZrYPymOmz?si=mkKS9XQiS6mR7dIXhHHJpw">Transa</a>
      </td>
      <td data-cell="Artist">
	Caetano Veloso
      </td>
      <td data-cell="Year" class="align-right">
	1972
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5SqbMEyAt8332ISGiLX0St?si=0696a0b732264400">Transformer</a>
      </td>
      <td data-cell="Artist">
	Lou Reed
      </td>
      <td data-cell="Year" class="align-right">
	1972
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/1kNwLPweR4ieuoGvbm1kP1?si=bf6764a9c86f4dcf">Tribalistas</a>
      </td>
      <td data-cell="Artist">
	Tribalistas
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6tw7OJocIA4PAvqmVt0hdj?si=oqwarDaNSHSUQbbsh86Wpg">Tropicália: ou Panis et Circencis</a>
      </td>
      <td data-cell="Artist">
	Gilberto Gil, Caetano Veloso, Tom Zé, Os Mutantes, Gal Costa
      </td>
      <td data-cell="Year" class="align-right">
	1968
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4sW8Eql2e2kdRP1A1R1clG?si=nv0toMwXQmWV2V1IC0sRkg">Turn On the Bright Lights</a>
      </td>
      <td data-cell="Artist">
	Interpol
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5Dgqy4bBg09Rdw7CQM545s?si=c48d95ee3c044fac">Unknown Pleasures</a>
      </td>
      <td data-cell="Artist">
	Joy Division
      </td>
      <td data-cell="Year" class="align-right">
	1979
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/22Su2Seg4jxRMMSjs0bKZq?si=kd3wsFsbQymsWoGS31Pxbg">Vamo Batê Lata</a>
      </td>
      <td data-cell="Artist">
	Os Paralamas do Sucesso
      </td>
      <td data-cell="Year" class="align-right">
	1995
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4cxRdPfjjOHQORyiq8swuQ?si=8edcc6e426964343">Victor Jara</a>
      </td>
      <td data-cell="Artist">
	Victor Jara
      </td>
      <td data-cell="Year" class="align-right">
	1966
      </td>
      <td data-cell="Lang">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/5E7guS2jnnykbjP8I1xKLV?si=64M0wMfYQMycK60jxMO1jw">Violeta</a>
      </td>
      <td data-cell="Artist">
	Terno Rei
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
      <td data-cell="Lang">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/4E7bV0pzG0LciBSWTszra6?si=85b6e6745e0f4dbe">X&amp;Y</a>
      </td>
      <td data-cell="Artist">
	Coldplay
      </td>
      <td data-cell="Year" class="align-right">
	2005
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/2av2ZSHlvD7rvLSsMvtYCG?si=65c1d672f1084497">xx</a>
      </td>
      <td data-cell="Artist">
	The xx
      </td>
      <td data-cell="Year" class="align-right">
	2009
      </td>
      <td data-cell="Lang">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Album">
	<a href="https://open.spotify.com/album/6MuoqipFgorIZEYwGWEFAU?si=14469b6e46c04be2">Zaz</a>
      </td>
      <td data-cell="Artist">
	Zaz
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
      <td data-cell="Lang">
	fr
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Álbuns</title><link>https://eternodevir.com/pt-br/dg/albums/</link><pubDate>Mon, 07 Aug 2023 11:48:48 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/albums/</guid><description>Destaques Transa Construção Buena Vista Social Club Blade Runner The Singles 86&amp;gt;98 Psycho Tropical Berlin Lista em ordem alfabética Favorite Albums Álbum Artista Ano Língua A Melhor Banda de Todos os Tempos da Última Semana Titãs 2001 pt A Night at the Opera Queen 1975 en A Place for Us to Dream Placebo 2016 en A Tábua de Esmeralda Jorge Ben 1974 pt Alucinação Belchior 1976 pt American IV: The Man Comes Around Johnny Cash 2002 en An Awesome Wave alt-J 2012 en Back to Black Amy Winehouse 2006 en Berlin Calling Paul Kalkbrenner 2008 en Blade Runner: Original Motion Picture Soundtrack Vangelis 1994 en Blonde Frank Ocean 2016 en Bluesman Baco Exu do Blues 2018 pt Buena Vista Social Club Buena Vista Social Club 1997 es Calango Skank 1994 pt Capoeira de Besouro Paulo César Pinheiro 2010 pt Com Você.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Destaques
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div class="grid grid--square">
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/transa.jpg" alt="Transa" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/4NIGwEvudtT3KZrYPymOmz?si=mkKS9XQiS6mR7dIXhHHJpw">
	    
	    
	    Transa
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/constru%c3%a7%c3%a3o.jpg" alt="Construção" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/7yrRo2o4XzDfv3mNnkPRE5?si=uddHowYYSfSusJXeEMOuag">
	    
	    
	    Construção
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/buena-vista-social-club.jpg" alt="Buena Vista Social Club" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/5qcOy8sMqROZ0VEfK8LJZt?si=NBGFqC34Rpi_2ubH4DstXA">
	    
	    
	    Buena Vista Social Club
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/blade-runner-original-motion-picture-soundtrack.jpg" alt="Blade Runner: Original Motion Picture Soundtrack" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/6NkuCdMz5tGmHbOXAWbtCW?si=732143c2bcdf47bc">
	    
	    
	    Blade Runner
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/the-singles-8698.jpg" alt="The Singles 86&gt;98" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/61h3VS8XDROIpvQznjTPTT?si=IJ47ZKJpQkyFbO2U8kMljQ">
	    
	    
	    The Singles 86&gt;98
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
  <div class="grid__item">
    <figure class="margin-0 padding-0">
      <img src="/images/dg/albums/psycho-tropical-berlin.jpg" alt="Psycho Tropical Berlin" class="grid__img grid__img--square">
      <figcaption class="grid__caption">
	<small>
	  <a href="https://open.spotify.com/album/7tzlVJedDBNAlH4BJHRKLp?si=bX-2yOf5TT-OPfvgjJMlLQ">
	    
	    
	    Psycho Tropical Berlin
	  </a>
	</small>
      </figcaption>
    </figure>
  </div>
  
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Lista em ordem alfabética
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Albums
  </caption>
  <thead>
    <tr>
      <th>Álbum</th>
      <th>Artista</th>
      <th class="align-right">Ano</th>
      <th>Língua</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/71XhBGySJjyGOSHGVelZ4K?si=4df70d3667c942a4">A Melhor Banda de Todos os Tempos da Última Semana</a>
      </td>
      <td data-cell="Artista">
	Titãs
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/75eP8LZolyNBpqIRyB5pvB?si=ZQwYy4WGQAWg0rvF7mDZ9w">A Night at the Opera</a>
      </td>
      <td data-cell="Artista">
	Queen
      </td>
      <td data-cell="Ano" class="align-right">
	1975
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0XYLcVMk3nU9R2DDT195s3?si=aaf86bccfd6c4869">A Place for Us to Dream</a>
      </td>
      <td data-cell="Artista">
	Placebo
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5rcMJNWebtl2r2S18Je1A0?si=ed0fe810d9704f0a">A Tábua de Esmeralda</a>
      </td>
      <td data-cell="Artista">
	Jorge Ben
      </td>
      <td data-cell="Ano" class="align-right">
	1974
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2AwtTIdUFaUl69alioeFut?si=0606950c00a64ccc">Alucinação</a>
      </td>
      <td data-cell="Artista">
	Belchior
      </td>
      <td data-cell="Ano" class="align-right">
	1976
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2BlL4Gv2DLPu8p58Wcmlm9?si=5C6LCDCbQXi7s-_bqdGbTw">American IV: The Man Comes Around</a>
      </td>
      <td data-cell="Artista">
	Johnny Cash
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6HbJlAnTRhWae1F3lEwGkv?si=02fc3da4de434797">An Awesome Wave</a>
      </td>
      <td data-cell="Artista">
	alt-J
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0E4xv5gPjykrwBgBZzI8XG?si=473ae3e0ad854af6">Back to Black</a>
      </td>
      <td data-cell="Artista">
	Amy Winehouse
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/1PjYHybPrB6rU3qABrNldm?si=D-OV8tXpTjOGGUY35lmvPQ">Berlin Calling</a>
      </td>
      <td data-cell="Artista">
	Paul Kalkbrenner
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6NkuCdMz5tGmHbOXAWbtCW?si=732143c2bcdf47bc">Blade Runner: Original Motion Picture Soundtrack</a>
      </td>
      <td data-cell="Artista">
	Vangelis
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/3mH6qwIy9crq0I9YQbOuDf?si=808d74b2587049c1">Blonde</a>
      </td>
      <td data-cell="Artista">
	Frank Ocean
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0QMVSKhzT4u2DEd8qdlz4I?si=1f0f231c3dd04ba8">Bluesman</a>
      </td>
      <td data-cell="Artista">
	Baco Exu do Blues
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5qcOy8sMqROZ0VEfK8LJZt?si=NBGFqC34Rpi_2ubH4DstXA">Buena Vista Social Club</a>
      </td>
      <td data-cell="Artista">
	Buena Vista Social Club
      </td>
      <td data-cell="Ano" class="align-right">
	1997
      </td>
      <td data-cell="Língua">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5pp3Fjp4h728libl8vxoFn?si=1a8c1b869fa74577">Calango</a>
      </td>
      <td data-cell="Artista">
	Skank
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5lpSPwnoUfZ2b4I7zElxs3?si=6f5f8d3cd5d845b7">Capoeira de Besouro</a>
      </td>
      <td data-cell="Artista">
	Paulo César Pinheiro
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0LJ8bBHkmBScvY1gA2WUfY?si=-SEChkLlTWav6OYbJQi9Ew">Com Você... Meu Mundo Ficaria Completo</a>
      </td>
      <td data-cell="Artista">
	Cássia Eller
      </td>
      <td data-cell="Ano" class="align-right">
	1999
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2ZYLme9VXn1Eo8JDtfN7Y9?si=56d7428218934fea">Computerwelt</a>
      </td>
      <td data-cell="Artista">
	Kraftwerk
      </td>
      <td data-cell="Ano" class="align-right">
	1981
      </td>
      <td data-cell="Língua">
	de
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/7yrRo2o4XzDfv3mNnkPRE5?si=uddHowYYSfSusJXeEMOuag">Construção</a>
      </td>
      <td data-cell="Artista">
	Chico Buarque
      </td>
      <td data-cell="Ano" class="align-right">
	1971
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2Fb37JsRMVPASJcl3wwDOa?si=y6sS-6deQs2TaB_H3lh-6w">Debut</a>
      </td>
      <td data-cell="Artista">
	Björk
      </td>
      <td data-cell="Ano" class="align-right">
	1993
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4OCJTpOLqSgysGY4yBCGhn?si=6e256b2eede4410f">Dois</a>
      </td>
      <td data-cell="Artista">
	Legião Urbana
      </td>
      <td data-cell="Ano" class="align-right">
	1986
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/1H4PN54o8NvYfML8qgMccS?si=5560ab53a4314f72">Dos voces de América en un canto a Cuba</a>
      </td>
      <td data-cell="Artista">
	Carlos Puebla
      </td>
      <td data-cell="Ano" class="align-right">
	1965
      </td>
      <td data-cell="Língua">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6Go4OMNIKazTojDaZ7KmfU?si=0c2692fc06bb438c">El Reencuentro</a>
      </td>
      <td data-cell="Artista">
	Quilapayún
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
      <td data-cell="Língua">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/3SE9n6EaVOJ81KA1KPLUWS?si=1e46e8febc704a2a">Elis &amp; Tom</a>
      </td>
      <td data-cell="Artista">
	Elis Regina
      </td>
      <td data-cell="Ano" class="align-right">
	1974
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2nkto6YNI4rUYTLqEwWJ3o?si=172f2663c5584872">Flower Boy</a>
      </td>
      <td data-cell="Artista">
	Tyle, the Creator
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0vi5ePiEHrGZJF7QhnDW2z?si=7fb8775dc4de4997">Franz Ferdinand</a>
      </td>
      <td data-cell="Artista">
	Franz Ferdinand
      </td>
      <td data-cell="Ano" class="align-right">
	2004
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4EGy60w4omhOI8AJRxCSzI?si=b9dc58c94c1146fc">Gita</a>
      </td>
      <td data-cell="Artista">
	Raul Seixas
      </td>
      <td data-cell="Ano" class="align-right">
	1974
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5MGJ5gIaNYJAj53JfcvndP?si=01bbfba05b1644c4">Gratidaoh</a>
      </td>
      <td data-cell="Artista">
	Wealstarcks
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6mRafvUDkcPpM8vV8CXAyo?si=d2d6df069a9046c3">Hisingen Blues</a>
      </td>
      <td data-cell="Artista">
	Graveyard
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0XvjdaLFvJ510mcmVXriw7?si=drqg7dwRRDqYnamJsZKAAg">Holy Ghost</a>
      </td>
      <td data-cell="Artista">
	Modern Baseball
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/3ofZeSWPHZOE5WC2tNZDez?si=100afb0de1f0457f">I Put a Spell on You</a>
      </td>
      <td data-cell="Artista">
	Nina Simone
      </td>
      <td data-cell="Ano" class="align-right">
	1965
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/1boMSpoKkFe901QZaU7Gb3?si=Eu7WbmFzSrOqc999dX8xgQ">II</a>
      </td>
      <td data-cell="Artista">
	Unknown Mortal Orchestra
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/03JPFQvZRnHHysSZrSFmKY?si=74fd748009e8471a">Inside In/Inside Out</a>
      </td>
      <td data-cell="Artista">
	The Kooks
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/13xlpKbai3GGoMSr75lOeX?si=deddfe8d24334de3">Into the Wild (soundtrack)</a>
      </td>
      <td data-cell="Artista">
	Eddie Vedder
      </td>
      <td data-cell="Ano" class="align-right">
	2007
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2yNaksHgeMQM9Quse463b5?si=e90afca4fdfa45b1">Is This It</a>
      </td>
      <td data-cell="Artista">
	The Strokes
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2Q1EjwzkRPhT1WKPLitYxH?si=82f0e597dafe48c9">Keine Nacht für Niemand</a>
      </td>
      <td data-cell="Artista">
	Kraftklub
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
      <td data-cell="Língua">
	de
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6GjwtEZcfenmOf6l18N7T7?si=e24fae20e6724432">Kid A</a>
      </td>
      <td data-cell="Artista">
	Radiohead
      </td>
      <td data-cell="Ano" class="align-right">
	2000
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/7fjCl4UUhvatyhujWTaebT?si=2da53660d2734aae">Letrux em Noite de Climão</a>
      </td>
      <td data-cell="Artista">
	Letrux
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/3ipCE7NNJ2QIg95z05eKSD?si=c41f40b794e041ab">Lieder vom Ende des Kapitalismus</a>
      </td>
      <td data-cell="Artista">
	PeterLicht
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
      <td data-cell="Língua">
	de
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6k3oXZh66IHJ9EznRhC9kR?si=e482832fe7424c22">Maior Abandonado</a>
      </td>
      <td data-cell="Artista">
	Barão Vermelho
      </td>
      <td data-cell="Ano" class="align-right">
	1984
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/7nf6cMzbnj1BqhY5VBwT16?si=5a99f2d36042463b">Melhor do Que Parece</a>
      </td>
      <td data-cell="Artista">
	O Terno
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/49MNmJhZQewjt06rpwp6QR?si=KdJvutaMRBW9FL2Mp3DxtQ">Mezzanine</a>
      </td>
      <td data-cell="Artista">
	Massive Attack
      </td>
      <td data-cell="Ano" class="align-right">
	1998
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/51aNQsu6ChJzTmRGfCv9TV?si=ecac85f10b2b4c4e">MTV ao Vivo: Nando Reis e Os Infernais</a>
      </td>
      <td data-cell="Artista">
	Nando Reis
      </td>
      <td data-cell="Ano" class="align-right">
	2004
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4HcPzKyKVtcZCwJgesoZWn?si=ee459adc52a04a7a">Nada Como um Dia Após o Outro Dia</a>
      </td>
      <td data-cell="Artista">
	Racionais MC&#39;s
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5odsgd8X7BBy1azAyyKZGY?si=d4d6b58f50844d55">Nouvelle Vague</a>
      </td>
      <td data-cell="Artista">
	Nouvelle Vague
      </td>
      <td data-cell="Ano" class="align-right">
	2004
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/7Ff0Q5oeEoVKHtxJJoXyId?si=a2567c7325374cae">O Descobridor dos Sete Mares</a>
      </td>
      <td data-cell="Artista">
	Tim Maia
      </td>
      <td data-cell="Ano" class="align-right">
	1983
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/195RDcBkD9dUqWBO75eCgQ?si=b0389745e3c74c8b">O Futuro Não Demora</a>
      </td>
      <td data-cell="Artista">
	BaianaSystem
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6mm1Skz3JE6AXneya9Nyiv?si=6b000a07b21641b0">Oracular Spectacular</a>
      </td>
      <td data-cell="Artista">
	MGMT
      </td>
      <td data-cell="Ano" class="align-right">
	2007
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0RBkIFbQy91qv8Tqja20og?si=4518d18d7c064fb8">Os Mutantes</a>
      </td>
      <td data-cell="Artista">
	Os Mutantes
      </td>
      <td data-cell="Ano" class="align-right">
	1968
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5XmjAhsZGqo1jyxickY36s?si=466aab65af344175">Perotá Chingó</a>
      </td>
      <td data-cell="Artista">
	Perotá Chingó
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
      <td data-cell="Língua">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/3U7Lcr4znatUgBYRrxijEk?si=2a477c7420c648d9">Profana</a>
      </td>
      <td data-cell="Artista">
	Gal Costa
      </td>
      <td data-cell="Ano" class="align-right">
	1984
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/7tzlVJedDBNAlH4BJHRKLp?si=bX-2yOf5TT-OPfvgjJMlLQ">Psycho Tropical Berlin</a>
      </td>
      <td data-cell="Artista">
	La Femme
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
      <td data-cell="Língua">
	fr
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0i9SwtLwZ8cOuH5qtkwTvT?si=ef5b9a795fc04f12">Raízes do Samba</a>
      </td>
      <td data-cell="Artista">
	Cartola
      </td>
      <td data-cell="Ano" class="align-right">
	1999
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/1Td5bSMxDrTIDAvxJQIo5t?si=8521b06ee7164dad">Roseland NYC Live</a>
      </td>
      <td data-cell="Artista">
	Portishead
      </td>
      <td data-cell="Ano" class="align-right">
	1998
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/1iCwsK0jUzBPQx7XEpumbz?si=9ff7bda62bc445b9">Sadnecessary</a>
      </td>
      <td data-cell="Artista">
	Milky Chance
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/3qbjXmDq5KNBU5BbycE3cj?si=ce987654f2c0407f">Será Posible El Sur</a>
      </td>
      <td data-cell="Artista">
	Mercedes Sosa
      </td>
      <td data-cell="Ano" class="align-right">
	1984
      </td>
      <td data-cell="Língua">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0urhQCsjpczjC8zbTMtd8t?si=SEK9jR-6SqSnVvYAWgo1LA">Silent Alarm</a>
      </td>
      <td data-cell="Artista">
	Block Party
      </td>
      <td data-cell="Ano" class="align-right">
	2005
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0HHFfVAOIzKegm7pCAjHAh?si=GPQpyu14TyqC22_m2FJNoA">Sla Radical Dance Disco Club</a>
      </td>
      <td data-cell="Artista">
	Fernanda Abreu
      </td>
      <td data-cell="Ano" class="align-right">
	1990
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/7ENKsNwViH6KjudEvVdMz1?si=cb4f40c7870846f0">Sound &amp; Color</a>
      </td>
      <td data-cell="Artista">
	Alabama Shakes
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/0HeAK5QnrTRrksc2WuTYgy?si=O2W8cd1fQMC7UDXWNv96Bg">Soviet Kitsch</a>
      </td>
      <td data-cell="Artista">
	Regina Spektor
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6v5IVMmY1IvWtbfnQoiFSf?si=441539a9fb814568">Strange Days</a>
      </td>
      <td data-cell="Artista">
	The Doors
      </td>
      <td data-cell="Ano" class="align-right">
	1967
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2ym2jcqckXqWeTDoxz3Kst?si=aa790a6d6ee64927">Suck It and See</a>
      </td>
      <td data-cell="Artista">
	Arctic Monkeys
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5W9OT0a5iZlBr83a9WMKFY?si=Ec4l-P5bQ_6RcTHB0-gWsQ">Synchronicity</a>
      </td>
      <td data-cell="Artista">
	The Police
      </td>
      <td data-cell="Ano" class="align-right">
	1983
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/1klALx0u4AavZNEvC4LrTL?si=CXboad6gRpqbfH3BorEEzQ">The Beatles</a>
      </td>
      <td data-cell="Artista">
	The Beatles
      </td>
      <td data-cell="Ano" class="align-right">
	1968
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/7sRNEe2FCkTYhrEimChdkC?si=wSEP4z-bQMOYUnNTvW0-9Q">The Beautiful Game</a>
      </td>
      <td data-cell="Artista">
	Vulfpeck
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4LH4d3cOWNNsVw41Gqt2kv?si=bf49a3f86af642ac">The Dark Side of the Moon</a>
      </td>
      <td data-cell="Artista">
	Pink Floyd
      </td>
      <td data-cell="Ano" class="align-right">
	1973
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6MFIBPVrZjHjP0pPkVF3IU?si=7kRq8xw5TCSblXMEKtWT6g">The Grand Illusion</a>
      </td>
      <td data-cell="Artista">
	Styx
      </td>
      <td data-cell="Ano" class="align-right">
	1977
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/7BnUE62FYHaTPsQKTJYZDO?si=611e0c41fa9a491f">The Raven</a>
      </td>
      <td data-cell="Artista">
	Lou Reed
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/61h3VS8XDROIpvQznjTPTT?si=IJ47ZKJpQkyFbO2U8kMljQ">The Singles 86&gt;98</a>
      </td>
      <td data-cell="Artista">
	Depeche Mode
      </td>
      <td data-cell="Ano" class="align-right">
	1998
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4xwx0x7k6c5VuThz5qVqmV?si=c0e87b96b0c64373">The Velvet Underground &amp; Nico</a>
      </td>
      <td data-cell="Artista">
	The Velvet Underground
      </td>
      <td data-cell="Ano" class="align-right">
	1967
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5Dbax7G8SWrP9xyzkOvy2F?si=fc3148d6d85a4c36">The Wall</a>
      </td>
      <td data-cell="Artista">
	Pink Floyd
      </td>
      <td data-cell="Ano" class="align-right">
	1979
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4NIGwEvudtT3KZrYPymOmz?si=mkKS9XQiS6mR7dIXhHHJpw">Transa</a>
      </td>
      <td data-cell="Artista">
	Caetano Veloso
      </td>
      <td data-cell="Ano" class="align-right">
	1972
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5SqbMEyAt8332ISGiLX0St?si=0696a0b732264400">Transformer</a>
      </td>
      <td data-cell="Artista">
	Lou Reed
      </td>
      <td data-cell="Ano" class="align-right">
	1972
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/1kNwLPweR4ieuoGvbm1kP1?si=bf6764a9c86f4dcf">Tribalistas</a>
      </td>
      <td data-cell="Artista">
	Tribalistas
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6tw7OJocIA4PAvqmVt0hdj?si=oqwarDaNSHSUQbbsh86Wpg">Tropicália: ou Panis et Circencis</a>
      </td>
      <td data-cell="Artista">
	Gilberto Gil, Caetano Veloso, Tom Zé, Os Mutantes, Gal Costa
      </td>
      <td data-cell="Ano" class="align-right">
	1968
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4sW8Eql2e2kdRP1A1R1clG?si=nv0toMwXQmWV2V1IC0sRkg">Turn On the Bright Lights</a>
      </td>
      <td data-cell="Artista">
	Interpol
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5Dgqy4bBg09Rdw7CQM545s?si=c48d95ee3c044fac">Unknown Pleasures</a>
      </td>
      <td data-cell="Artista">
	Joy Division
      </td>
      <td data-cell="Ano" class="align-right">
	1979
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/22Su2Seg4jxRMMSjs0bKZq?si=kd3wsFsbQymsWoGS31Pxbg">Vamo Batê Lata</a>
      </td>
      <td data-cell="Artista">
	Os Paralamas do Sucesso
      </td>
      <td data-cell="Ano" class="align-right">
	1995
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4cxRdPfjjOHQORyiq8swuQ?si=8edcc6e426964343">Victor Jara</a>
      </td>
      <td data-cell="Artista">
	Victor Jara
      </td>
      <td data-cell="Ano" class="align-right">
	1966
      </td>
      <td data-cell="Língua">
	es
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/5E7guS2jnnykbjP8I1xKLV?si=64M0wMfYQMycK60jxMO1jw">Violeta</a>
      </td>
      <td data-cell="Artista">
	Terno Rei
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
      <td data-cell="Língua">
	pt
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/4E7bV0pzG0LciBSWTszra6?si=85b6e6745e0f4dbe">X&amp;Y</a>
      </td>
      <td data-cell="Artista">
	Coldplay
      </td>
      <td data-cell="Ano" class="align-right">
	2005
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/2av2ZSHlvD7rvLSsMvtYCG?si=65c1d672f1084497">xx</a>
      </td>
      <td data-cell="Artista">
	The xx
      </td>
      <td data-cell="Ano" class="align-right">
	2009
      </td>
      <td data-cell="Língua">
	en
      </td>
    </tr>
  
    <tr>
      <td data-cell="Álbum">
	<a href="https://open.spotify.com/album/6MuoqipFgorIZEYwGWEFAU?si=14469b6e46c04be2">Zaz</a>
      </td>
      <td data-cell="Artista">
	Zaz
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
      <td data-cell="Língua">
	fr
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>A saner keyboard</title><link>https://eternodevir.com/palimpsests/a-saner-keyboard/</link><pubDate>Tue, 11 Jul 2023 08:01:06 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/a-saner-keyboard/</guid><description>I think keyboards are fascinating devices, from design, technological, and linguistic perspectives. After all, a keyboard encompasses the tasks of (i) communicating in written language, (ii) operating and controlling the machine, and (iii) programming in computer language.
Shortly after starting to use GNU Emacs, I found myself thinking extensively about the position of the keys on my keyboard. After researching a bit, the first information I found was about the different layouts, particularly qwerty and dvorak.</description><content:encoded><![CDATA[<p>
I think keyboards are fascinating devices, from design, technological, and linguistic perspectives. After all, a keyboard encompasses the tasks of (i) communicating in written language, (ii) operating and controlling the machine, and (iii) programming in computer language.</p>
<p>
Shortly after starting to use GNU Emacs, I found myself thinking extensively about the position of the keys on my keyboard. After researching a bit, the first information I found was about the different layouts, particularly <code class="verbatim">qwerty</code> and <code class="verbatim">dvorak</code>.</p>
<p>
<figure><img src="/images/palimpsests/2023/image01.jpg"
         alt="Qwerty Layout"/><figcaption>
            <p>Qwerty Layout</p>
        </figcaption>
</figure>
</p>
<p>
<figure><img src="/images/palimpsests/2023/image02.jpg"
         alt="Dvorak Layout"/><figcaption>
            <p>Dvorak Layout</p>
        </figcaption>
</figure>
</p>
<p>
At first, <code class="verbatim">dvorak</code>&#39;s proposal to distribute the keys according to letter frequency seemed sound to me. However, in a context of writing in different languages, the frequency and positions would have to change for each language. For that reason alone, I ended up deciding to stick with <code class="verbatim">qwerty</code> for now.</p>
<p>
Although the linguistic layout had an impact, I was more concerned with the position of the operational keys. For example, to me, it did not make sense for <kbd>CAPS</kbd> to be an easier-key-to-press than <kbd>ESC</kbd>. While reading the book <em>Mastering Emacs</em>,  I ended up discovering that the keyboards, at the time of GNU Emacs creation, were completely different in terms of modifiers.</p>
<blockquote>
<p>A much older joke is that Emacs stands for “Escape Meta Alt Control Shift.” (…) Back then, most Emacs keys were bound to a larger range of physical keyboard modifiers but when the keyboard maker (and the business that made the machines the keyboards were plugged into) went bust, Emacs had to change with the times. Instead of undoing the cornerstone of Emacs, the developers shuffled the keys around and made them work on normal, boring PC keyboards.</p>
<p>
<span class="style-normal">— Mickey Petersen, in Mastering Emacs (2015)</span></p>
</blockquote>
<p>
When I saw the photo of a Space Cadet used on the first Lisp machines, many traditional GNU bindings started to make even more sense, beyond their mnemonic aspect. For example, the fact that the current <kbd>Alt</kbd> key is called <kbd>M-</kbd> (Meta).</p>
<figure>
  <img src="/images/palimpsests/2023/image03.jpg" alt="Space Cadet">
  <figcaption>
    <p>Space Cadet used with the LM-2<sup class="footnote-reference"><a id="footnote-reference-1" href="#footnote-1">1</a></sup></p>
  </figcaption>
</figure>
<p>
Until this moment I was using the formidable <a href="https://github.com/kmonad/kmonad">KMonad</a> to swap the position of <kbd>CAPS</kbd> and <kbd>ESC</kbd>. I also spent some time customizing different layers to have a little more comfort even on a traditional keyboard design. One of KMonad&#39;s most powerful features is the ability to assign different commands to the same key based on the press type. For instance, I programmed my <kbd>SPC</kbd> key to act like <kbd>s-</kbd> (Super) when pressed for more than 500ms without affecting its default functionality.</p>
<div class="src src-text">
<div class="highlight"><pre tabindex="0" class="chroma"><code class="language-text" data-lang="text"><span class="line"><span class="cl">#| --------------------------------------------------------------------
</span></span><span class="line"><span class="cl">                   KMonad: BR abnt-2 100% template
</span></span><span class="line"><span class="cl">-------------------------------------------------------------------- |#
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(defsrc
</span></span><span class="line"><span class="cl">  esc f1 f2 f3 f4 f5 f6 f7 f8 f9 f10 f11 f12 ssrq slck pause
</span></span><span class="line"><span class="cl">  grv 1 2 3 4 5 6 7 8 9 0 - = bspc ins home pgup nlck kp/ kp* kp-
</span></span><span class="line"><span class="cl">  tab q w e r t y u i o p [ [ ret del end pgdn kp7 kp8 kp9 kp+
</span></span><span class="line"><span class="cl">  caps a s d f g h j k l ; &#39; ] kp4 kp5 kp6
</span></span><span class="line"><span class="cl">  lsft 102d z x c v b n m , . ; / rsft up kp1 kp2 kp3 kprt
</span></span><span class="line"><span class="cl">  lctl lmet lalt spc ralt cmp rctl left down rght kp0 kp. )
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(deflayer base
</span></span><span class="line"><span class="cl">  caps f1 f2 f3 f4 f5 f6 f7 f8 f9 f10 f11 f12 ssrq slck pause
</span></span><span class="line"><span class="cl">  grv 1 2 3 4 5 6 7 8 9 0 - = bspc ins home pgup nlck kp/ kp* kp-
</span></span><span class="line"><span class="cl">  tab q w e r t y u i o p [ [ ret del end pgdn kp7 kp8 kp9 kp+
</span></span><span class="line"><span class="cl">  @ces a s d f g h j k l ; &#39; ] kp4 kp5 kp6
</span></span><span class="line"><span class="cl">  lsft 102d z x c v b n m , . ; / rsft up kp1 kp2 kp3 kprt
</span></span><span class="line"><span class="cl">  lctl lmet lalt @dwm ralt @swt rctl left down rght kp0 kp. )
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(deflayer xfk
</span></span><span class="line"><span class="cl">  esc f1 f2 f3 f4 f5 f6 f7 f8 f9 f10 f11 f12 ssrq slck pause
</span></span><span class="line"><span class="cl">  grv 1 2 3 4 del 6 7 8 9 0 - = bspc ins home pgup nlck kp/ kp* kp-
</span></span><span class="line"><span class="cl">  tab q w @db @df t y @bw up @fw p [ [ ret del end pgdn kp7 kp8 kp9 kp+
</span></span><span class="line"><span class="cl">  caps a ret bspc f g home left down rght end &#39; ] kp4 kp5 kp6
</span></span><span class="line"><span class="cl">  lsft 102d z x c v b n m , . ; / rsft up kp1 kp2 kp3 kprt
</span></span><span class="line"><span class="cl">  lctl lmet lalt spc ralt @swt rctl left down rght kp0 kp. )
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(deflayer switch
</span></span><span class="line"><span class="cl">  _ @s1 @s2 _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ @swt _ _ _ _ _ _ )
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(defalias
</span></span><span class="line"><span class="cl">  dwm (tap-hold 500 spc lmet)
</span></span><span class="line"><span class="cl">  swt (layer-toggle switch)
</span></span><span class="line"><span class="cl">  ces (tap-hold 500 esc lctl)
</span></span><span class="line"><span class="cl">  s1 (layer-switch base)
</span></span><span class="line"><span class="cl">  s2 (layer-switch xfk)
</span></span><span class="line"><span class="cl">  bw (around ctl left)
</span></span><span class="line"><span class="cl">  fw (around ctl right)
</span></span><span class="line"><span class="cl">  db (around ctl bspc)
</span></span><span class="line"><span class="cl">  df (around ctl del))</span></span></code></pre></div>
</div>
<p>
However, even after customizing my entire keyboard using KMonad, I was still bothered by the physical position of the keys. Furthermore, the idea of ​​running a separate program to modify them did not appeal to me that much either. It was then that I discovered the X-Bows keyboard.</p>
<p>
<figure><img src="/images/palimpsests/2023/image00.jpg"
         alt="X-Bows"/>
</figure>
</p>
<p>
The X-Bows has alternative keys for the thumb position, which was previously used primarily to press <kbd>SPC</kbd>. With these new keys, I can control the <kbd>C-</kbd>, <kbd>M-</kbd> and <kbd>S-</kbd> modifiers only with that finger. I also have <kbd>DEL</kbd> and <kbd>RET</kbd> within easy reach. In short, the keyboard relieves combinations from the weakest finger, the little finger, to stronger fingers near the keyboard&#39;s center. That, along with the spacing and angulation, represents huge gains in comfort and performance.</p>
<p>
Aside from the ergonomic benefits, the ability to use thumb modifiers is also a boon when using GNU Emacs. Additionally, I found adapting to the keyboard to be quicker than expected. I will write more about that in an upcoming post on <strong>touch typing</strong>.</p>
<p>
In advance, I have been using the X-Bows for just over 3 months now. The only disadvantage I have noticed so far is that I have become so used to its design that it feels odd typing on other keyboards, especially on laptops. I have become somewhat dependent on it, which is not necessarily a bad thing. Ideally, it would be great to have laptops with the thumb cluster design one day. Or rather, if this design became a widespread standard.</p>
<p>
Until then, the most viable option has been carrying the X-Bows with me whenever necessary.</p>
<div class="footnotes">
  <hr class="footnotes-separatator">
  <div class="footnote-definitions">
    <div class="footnote-definition">
      <sup id="footnote-1"><a href="#footnote-reference-1">1</a></sup>
      <div class="footnote-body">
        <p>Retro-Computing Society of Rhode Island, via <a href="https://en.wikipedia.org/wiki/Space-cadet_keyboard#/media/File:Space-cadet.jpg">Wikimedia Commons</a>.</p>
      </div>
    </div>
  </div>
</div>
]]></content:encoded></item><item><title>Um teclado mais sensato</title><link>https://eternodevir.com/pt-br/palimpsests/um-teclado-mais-sensato/</link><pubDate>Tue, 11 Jul 2023 08:01:06 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/um-teclado-mais-sensato/</guid><description>Eu acho teclados dispositivos fascinantes, do ponto de vista do design, tecnológico e linguístico. Afinal, um teclado abrange as tarefas de (i) comunicação em linguagem escrita, (ii) operação e controle da máquina e (iii) programação em linguagem computacional.
Pouco tempo após começar a utilizar o GNU Emacs, eu me peguei pensando bastante sobre a posição das teclas do meu teclado. Depois de pesquisar um pouco, a primeira informação que encontrei foi sobre os diferentes layouts, principalmente o qwerty e o dvorak.</description><content:encoded><![CDATA[<p>
Eu acho teclados dispositivos fascinantes, do ponto de vista do design, tecnológico e linguístico. Afinal, um teclado abrange as tarefas de (i) comunicação em linguagem escrita, (ii) operação e controle da máquina e (iii) programação em linguagem computacional.</p>
<p>
Pouco tempo após começar a utilizar o GNU Emacs, eu me peguei pensando bastante sobre a posição das teclas do meu teclado. Depois de pesquisar um pouco, a primeira informação que encontrei foi sobre os diferentes layouts, principalmente o <code class="verbatim">qwerty</code> e o <code class="verbatim">dvorak</code>.</p>
<p>
<figure><img src="/images/palimpsests/2023/image01.jpg"
         alt="Qwerty Layout"/><figcaption>
            <p>Qwerty Layout</p>
        </figcaption>
</figure>
</p>
<p>
<figure><img src="/images/palimpsests/2023/image02.jpg"
         alt="Dvorak Layout"/><figcaption>
            <p>Dvorak Layout</p>
        </figcaption>
</figure>
</p>
<p>
A princípio, a proposta do <code class="verbatim">dvorak</code> de distribuir as teclas de acordo com a frequência das letras me pareceu sensata. Porém, em um contexto de escrita em línguas diferentes, a frequência e as posições teriam que mudar para cada idioma. Por esse único motivo, acabei decidindo continuar com o <code class="verbatim">qwerty</code> por enquanto.</p>
<p>
Embora o layout linguístico tenha tido impacto, eu estava mais preocupado com a posição das teclas operacionais. Por exemplo, para mim, não fazia sentido o <kbd>CAPS</kbd> ser uma tecla mais fácil de pressionar do que o <kbd>ESC</kbd>. Ao ler o livro <em>Mastering Emacs</em>, acabei descobrindo que os teclados, na época da criação do GNU Emacs, eram completamente diferentes em relação aos modificadores.</p>
<blockquote>
<p>A much older joke is that Emacs stands for “Escape Meta Alt Control Shift.” (…) Back then, most Emacs keys were bound to a larger range of physical keyboard modifiers but when the keyboard maker (and the business that made the machines the keyboards were plugged into) went bust, Emacs had to change with the times. Instead of undoing the cornerstone of Emacs, the developers shuffled the keys around and made them work on normal, boring PC keyboards.</p>
<p>
<span class="style-normal">— Mickey Petersen, em Mastering Emacs (2015)</span></p>
</blockquote>
<p>
Quando vi a foto de um Space Cadet usado nas primeiras máquinas Lisp, muitos atalhos tradicionais do GNU começaram a fazer ainda mais sentido, para além do seu aspecto mnemônico. Por exemplo, o fato de a atual tecla <kbd>Alt</kbd> ser chamada de <kbd>M-</kbd> (Meta).</p>
<figure>
  <img src="/images/palimpsests/2023/image03.jpg" alt="Space Cadet">
  <figcaption>
    <p>Space Cadet utilizado na LM-2<sup class="footnote-reference"><a id="footnote-reference-1" href="#footnote-1">1</a></sup></p>
  </figcaption>
</figure>
<p>
Até esse momento eu estava utilizando o formidável <a href="https://github.com/kmonad/kmonad">KMonad</a> para trocar a posição do <kbd>CAPS</kbd> com o  <kbd>ESC</kbd>. Também passei algum tempo personalizando diferentes camadas para ter um pouco mais de conforto, mesmo em um design de teclado tradicional. Um dos recursos mais poderosos do KMonad é a possibilidade de atribuir comandos diferentes à mesma tecla com base no tipo de pressionamento. Por exemplo, eu programei minha tecla <kbd>SPC</kbd> para agir como <kbd>s-</kbd> (Super) quando pressionada por mais de 500ms, sem afetar sua funcionalidade padrão.</p>
<div class="src src-text">
<div class="highlight"><pre tabindex="0" class="chroma"><code class="language-text" data-lang="text"><span class="line"><span class="cl">#| --------------------------------------------------------------------
</span></span><span class="line"><span class="cl">                   KMonad: BR abnt-2 100% template
</span></span><span class="line"><span class="cl">-------------------------------------------------------------------- |#
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(defsrc
</span></span><span class="line"><span class="cl">  esc f1 f2 f3 f4 f5 f6 f7 f8 f9 f10 f11 f12 ssrq slck pause
</span></span><span class="line"><span class="cl">  grv 1 2 3 4 5 6 7 8 9 0 - = bspc ins home pgup nlck kp/ kp* kp-
</span></span><span class="line"><span class="cl">  tab q w e r t y u i o p [ [ ret del end pgdn kp7 kp8 kp9 kp+
</span></span><span class="line"><span class="cl">  caps a s d f g h j k l ; &#39; ] kp4 kp5 kp6
</span></span><span class="line"><span class="cl">  lsft 102d z x c v b n m , . ; / rsft up kp1 kp2 kp3 kprt
</span></span><span class="line"><span class="cl">  lctl lmet lalt spc ralt cmp rctl left down rght kp0 kp. )
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(deflayer base
</span></span><span class="line"><span class="cl">  caps f1 f2 f3 f4 f5 f6 f7 f8 f9 f10 f11 f12 ssrq slck pause
</span></span><span class="line"><span class="cl">  grv 1 2 3 4 5 6 7 8 9 0 - = bspc ins home pgup nlck kp/ kp* kp-
</span></span><span class="line"><span class="cl">  tab q w e r t y u i o p [ [ ret del end pgdn kp7 kp8 kp9 kp+
</span></span><span class="line"><span class="cl">  @ces a s d f g h j k l ; &#39; ] kp4 kp5 kp6
</span></span><span class="line"><span class="cl">  lsft 102d z x c v b n m , . ; / rsft up kp1 kp2 kp3 kprt
</span></span><span class="line"><span class="cl">  lctl lmet lalt @dwm ralt @swt rctl left down rght kp0 kp. )
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(deflayer xfk
</span></span><span class="line"><span class="cl">  esc f1 f2 f3 f4 f5 f6 f7 f8 f9 f10 f11 f12 ssrq slck pause
</span></span><span class="line"><span class="cl">  grv 1 2 3 4 del 6 7 8 9 0 - = bspc ins home pgup nlck kp/ kp* kp-
</span></span><span class="line"><span class="cl">  tab q w @db @df t y @bw up @fw p [ [ ret del end pgdn kp7 kp8 kp9 kp+
</span></span><span class="line"><span class="cl">  caps a ret bspc f g home left down rght end &#39; ] kp4 kp5 kp6
</span></span><span class="line"><span class="cl">  lsft 102d z x c v b n m , . ; / rsft up kp1 kp2 kp3 kprt
</span></span><span class="line"><span class="cl">  lctl lmet lalt spc ralt @swt rctl left down rght kp0 kp. )
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(deflayer switch
</span></span><span class="line"><span class="cl">  _ @s1 @s2 _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
</span></span><span class="line"><span class="cl">  _ _ _ _ _ @swt _ _ _ _ _ _ )
</span></span><span class="line"><span class="cl">
</span></span><span class="line"><span class="cl">(defalias
</span></span><span class="line"><span class="cl">  dwm (tap-hold 500 spc lmet)
</span></span><span class="line"><span class="cl">  swt (layer-toggle switch)
</span></span><span class="line"><span class="cl">  ces (tap-hold 500 esc lctl)
</span></span><span class="line"><span class="cl">  s1 (layer-switch base)
</span></span><span class="line"><span class="cl">  s2 (layer-switch xfk)
</span></span><span class="line"><span class="cl">  bw (around ctl left)
</span></span><span class="line"><span class="cl">  fw (around ctl right)
</span></span><span class="line"><span class="cl">  db (around ctl bspc)
</span></span><span class="line"><span class="cl">  df (around ctl del))</span></span></code></pre></div>
</div>
<p>
Porém, mesmo após personalizar o meu teclado inteiro com o KMonad, eu ainda me incomodava com a posição física das teclas. Além disso, a ideia de executar um programa separado para modificá-las também não me agradava tanto. Foi então que descobri o teclado X-Bows.</p>
<p>
<figure><img src="/images/palimpsests/2023/image00.jpg"
         alt="X-Bows"/>
</figure>
</p>
<p>
O X-Bows possui teclas alternativas para a posição do polegar, que anteriormente era utilizado principalmente para pressionar a tecla <kbd>SPC</kbd>. Com essas novas teclas, consigo controlar os modificadores <kbd>C-</kbd>, <kbd>M-</kbd> e <kbd>S-</kbd > apenas com esse dedo. Também possuo <kbd>DEL</kbd> e <kbd>RET</kbd> em fácil alcance. Em síntese, o teclado alivia combinações do dedo mais fraco, o mindinho, para dedos mais fortes próximos ao centro do teclado. Isso, junto com o espaçamento e a angulação, representa enormes ganhos em conforto e desempenho.</p>
<p>
Além dos benefícios ergonômicos, poder pressionar os modificadores com o polegar também é uma dádiva ao utilizar o GNU Emacs. Além disso, percebi que a adaptação ao teclado foi mais rápida do que imaginei. Vou escrever mais sobre isso em uma próxima publicação sobre <strong>digitação por toque</strong>.</p>
<p>
De antemão, estou utilizando o X-Bows há pouco mais de 3 meses. A única desvantagem que notei até agora foi que me acostumei tanto com seu design que estranho digitar em outros teclados, principalmente em laptops. De certa forma, fiquei um pouco dependente dele, o que não é necessariamente ruim. Idealmente, seria ótimo se existissem laptops com o design <em>thumb cluster</em> um dia. Ou melhor, se esse design se tornasse um padrão difundido.</p>
<p>
Até lá, a opção mais viável tem sido carregar o X-Bows sempre que necessário.</p>
<div class="footnotes">
  <hr class="footnotes-separatator">
  <div class="footnote-definitions">
    <div class="footnote-definition">
      <sup id="footnote-1"><a href="#footnote-reference-1">1</a></sup>
      <div class="footnote-body">
        <p>Retro-Computing Society of Rhode Island, via <a href="https://en.wikipedia.org/wiki/Space-cadet_keyboard#/media/File:Space-cadet.jpg">Wikimedia Commons</a>.</p>
      </div>
    </div>
  </div>
</div>
]]></content:encoded></item><item><title>Directors</title><link>https://eternodevir.com/dg/directors/</link><pubDate>Wed, 07 Jun 2023 07:49:09 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/directors/</guid><description>Featuring list Wong Kar-Wai is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylized films. Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid imagery. Michelangelo Antonioni was an Italian modernist film director, screenwriter, editor, and short story writer. Antonioni redefined the concept of narrative cinema and challenged traditional approaches to storytelling, realism, drama, and the world at large.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Featuring list
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<div class="flex flex--col-to-row">
  <img class="flex__img--person" src="/images/dg/directors/wong-kar-wai.jpg" alt="Wong Kar-Wai">
  <p class="margin-0 padding-0 flex__descr">
    <a href="https://www.themoviedb.org/person/12453-wong-kar-wai">Wong Kar-Wai</a> is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylized films. Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid imagery.
  </p>
</div>
<br>
<div class="flex flex--col-to-row">
  <img class="flex__img--person" src="/images/dg/directors/michelangelo-antonioni.jpg" alt="Michelangelo Antonioni">
  <p class="margin-0 padding-0 flex__descr"><a href="https://www.themoviedb.org/person/15189-michelangelo-antonioni">Michelangelo Antonioni</a> was an Italian modernist film director, screenwriter, editor, and short story writer. Antonioni redefined the concept of narrative cinema and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced enigmatic and intricate mood pieces and rejected action in favor of contemplation, focusing on image and design.</p>
</div>
<br>
<div class="flex flex--col-to-row">
  <img class="flex__img--person" src="/images/dg/directors/pedro-almodovar.jpg" alt="Pedro Almodóvar">
  <p class="margin-0 padding-0 flex__descr"><a href="https://www.themoviedb.org/person/309-pedro-almod-var">Pedro Almodóvar</a> is a Spanish film director, arguably the most internationally known of his generation. Almodóvar's films employ the codes of melodrama and are marked by complex narratives, irreverent humor, strong colors, glossy décor, and references to pop culture and popular songs. Desire, passion, family and identity are among Almodóvar’s most prevalent themes.</p>
</div>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Alphabetical list
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Directors
  </caption>
  <thead>
    <tr>
      <th>Director</th>
      <th>Birthplace</th>
      <th style="text-align:-center;">Year</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/6817-agnes-varda">Agnès Varda</a>
      </td>
      <td data-cell="POB">
	Belgium
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1928-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/5026-akira-kurosawa">Akira Kurosawa</a>
      </td>
      <td data-cell="POB">
	Japan
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1910-1998
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/2636-alfred-hitchcock">Alfred Hitchcock</a>
      </td>
      <td data-cell="POB">
	England
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1899-1980
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/8452-andrei-tarkovsky">Andrei Tarkovsky</a>
      </td>
      <td data-cell="POB">
	USSR
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1932-1986
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/9956-chris-marker">Chris Marker</a>
      </td>
      <td data-cell="POB">
	France
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1921-2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/38516-denys-arcand">Denys Arcand</a>
      </td>
      <td data-cell="POB">
	Canada
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1941
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/95111-dziga-vertov">Dziga Vertov</a>
      </td>
      <td data-cell="POB">
	Russian Empire
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1896-1954
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/1650-fran-ois-truffaut">François Truffaut</a>
      </td>
      <td data-cell="POB">
	France
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1932-1984
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/544845-glauber-rocha">Glauber Rocha</a>
      </td>
      <td data-cell="POB">
	Brazil
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1939-1981
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/608-hayao-miyazaki">Hayao Miyazaki</a>
      </td>
      <td data-cell="POB">
	Japan
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1941
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/3776-jean-luc-godard">Jean-Luc Godard</a>
      </td>
      <td data-cell="POB">
	France
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1930-2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/2419-jean-pierre-jeunet">Jean-Pierre Jeunet</a>
      </td>
      <td data-cell="POB">
	France
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1953
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/1016214-kleber-mendonca-filho">Kleber Mendonça Filho</a>
      </td>
      <td data-cell="POB">
	Brazil
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1968
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/1126-krzysztof-kie-lowski">Krzysztof Kieślowski</a>
      </td>
      <td data-cell="POB">
	Poland
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1941-1996
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/4109-michael-curtiz">Michael Curtiz</a>
      </td>
      <td data-cell="POB">
	Austria-Hungary
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1886-1962
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/15189-michelangelo-antonioni">Michelangelo Antonioni</a>
      </td>
      <td data-cell="POB">
	Italy
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1912-2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/309-pedro-almod-var">Pedro Almodóvar</a>
      </td>
      <td data-cell="POB">
	Spain
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1949
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/138-quentin-tarantino">Quentin Tarantino</a>
      </td>
      <td data-cell="POB">
	USA
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1963
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/578-ridley-scott">Ridley Scott</a>
      </td>
      <td data-cell="POB">
	England
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1937
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/112200-slavoj-i-ek">Slavoj Žižek</a>
      </td>
      <td data-cell="POB">
	Slovenia
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1949
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/17282-takashi-miike">Takashi Miike</a>
      </td>
      <td data-cell="POB">
	Japan
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1960
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/71174-tsai-ming-liang">Tsai Ming-liang</a>
      </td>
      <td data-cell="POB">
	Malaysia
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1957
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/6818-werner-herzog">Werner Herzog</a>
      </td>
      <td data-cell="POB">
	Germany
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1942
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/5655-wes-anderson">Wes Anderson</a>
      </td>
      <td data-cell="POB">
	USA
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1969
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/2303-wim-wenders">Wim Wenders</a>
      </td>
      <td data-cell="POB">
	Germany
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1945
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/12453-wong-kar-wai">Wong Kar-Wai</a>
      </td>
      <td data-cell="POB">
	China
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1958
      </td>
    </tr>
  
    <tr>
      <td data-cell="Director">
	<a href="https://www.themoviedb.org/person/122423-yorgos-lanthimos">Yorgos Lanthimos</a>
      </td>
      <td data-cell="POB">
	Greece
      </td>
      <td data-cell="Year" style="text-align:-center;">
	1973
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Diretores</title><link>https://eternodevir.com/pt-br/dg/directors/</link><pubDate>Wed, 07 Jun 2023 07:49:09 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/directors/</guid><description>Destaques Wong Kar-Wai é um cineasta da Segunda Onda de Hong Kong, reconhecido internacionalmente como auteur por seus filmes visualmente únicos e altamente estilizados. Seus filmes frequentemente apresentam protagonistas que anseiam por romance no meio de uma vida conscientemente breve, com cenas que amíude podem ser descritas como esboçadas, digressivas, eletrizantes e contendo imagens vívidas. Michelangelo Antonioni foi um diretor de cinema modernista italiano, roteirista, editor e contista. Antonioni redefiniu o conceito de cinema narrativo e desafiou as abordagens tradicionais da narrativa, do realismo, do drama e do mundo em geral.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Destaques
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<div class="flex flex--col-to-row">
  <img class="flex__img--person" src="/images/dg/directors/wong-kar-wai.jpg" alt="Wong Kar-Wai">
  <p class="margin-0 padding-0 flex__descr">
    <a href="https://www.themoviedb.org/person/12453-wong-kar-wai">Wong Kar-Wai</a> é um cineasta da Segunda Onda de Hong Kong, reconhecido internacionalmente como auteur por seus filmes visualmente únicos e altamente estilizados. Seus filmes frequentemente apresentam protagonistas que anseiam por romance no meio de uma vida conscientemente breve, com cenas que amíude podem ser descritas como esboçadas, digressivas, eletrizantes e contendo imagens vívidas.
  </p>
</div>
<br>
<div class="flex flex--col-to-row">
  <img class="flex__img--person" src="/images/dg/directors/michelangelo-antonioni.jpg" alt="Michelangelo Antonioni">
  <p class="margin-0 padding-0 flex__descr"><a href="https://www.themoviedb.org/person/15189-michelangelo-antonioni">Michelangelo Antonioni</a> foi um diretor de cinema modernista italiano, roteirista, editor e contista. Antonioni redefiniu o conceito de cinema narrativo e desafiou as abordagens tradicionais da narrativa, do realismo, do drama e do mundo em geral. Ele produziu obras de atmosfera enigmática e intrincada, rejeitando a ação em favor da contemplação, focando na imagem e no design.</p>
</div>
<br>
<div class="flex flex--col-to-row">
  <img class="flex__img--person" src="/images/dg/directors/pedro-almodovar.jpg" alt="Pedro Almodóvar">
  <p class="margin-0 padding-0 flex__descr"><a href="https://www.themoviedb.org/person/309-pedro-almod-var">Pedro Almodóvar</a> é um diretor de cinema espanhol, talvez o mais conhecido internacionalmente de sua geração. Seus filmes empregam os símbolos do melodrama e são marcados por narrativas complexas, humor irreverente, cores fortes, decoração brilhante e referências à cultura pop e canções populares. Desejo, paixão, família e identidade estão entre os temas mais prevalentes de Almodóvar.</p>
</div>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Lista em ordem alfabética
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Directors
  </caption>
  <thead>
    <tr>
      <th>Diretor</th>
      <th>Local Nasc.</th>
      <th style="text-align:-center;">Ano</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/6817-agnes-varda">Agnès Varda</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Bélgica
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1928-2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/5026-akira-kurosawa">Akira Kurosawa</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Japão
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1910-1998
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/2636-alfred-hitchcock">Alfred Hitchcock</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Inglaterra
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1899-1980
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/8452-andrei-tarkovsky">Andrei Tarkovsky</a>
      </td>
      <td data-cell="Loc. Nasc.">
	URSS
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1932-1986
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/9956-chris-marker">Chris Marker</a>
      </td>
      <td data-cell="Loc. Nasc.">
	França
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1921-2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/38516-denys-arcand">Denys Arcand</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Canada
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1941
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/95111-dziga-vertov">Dziga Vertov</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Império Russo
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1896-1954
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/1650-fran-ois-truffaut">François Truffaut</a>
      </td>
      <td data-cell="Loc. Nasc.">
	França
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1932-1984
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/544845-glauber-rocha">Glauber Rocha</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Brasil
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1939-1981
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/608-hayao-miyazaki">Hayao Miyazaki</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Japão
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1941
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/3776-jean-luc-godard">Jean-Luc Godard</a>
      </td>
      <td data-cell="Loc. Nasc.">
	França
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1930-2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/2419-jean-pierre-jeunet">Jean-Pierre Jeunet</a>
      </td>
      <td data-cell="Loc. Nasc.">
	França
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1953
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/1016214-kleber-mendonca-filho">Kleber Mendonça Filho</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Brasil
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1968
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/1126-krzysztof-kie-lowski">Krzysztof Kieślowski</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Polônia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1941-1996
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/4109-michael-curtiz">Michael Curtiz</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Áustria-Hungria
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1886-1962
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/15189-michelangelo-antonioni">Michelangelo Antonioni</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Itália
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1912-2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/309-pedro-almod-var">Pedro Almodóvar</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Espanha
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1949
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/138-quentin-tarantino">Quentin Tarantino</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Estados Unidos
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1963
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/578-ridley-scott">Ridley Scott</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Inglaterra
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1937
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/112200-slavoj-i-ek">Slavoj Žižek</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Eslovênia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1949
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/17282-takashi-miike">Takashi Miike</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Japão
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1960
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/71174-tsai-ming-liang">Tsai Ming-liang</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Malásia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1957
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/6818-werner-herzog">Werner Herzog</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Alemanha
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1942
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/5655-wes-anderson">Wes Anderson</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Estados Unidos
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1969
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/2303-wim-wenders">Wim Wenders</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Alemanha
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1945
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/12453-wong-kar-wai">Wong Kar-Wai</a>
      </td>
      <td data-cell="Loc. Nasc.">
	China
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1958
      </td>
    </tr>
  
    <tr>
      <td data-cell="Diretor">
	<a href="https://www.themoviedb.org/person/122423-yorgos-lanthimos">Yorgos Lanthimos</a>
      </td>
      <td data-cell="Loc. Nasc.">
	Grécia
      </td>
      <td data-cell="Ano" style="text-align:-center;">
	1973
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Music videos</title><link>https://eternodevir.com/dg/music-videos/</link><pubDate>Sun, 09 Apr 2023 11:35:06 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/music-videos/</guid><description>Playlist List Favorite Music Videos Song Artist Year Six Days DJ Shadow 2002 When I&amp;#39;m Small Phantogram 2010 Stole The Night Howling 2015 Murmurs Hundred Waters 2014 Nous Etions Deux La Femme 2013 Koop Island Blues Koop 2006 Harlem River Kevin Morby 2013 Feel Your Weight (Poolside Remix) Rhye 2018 Бутылочка ЛУНА 2016 Otvechai Za Slova Kedr Livanskiy 2016 Your Name Kedr Livanskiy 2017 La Foret Lescop 2011 You Need The Drugs Westbam 2013 One of the Girls Otha 2020 The Perfect Girl Mareux 2019 Keep The Streets Empty For Me Fever Ray 2009 Dead of Night Orville Peck 2019 Suck It And See Arctic Monkeys 2011 In For The Kill La Roux 2008 Fiction The xx 2012 Islands The xx 2009 Stories Upon Your Lips The Rambling Wheels 2016 Moon Thiago Pethit 2012 The Less I Know The Better Tame Impala 2015 Amor Marginal Johnny Hooker 2012 Lesson 1 L&amp;#39;Equipe du Son 2012 Again The George Kaplan Conspiracy 2019 A Train COMA 2019 By Swallow Season Shintaro Sakamoto 2021 Metroma The Sei 2018 She Pretends Isaac Delusion 2014 Exit Music For a Film The Marías 2020 Lost In Singapore Tropea 2019 My Smile Is Extinct Kane Strang 2017 Bungalow Bilderbuch 2017 Sorry About the Carpet Agar Agar 2018 The Look Metronomy 2010 Money The Drums 2011 Champagne Coast Blood Orange 2011 Thirteen Thirtyfive Dillon 2011 Space Cadet The Technicolors 2016 J&amp;#39;aimerai Johan Papaconstantino 2018 Algum Ritmo Gilsons &amp;amp; Jovem Dionisio 2021 Hardcore Odezenne 2020 Souffle le vent Odezenne 2015 Stolen Dance Milky Chance 2013 Skyscrapers OK Go 2010 Beneath the Rose Micah P Hinson 2004 Coisas Bunitas Sara Tavares 2016 leichter//kälter Edwin Rosen 2022 Les Pensées The Architect 2013 À l&amp;#39;aube Feu!</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Playlist
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<div style="position:relative;padding-bottom:56.25%;height:0;overflow:hidden">
<iframe src="https://www.youtube-nocookie.com/embed/videoseries?si=oH6OQ2SzlV4Artf2&amp;controls=0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN" style="position:absolute;top:0;left:0;width:100%;height:100%;border:0" allowfullscreen="" title="YouTube Video"></iframe>
</div>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
List
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Music Videos
  </caption>
  <thead>
    <tr>
      <th>Song</th>
      <th>Artist</th>
      <th class="align-right">Year</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=eY-eyZuW_Uk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=1">Six Days</a>
      </td>
      <td data-cell="Artist">
	DJ Shadow
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=28tZ-S1LFok&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=2">When I&#39;m Small</a>
      </td>
      <td data-cell="Artist">
	Phantogram
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=J9qja4KmPQQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=3">Stole The Night</a>
      </td>
      <td data-cell="Artist">
	Howling
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=vo-8Oa2t4Ro&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=4">Murmurs</a>
      </td>
      <td data-cell="Artist">
	Hundred Waters
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=0cnlLaAcVdo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=5">Nous Etions Deux</a>
      </td>
      <td data-cell="Artist">
	La Femme
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=0W3MpOU3OUU&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=6">Koop Island Blues</a>
      </td>
      <td data-cell="Artist">
	Koop
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=7AZeDbDDTkQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=7">Harlem River</a>
      </td>
      <td data-cell="Artist">
	Kevin Morby
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=tdsH-yuCbCw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=8">Feel Your Weight (Poolside Remix)</a>
      </td>
      <td data-cell="Artist">
	Rhye
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=lq2kC1gZyaY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=9">Бутылочка</a>
      </td>
      <td data-cell="Artist">
	ЛУНА
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=fsdkzgoLoGo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=10">Otvechai Za Slova</a>
      </td>
      <td data-cell="Artist">
	Kedr Livanskiy
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=lZU6F7B5egg&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=11">Your Name</a>
      </td>
      <td data-cell="Artist">
	Kedr Livanskiy
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=Njpw2PVb1c0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=12">La Foret</a>
      </td>
      <td data-cell="Artist">
	Lescop
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=eSJgf3_3T74&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=13">You Need The Drugs</a>
      </td>
      <td data-cell="Artist">
	Westbam
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=kD2kSNDPwQE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=14">One of the Girls</a>
      </td>
      <td data-cell="Artist">
	Otha
      </td>
      <td data-cell="Year" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=V1l6kxQNq54&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=15">The Perfect Girl</a>
      </td>
      <td data-cell="Artist">
	Mareux
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=jWFb5z3kUSQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=16">Keep The Streets Empty For Me</a>
      </td>
      <td data-cell="Artist">
	Fever Ray
      </td>
      <td data-cell="Year" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=q3esGD6lcMM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=17">Dead of Night</a>
      </td>
      <td data-cell="Artist">
	Orville Peck
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=TlYJKfunfC0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=18">Suck It And See</a>
      </td>
      <td data-cell="Artist">
	Arctic Monkeys
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=tXtATeQ7GKg&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=19">In For The Kill</a>
      </td>
      <td data-cell="Artist">
	La Roux
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=GxYN8-HvL44&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=20">Fiction</a>
      </td>
      <td data-cell="Artist">
	The xx
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=PElhV8z7I60&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=21">Islands</a>
      </td>
      <td data-cell="Artist">
	The xx
      </td>
      <td data-cell="Year" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=0JJ4rxMWKgM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=22">Stories Upon Your Lips</a>
      </td>
      <td data-cell="Artist">
	The Rambling Wheels
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=OerfXnjUe8Q&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=23">Moon</a>
      </td>
      <td data-cell="Artist">
	Thiago Pethit
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=sBzrzS1Ag_g&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=24">The Less I Know The Better</a>
      </td>
      <td data-cell="Artist">
	Tame Impala
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=qe713DXVF8k&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=25">Amor Marginal</a>
      </td>
      <td data-cell="Artist">
	Johnny Hooker
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=FpHR35g3PZ8&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=26">Lesson 1</a>
      </td>
      <td data-cell="Artist">
	L&#39;Equipe du Son
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=LiCV5VKTWHE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=27">Again</a>
      </td>
      <td data-cell="Artist">
	The George Kaplan Conspiracy
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=fPIuhnOGs4g&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=28">A Train</a>
      </td>
      <td data-cell="Artist">
	COMA
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=zaSwGfCouMM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=29">By Swallow Season</a>
      </td>
      <td data-cell="Artist">
	Shintaro Sakamoto
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=4326e7JhzqI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=30">Metroma</a>
      </td>
      <td data-cell="Artist">
	The Sei
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=q7FStENUVUk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=31">She Pretends</a>
      </td>
      <td data-cell="Artist">
	Isaac Delusion
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=0wK0JKpfB5Y&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=32">Exit Music For a Film</a>
      </td>
      <td data-cell="Artist">
	The Marías
      </td>
      <td data-cell="Year" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=_ch5_UxUMck&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=33">Lost In Singapore</a>
      </td>
      <td data-cell="Artist">
	Tropea
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=pBEv_9t61Xk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=34">My Smile Is Extinct</a>
      </td>
      <td data-cell="Artist">
	Kane Strang
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=pV-GGCrRcu0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=35">Bungalow</a>
      </td>
      <td data-cell="Artist">
	Bilderbuch
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=1a53IkJv4Go&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=36">Sorry About the Carpet</a>
      </td>
      <td data-cell="Artist">
	Agar Agar
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=sFrNsSnk8GM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=37">The Look</a>
      </td>
      <td data-cell="Artist">
	Metronomy
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=IqYgNiZdfh4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=38">Money</a>
      </td>
      <td data-cell="Artist">
	The Drums
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=nO6y1-erVEw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=39">Champagne Coast</a>
      </td>
      <td data-cell="Artist">
	Blood Orange
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=jCId5WQ7BGw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=40">Thirteen Thirtyfive</a>
      </td>
      <td data-cell="Artist">
	Dillon
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=i1WxBAdknpw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=41">Space Cadet</a>
      </td>
      <td data-cell="Artist">
	The Technicolors
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=aABsXoQ1kDI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=42">J&#39;aimerai</a>
      </td>
      <td data-cell="Artist">
	Johan Papaconstantino
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=LkQeT6-RVXk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=43">Algum Ritmo</a>
      </td>
      <td data-cell="Artist">
	Gilsons &amp; Jovem Dionisio
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=sqIgr_xmGVI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=44">Hardcore</a>
      </td>
      <td data-cell="Artist">
	Odezenne
      </td>
      <td data-cell="Year" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=qTORQ0TIzQ0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=45">Souffle le vent</a>
      </td>
      <td data-cell="Artist">
	Odezenne
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=iX-QaNzd-0Y&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=46">Stolen Dance</a>
      </td>
      <td data-cell="Artist">
	Milky Chance
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=Rb4lgOiHBZo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=47">Skyscrapers</a>
      </td>
      <td data-cell="Artist">
	OK Go
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=QiVS56IePXw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=48">Beneath the Rose</a>
      </td>
      <td data-cell="Artist">
	Micah P Hinson
      </td>
      <td data-cell="Year" class="align-right">
	2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=D7RlQ5FLoRY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=49">Coisas Bunitas</a>
      </td>
      <td data-cell="Artist">
	Sara Tavares
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=cEHkiqDFJGc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=50">leichter//kälter</a>
      </td>
      <td data-cell="Artist">
	Edwin Rosen
      </td>
      <td data-cell="Year" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=GjqZaS9DKYc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=51">Les Pensées</a>
      </td>
      <td data-cell="Artist">
	The Architect
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=pWJ1wpp-N0k&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=52">À l&#39;aube</a>
      </td>
      <td data-cell="Artist">
	Feu! Chatterton
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=rIdVCHeBRZw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=53">Motor City</a>
      </td>
      <td data-cell="Artist">
	Lausse The Cat
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=modXbqbsAvs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=54">Dance Dance Dance</a>
      </td>
      <td data-cell="Artist">
	Lykke Li
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=WgJ0y8EL4Ag&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=55">Beautiful Tango</a>
      </td>
      <td data-cell="Artist">
	Hindi Zahra
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=dhNfddJRulQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=56">Funky Duck</a>
      </td>
      <td data-cell="Artist">
	Vulfpeck
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=IQIPXJvX9gY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=57">Baby I Don&#39;t Know Oh Oh</a>
      </td>
      <td data-cell="Artist">
	Vulfpeck
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=w15oWDh02K4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=58">L&#39;Amour Toujours</a>
      </td>
      <td data-cell="Artist">
	Gigi D&#39;Agostino
      </td>
      <td data-cell="Year" class="align-right">
	1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=8Cxry9cLFQI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=59">Ready For The Floor</a>
      </td>
      <td data-cell="Artist">
	Hot Chip
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=gxRq23qVE8A&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=60">You&#39;re So Cool</a>
      </td>
      <td data-cell="Artist">
	Jonathan Bree
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=HzlMkL6wr5U&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=61">L&#39;intranquillité</a>
      </td>
      <td data-cell="Artist">
	Louise Attaque
      </td>
      <td data-cell="Year" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=zqTjbassv3g&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=62">A Quiet Life</a>
      </td>
      <td data-cell="Artist">
	Teho Teardo &amp; Blixa Bargeld
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=7EgB__YratE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=63">Just Like Honey</a>
      </td>
      <td data-cell="Artist">
	The Jesus and Mary Chain
      </td>
      <td data-cell="Year" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=jOm3Nnr25b4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=64">Anybody</a>
      </td>
      <td data-cell="Artist">
	Christophe Musset &amp; Jérémie Arcache
      </td>
      <td data-cell="Year" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=adLGHcj_fmA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=65">Leave the Door Open</a>
      </td>
      <td data-cell="Artist">
	Bruno Mars, Anderson .Paak, Silk Sonic
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=j29M-7aBLg0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=66">Don&#39;t Wait</a>
      </td>
      <td data-cell="Artist">
	Mapei
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=rqjlW2Dw9_o&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=67">Grace</a>
      </td>
      <td data-cell="Artist">
	RIMON
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=SxdbSt5mnRs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=68">I&#39;m Not In Love</a>
      </td>
      <td data-cell="Artist">
	Kelsey Lu
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=U5esCrOdG9o&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=69">Manga</a>
      </td>
      <td data-cell="Artist">
	Mayra Andrade
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=x-yeBrtOeek&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=70">Mango</a>
      </td>
      <td data-cell="Artist">
	Sevana
      </td>
      <td data-cell="Year" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=dCCXq9QB-dQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=71">Hunger Of The Pine</a>
      </td>
      <td data-cell="Artist">
	alt-J
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=tcUB-3lud60&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=72">Play That Funky Music Rammstein</a>
      </td>
      <td data-cell="Artist">
	DJ Cummerbund
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=eTUkJWS17vU&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=73">Lieferandomann</a>
      </td>
      <td data-cell="Artist">
	Von Wegen Lisbeth
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=V-B0z3AbLbs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=74">Meine Kneipe</a>
      </td>
      <td data-cell="Artist">
	Von Wegen Lisbeth
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=URKEvZxdgZQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=75">Bitch</a>
      </td>
      <td data-cell="Artist">
	Von Wegen Lisbeth
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=oEKsjEAWnYY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=76">Freigetränke</a>
      </td>
      <td data-cell="Artist">
	Von Wegen Lisbeth
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=MpsGI98vIH8&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=77">Wem du´s heute kannst besorgen</a>
      </td>
      <td data-cell="Artist">
	Faber
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=kn9ONbFbX9I&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=78">Vivaldi</a>
      </td>
      <td data-cell="Artist">
	Faber
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=yMR45cZbvDw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=79">Alles nur geklaut</a>
      </td>
      <td data-cell="Artist">
	Die Prinzen
      </td>
      <td data-cell="Year" class="align-right">
	1993
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=y6BmrRLpGJQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=80">Ausgehen</a>
      </td>
      <td data-cell="Artist">
	AnnenMayKantereit
      </td>
      <td data-cell="Year" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=Bj28x-0DckM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=81">Unter dem hellblauen Himmel</a>
      </td>
      <td data-cell="Artist">
	Gisbert zu Knyphausen
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=4BJDNw7o6so&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=82">Lisztomania</a>
      </td>
      <td data-cell="Artist">
	Phoenix
      </td>
      <td data-cell="Year" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=VBcZgimFXVc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=83">Chuva</a>
      </td>
      <td data-cell="Artist">
	Jaloo
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=L4GrDOOIIbk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=84">10,000 Emerald Pools</a>
      </td>
      <td data-cell="Artist">
	BØRNS
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=oh2LWWORoiM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=85">Habits</a>
      </td>
      <td data-cell="Artist">
	Tove Lo
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=TCnQGXouAPo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=86">Les Filles Désir</a>
      </td>
      <td data-cell="Artist">
	Vendredi sur Mer
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=9enP5t05wFU&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=87">T&#39;as vu</a>
      </td>
      <td data-cell="Artist">
	Clio
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=iggmiF7DNoM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=88">we fell in love in october</a>
      </td>
      <td data-cell="Artist">
	girl in red
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=N3oCS85HvpY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=89">Where Is My Mind</a>
      </td>
      <td data-cell="Artist">
	Pixies
      </td>
      <td data-cell="Year" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=aD0utb8kuWc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=90">Château Perdu</a>
      </td>
      <td data-cell="Artist">
	Cléa Vincent
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=V-xOpRBV58Y&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=91">Walzer Für Niemand</a>
      </td>
      <td data-cell="Artist">
	Sophie Hunger
      </td>
      <td data-cell="Year" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=pyerWRAk0UI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=92">Spaghetti mit Spinat</a>
      </td>
      <td data-cell="Artist">
	Sophie Hunger
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=v4pi1LxuDHc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=93">Sleep On The Floor</a>
      </td>
      <td data-cell="Artist">
	The Lumineers
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=FnAgD6J65Xc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=94">La Femme à la Peau Bleue</a>
      </td>
      <td data-cell="Artist">
	Vendredi sur Mer
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=hi4pzKvuEQM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=95">Gold</a>
      </td>
      <td data-cell="Artist">
	Chet Faker
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=tQ3HWIsZXPM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=96">Vérité</a>
      </td>
      <td data-cell="Artist">
	Claire Laffut
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=tC76tIp0kBk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=97">So wie du bist</a>
      </td>
      <td data-cell="Artist">
	MoTrip
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=1DjDs3LiQrE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=98">Nur die Musik</a>
      </td>
      <td data-cell="Artist">
	Joris
      </td>
      <td data-cell="Year" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=rYnXaJrXS8I&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=99">Moby Dick</a>
      </td>
      <td data-cell="Artist">
	Gurr
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=DkFJE8ZdeG8&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=100">Latinoamérica</a>
      </td>
      <td data-cell="Artist">
	Calle 13
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=Vg1jyL3cr60&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=101">Roads</a>
      </td>
      <td data-cell="Artist">
	Portishead
      </td>
      <td data-cell="Year" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=YtRhATTlkgg&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=102">Kid</a>
      </td>
      <td data-cell="Artist">
	Eddy de Pretto
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=RacxNskxySo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=103">Can&#39;t Get You out of My Head</a>
      </td>
      <td data-cell="Artist">
	AnnenMayKantereit &amp; Parcels
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=5r3B7yz6J68&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=104">Tom&#39;s Diner</a>
      </td>
      <td data-cell="Artist">
	AnnenMayKantereit &amp; Giant Rooks
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=MKyj6lYHfT8&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=105">Ich geh heut nicht mehr tanzen</a>
      </td>
      <td data-cell="Artist">
	AnnenMayKantereit
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=opNq6_dppaI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=106">(Waiting for) Lucy</a>
      </td>
      <td data-cell="Artist">
	AnnenMayKantereit
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=kwa_f0c3Xqs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=107">Dissolve Me</a>
      </td>
      <td data-cell="Artist">
	alt-J
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=BM4Mrk3m5n0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=108">This Modern Love</a>
      </td>
      <td data-cell="Artist">
	Block Party
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=P8DRxQATErY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=109">Ooh La</a>
      </td>
      <td data-cell="Artist">
	The Kooks
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=gd4jntP0tco&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=110">Soledad y El Mar</a>
      </td>
      <td data-cell="Artist">
	Natalia Lafourcade
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=u0mHmduy_Ek&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=111">Te Vi Pasar</a>
      </td>
      <td data-cell="Artist">
	Natalia Lafourcade
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=1Bt6BEpBu7M&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=112">Tonada de Luna Llena</a>
      </td>
      <td data-cell="Artist">
	Caetano Veloso &amp; Gilberto Gil
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=L8U1Y9PBfig&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=113">O Mundo é um Moinho</a>
      </td>
      <td data-cell="Artist">
	Cartola
      </td>
      <td data-cell="Year" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=bCPvpCQCJo0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=114">A Palo Seco</a>
      </td>
      <td data-cell="Artist">
	Belchior
      </td>
      <td data-cell="Year" class="align-right">
	1974
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=x5LIXYnpexk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=115">L&#39;Estaca</a>
      </td>
      <td data-cell="Artist">
	Zebda
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=glaG64Ao7sM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=116">ELEMENT.</a>
      </td>
      <td data-cell="Artist">
	Kendrick Lamar
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=VYOjWnS4cMY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=117">This Is America</a>
      </td>
      <td data-cell="Artist">
	Childish Gambino
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=eviqX3QXd-s&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=118">Là-Haut</a>
      </td>
      <td data-cell="Artist">
	Hugo TSR
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=OVvHj1FLCn4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=119">Like Mich Am Arsch</a>
      </td>
      <td data-cell="Artist">
	Deichkind
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=oewRadlyrHo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=120">La Rage</a>
      </td>
      <td data-cell="Artist">
	Keny Arkana
      </td>
      <td data-cell="Year" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=mC_vrzqYfQc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=121">Mandume</a>
      </td>
      <td data-cell="Artist">
	Emicida
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=HcXNPI-IPPM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=122">Baby&#39;s on Fire</a>
      </td>
      <td data-cell="Artist">
	Die Antwoord
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=4wOoLLDXbDY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=123">Easy</a>
      </td>
      <td data-cell="Artist">
	Cro
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=8AHCfZTRGiI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=124">Hurt</a>
      </td>
      <td data-cell="Artist">
	Johnny Cash
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=Urw-iutHw5E&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=125">Jeanny</a>
      </td>
      <td data-cell="Artist">
	Falco
      </td>
      <td data-cell="Year" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=cVikZ8Oe_XA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=126">Rock Me Amadeus</a>
      </td>
      <td data-cell="Artist">
	Falco
      </td>
      <td data-cell="Year" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=HyHNuVaZJ-k&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=127">Feel Good Inc.</a>
      </td>
      <td data-cell="Artist">
	Gorillaz
      </td>
      <td data-cell="Year" class="align-right">
	2005
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=HClZwFNNMKs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=128">Special Needs</a>
      </td>
      <td data-cell="Artist">
	Placebo
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=DHQngnnHE_0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=129">Pure Morning</a>
      </td>
      <td data-cell="Artist">
	Placebo
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=p21YfobjaVA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=130">Too Many Friends</a>
      </td>
      <td data-cell="Artist">
	Placebo
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=eVTXPUF4Oz4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=131">In The End</a>
      </td>
      <td data-cell="Artist">
	Linkin Park
      </td>
      <td data-cell="Year" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=CSvFpBOe8eY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=132">Chop Suey!</a>
      </td>
      <td data-cell="Artist">
	System of a Down
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=3YxaaGgTQYM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=133">Bring Me To Life</a>
      </td>
      <td data-cell="Artist">
	Evanescence
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=5anLPw0Efmo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=134">My Immortal</a>
      </td>
      <td data-cell="Artist">
	Evanescence
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=kIBdpFJyFkc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=135">Nemo</a>
      </td>
      <td data-cell="Artist">
	Nightwish
      </td>
      <td data-cell="Year" class="align-right">
	2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=vDBK8yN2lrU&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=136">Lichtgestalt</a>
      </td>
      <td data-cell="Artist">
	Lacrimosa
      </td>
      <td data-cell="Year" class="align-right">
	2005
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=lDpnjE1LUvE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=137">Where The Wild Roses Grow</a>
      </td>
      <td data-cell="Artist">
	Nick Cave &amp; The Bad Seeds
      </td>
      <td data-cell="Year" class="align-right">
	1996
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=TOypSnKFHrE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=138">Last Nite</a>
      </td>
      <td data-cell="Artist">
	The Strokes
      </td>
      <td data-cell="Year" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=ma9I9VBKPiw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=139">Fluorescent Adolescent</a>
      </td>
      <td data-cell="Artist">
	Arctic Monkeys
      </td>
      <td data-cell="Year" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=WpYeekQkAdc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=140">Where Is The Love?</a>
      </td>
      <td data-cell="Artist">
	The Black Eyed Peas
      </td>
      <td data-cell="Year" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=uSD4vsh1zDA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=141">I Gotta Feeling</a>
      </td>
      <td data-cell="Artist">
	The Black Eyed Peas
      </td>
      <td data-cell="Year" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=_FE194VN6c4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=142">Beautiful</a>
      </td>
      <td data-cell="Artist">
	Snoop Dogg
      </td>
      <td data-cell="Year" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=HL1UzIK-flA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=143">Work</a>
      </td>
      <td data-cell="Artist">
	Rihanna
      </td>
      <td data-cell="Year" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=b3HeLs8Yosw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=144">You Da One</a>
      </td>
      <td data-cell="Artist">
	Rihanna
      </td>
      <td data-cell="Year" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=z-6cCmxaGoQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=145">Blue Jeans</a>
      </td>
      <td data-cell="Artist">
	Lana Del Rey
      </td>
      <td data-cell="Year" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=bkAjUBtn_TM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=146">Love Kernels</a>
      </td>
      <td data-cell="Artist">
	Rachel Bloom
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=kYOwbr1SVWs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=147">A Take Away Show</a>
      </td>
      <td data-cell="Artist">
	Rodrigo Amarante
      </td>
      <td data-cell="Year" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=nOIaHKBa9uY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=148">A Take Away Show</a>
      </td>
      <td data-cell="Artist">
	The Growlers
      </td>
      <td data-cell="Year" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=pZYagxwMhaw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=149">Live at Volksbühne, Berlin</a>
      </td>
      <td data-cell="Artist">
	Christian Löffler &amp; Ensemble
      </td>
      <td data-cell="Year" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=N1w-hDiJ4dM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=150">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Tyler, The Creator
      </td>
      <td data-cell="Year" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=1Wg2huulil4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=151">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Unknown Mortal Orchestra
      </td>
      <td data-cell="Year" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=oCcks-fwq2c&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=152">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Post Malone
      </td>
      <td data-cell="Year" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=evBgLWQwAFA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=153">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Aurora
      </td>
      <td data-cell="Year" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=6dkDepLX0rk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=154">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Stromae
      </td>
      <td data-cell="Year" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=2Ws_5-hiqao&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=155">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Seu Jorge
      </td>
      <td data-cell="Year" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=j82L3pLjb_0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=156">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Coldplay
      </td>
      <td data-cell="Year" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=uwUt1fVLb3E&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=157">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Alicia Keys
      </td>
      <td data-cell="Year" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Song">
	<a href="https://www.youtube.com/watch?v=yXrlhebkpIQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=158">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artist">
	Jorja Smith
      </td>
      <td data-cell="Year" class="align-right">
	2018
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Videoclipes</title><link>https://eternodevir.com/pt-br/dg/music-videos/</link><pubDate>Sun, 09 Apr 2023 11:35:06 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/music-videos/</guid><description>Playlist Lista Favorite Music Videos Música Artista Ano Six Days DJ Shadow 2002 When I&amp;#39;m Small Phantogram 2010 Stole The Night Howling 2015 Murmurs Hundred Waters 2014 Nous Etions Deux La Femme 2013 Koop Island Blues Koop 2006 Harlem River Kevin Morby 2013 Feel Your Weight (Poolside Remix) Rhye 2018 Бутылочка ЛУНА 2016 Otvechai Za Slova Kedr Livanskiy 2016 Your Name Kedr Livanskiy 2017 La Foret Lescop 2011 You Need The Drugs Westbam 2013 One of the Girls Otha 2020 The Perfect Girl Mareux 2019 Keep The Streets Empty For Me Fever Ray 2009 Dead of Night Orville Peck 2019 Suck It And See Arctic Monkeys 2011 In For The Kill La Roux 2008 Fiction The xx 2012 Islands The xx 2009 Stories Upon Your Lips The Rambling Wheels 2016 Moon Thiago Pethit 2012 The Less I Know The Better Tame Impala 2015 Amor Marginal Johnny Hooker 2012 Lesson 1 L&amp;#39;Equipe du Son 2012 Again The George Kaplan Conspiracy 2019 A Train COMA 2019 By Swallow Season Shintaro Sakamoto 2021 Metroma The Sei 2018 She Pretends Isaac Delusion 2014 Exit Music For a Film The Marías 2020 Lost In Singapore Tropea 2019 My Smile Is Extinct Kane Strang 2017 Bungalow Bilderbuch 2017 Sorry About the Carpet Agar Agar 2018 The Look Metronomy 2010 Money The Drums 2011 Champagne Coast Blood Orange 2011 Thirteen Thirtyfive Dillon 2011 Space Cadet The Technicolors 2016 J&amp;#39;aimerai Johan Papaconstantino 2018 Algum Ritmo Gilsons &amp;amp; Jovem Dionisio 2021 Hardcore Odezenne 2020 Souffle le vent Odezenne 2015 Stolen Dance Milky Chance 2013 Skyscrapers OK Go 2010 Beneath the Rose Micah P Hinson 2004 Coisas Bunitas Sara Tavares 2016 leichter//kälter Edwin Rosen 2022 Les Pensées The Architect 2013 À l&amp;#39;aube Feu!</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Playlist
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<div style="position:relative;padding-bottom:56.25%;height:0;overflow:hidden">
<iframe src="https://www.youtube-nocookie.com/embed/videoseries?si=oH6OQ2SzlV4Artf2&amp;controls=0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN" style="position:absolute;top:0;left:0;width:100%;height:100%;border:0" allowfullscreen="" title="YouTube Video"></iframe>
</div>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Lista
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<table class="width-100">
  <caption class="sr-only">
    Favorite Music Videos
  </caption>
  <thead>
    <tr>
      <th>Música</th>
      <th>Artista</th>
      <th class="align-right">Ano</th>
    </tr>
  </thead>
  <tbody>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=eY-eyZuW_Uk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=1">Six Days</a>
      </td>
      <td data-cell="Artista">
	DJ Shadow
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=28tZ-S1LFok&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=2">When I&#39;m Small</a>
      </td>
      <td data-cell="Artista">
	Phantogram
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=J9qja4KmPQQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=3">Stole The Night</a>
      </td>
      <td data-cell="Artista">
	Howling
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=vo-8Oa2t4Ro&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=4">Murmurs</a>
      </td>
      <td data-cell="Artista">
	Hundred Waters
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=0cnlLaAcVdo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=5">Nous Etions Deux</a>
      </td>
      <td data-cell="Artista">
	La Femme
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=0W3MpOU3OUU&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=6">Koop Island Blues</a>
      </td>
      <td data-cell="Artista">
	Koop
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=7AZeDbDDTkQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=7">Harlem River</a>
      </td>
      <td data-cell="Artista">
	Kevin Morby
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=tdsH-yuCbCw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=8">Feel Your Weight (Poolside Remix)</a>
      </td>
      <td data-cell="Artista">
	Rhye
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=lq2kC1gZyaY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=9">Бутылочка</a>
      </td>
      <td data-cell="Artista">
	ЛУНА
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=fsdkzgoLoGo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=10">Otvechai Za Slova</a>
      </td>
      <td data-cell="Artista">
	Kedr Livanskiy
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=lZU6F7B5egg&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=11">Your Name</a>
      </td>
      <td data-cell="Artista">
	Kedr Livanskiy
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=Njpw2PVb1c0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=12">La Foret</a>
      </td>
      <td data-cell="Artista">
	Lescop
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=eSJgf3_3T74&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=13">You Need The Drugs</a>
      </td>
      <td data-cell="Artista">
	Westbam
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=kD2kSNDPwQE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=14">One of the Girls</a>
      </td>
      <td data-cell="Artista">
	Otha
      </td>
      <td data-cell="Ano" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=V1l6kxQNq54&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=15">The Perfect Girl</a>
      </td>
      <td data-cell="Artista">
	Mareux
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=jWFb5z3kUSQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=16">Keep The Streets Empty For Me</a>
      </td>
      <td data-cell="Artista">
	Fever Ray
      </td>
      <td data-cell="Ano" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=q3esGD6lcMM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=17">Dead of Night</a>
      </td>
      <td data-cell="Artista">
	Orville Peck
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=TlYJKfunfC0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=18">Suck It And See</a>
      </td>
      <td data-cell="Artista">
	Arctic Monkeys
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=tXtATeQ7GKg&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=19">In For The Kill</a>
      </td>
      <td data-cell="Artista">
	La Roux
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=GxYN8-HvL44&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=20">Fiction</a>
      </td>
      <td data-cell="Artista">
	The xx
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=PElhV8z7I60&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=21">Islands</a>
      </td>
      <td data-cell="Artista">
	The xx
      </td>
      <td data-cell="Ano" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=0JJ4rxMWKgM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=22">Stories Upon Your Lips</a>
      </td>
      <td data-cell="Artista">
	The Rambling Wheels
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=OerfXnjUe8Q&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=23">Moon</a>
      </td>
      <td data-cell="Artista">
	Thiago Pethit
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=sBzrzS1Ag_g&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=24">The Less I Know The Better</a>
      </td>
      <td data-cell="Artista">
	Tame Impala
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=qe713DXVF8k&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=25">Amor Marginal</a>
      </td>
      <td data-cell="Artista">
	Johnny Hooker
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=FpHR35g3PZ8&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=26">Lesson 1</a>
      </td>
      <td data-cell="Artista">
	L&#39;Equipe du Son
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=LiCV5VKTWHE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=27">Again</a>
      </td>
      <td data-cell="Artista">
	The George Kaplan Conspiracy
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=fPIuhnOGs4g&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=28">A Train</a>
      </td>
      <td data-cell="Artista">
	COMA
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=zaSwGfCouMM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=29">By Swallow Season</a>
      </td>
      <td data-cell="Artista">
	Shintaro Sakamoto
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=4326e7JhzqI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=30">Metroma</a>
      </td>
      <td data-cell="Artista">
	The Sei
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=q7FStENUVUk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=31">She Pretends</a>
      </td>
      <td data-cell="Artista">
	Isaac Delusion
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=0wK0JKpfB5Y&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=32">Exit Music For a Film</a>
      </td>
      <td data-cell="Artista">
	The Marías
      </td>
      <td data-cell="Ano" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=_ch5_UxUMck&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=33">Lost In Singapore</a>
      </td>
      <td data-cell="Artista">
	Tropea
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=pBEv_9t61Xk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=34">My Smile Is Extinct</a>
      </td>
      <td data-cell="Artista">
	Kane Strang
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=pV-GGCrRcu0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=35">Bungalow</a>
      </td>
      <td data-cell="Artista">
	Bilderbuch
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=1a53IkJv4Go&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=36">Sorry About the Carpet</a>
      </td>
      <td data-cell="Artista">
	Agar Agar
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=sFrNsSnk8GM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=37">The Look</a>
      </td>
      <td data-cell="Artista">
	Metronomy
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=IqYgNiZdfh4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=38">Money</a>
      </td>
      <td data-cell="Artista">
	The Drums
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=nO6y1-erVEw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=39">Champagne Coast</a>
      </td>
      <td data-cell="Artista">
	Blood Orange
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=jCId5WQ7BGw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=40">Thirteen Thirtyfive</a>
      </td>
      <td data-cell="Artista">
	Dillon
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=i1WxBAdknpw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=41">Space Cadet</a>
      </td>
      <td data-cell="Artista">
	The Technicolors
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=aABsXoQ1kDI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=42">J&#39;aimerai</a>
      </td>
      <td data-cell="Artista">
	Johan Papaconstantino
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=LkQeT6-RVXk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=43">Algum Ritmo</a>
      </td>
      <td data-cell="Artista">
	Gilsons &amp; Jovem Dionisio
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=sqIgr_xmGVI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=44">Hardcore</a>
      </td>
      <td data-cell="Artista">
	Odezenne
      </td>
      <td data-cell="Ano" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=qTORQ0TIzQ0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=45">Souffle le vent</a>
      </td>
      <td data-cell="Artista">
	Odezenne
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=iX-QaNzd-0Y&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=46">Stolen Dance</a>
      </td>
      <td data-cell="Artista">
	Milky Chance
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=Rb4lgOiHBZo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=47">Skyscrapers</a>
      </td>
      <td data-cell="Artista">
	OK Go
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=QiVS56IePXw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=48">Beneath the Rose</a>
      </td>
      <td data-cell="Artista">
	Micah P Hinson
      </td>
      <td data-cell="Ano" class="align-right">
	2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=D7RlQ5FLoRY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=49">Coisas Bunitas</a>
      </td>
      <td data-cell="Artista">
	Sara Tavares
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=cEHkiqDFJGc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=50">leichter//kälter</a>
      </td>
      <td data-cell="Artista">
	Edwin Rosen
      </td>
      <td data-cell="Ano" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=GjqZaS9DKYc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=51">Les Pensées</a>
      </td>
      <td data-cell="Artista">
	The Architect
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=pWJ1wpp-N0k&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=52">À l&#39;aube</a>
      </td>
      <td data-cell="Artista">
	Feu! Chatterton
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=rIdVCHeBRZw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=53">Motor City</a>
      </td>
      <td data-cell="Artista">
	Lausse The Cat
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=modXbqbsAvs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=54">Dance Dance Dance</a>
      </td>
      <td data-cell="Artista">
	Lykke Li
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=WgJ0y8EL4Ag&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=55">Beautiful Tango</a>
      </td>
      <td data-cell="Artista">
	Hindi Zahra
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=dhNfddJRulQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=56">Funky Duck</a>
      </td>
      <td data-cell="Artista">
	Vulfpeck
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=IQIPXJvX9gY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=57">Baby I Don&#39;t Know Oh Oh</a>
      </td>
      <td data-cell="Artista">
	Vulfpeck
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=w15oWDh02K4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=58">L&#39;Amour Toujours</a>
      </td>
      <td data-cell="Artista">
	Gigi D&#39;Agostino
      </td>
      <td data-cell="Ano" class="align-right">
	1999
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=8Cxry9cLFQI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=59">Ready For The Floor</a>
      </td>
      <td data-cell="Artista">
	Hot Chip
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=gxRq23qVE8A&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=60">You&#39;re So Cool</a>
      </td>
      <td data-cell="Artista">
	Jonathan Bree
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=HzlMkL6wr5U&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=61">L&#39;intranquillité</a>
      </td>
      <td data-cell="Artista">
	Louise Attaque
      </td>
      <td data-cell="Ano" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=zqTjbassv3g&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=62">A Quiet Life</a>
      </td>
      <td data-cell="Artista">
	Teho Teardo &amp; Blixa Bargeld
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=7EgB__YratE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=63">Just Like Honey</a>
      </td>
      <td data-cell="Artista">
	The Jesus and Mary Chain
      </td>
      <td data-cell="Ano" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=jOm3Nnr25b4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=64">Anybody</a>
      </td>
      <td data-cell="Artista">
	Christophe Musset &amp; Jérémie Arcache
      </td>
      <td data-cell="Ano" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=adLGHcj_fmA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=65">Leave the Door Open</a>
      </td>
      <td data-cell="Artista">
	Bruno Mars, Anderson .Paak, Silk Sonic
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=j29M-7aBLg0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=66">Don&#39;t Wait</a>
      </td>
      <td data-cell="Artista">
	Mapei
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=rqjlW2Dw9_o&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=67">Grace</a>
      </td>
      <td data-cell="Artista">
	RIMON
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=SxdbSt5mnRs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=68">I&#39;m Not In Love</a>
      </td>
      <td data-cell="Artista">
	Kelsey Lu
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=U5esCrOdG9o&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=69">Manga</a>
      </td>
      <td data-cell="Artista">
	Mayra Andrade
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=x-yeBrtOeek&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=70">Mango</a>
      </td>
      <td data-cell="Artista">
	Sevana
      </td>
      <td data-cell="Ano" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=dCCXq9QB-dQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=71">Hunger Of The Pine</a>
      </td>
      <td data-cell="Artista">
	alt-J
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=tcUB-3lud60&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=72">Play That Funky Music Rammstein</a>
      </td>
      <td data-cell="Artista">
	DJ Cummerbund
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=eTUkJWS17vU&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=73">Lieferandomann</a>
      </td>
      <td data-cell="Artista">
	Von Wegen Lisbeth
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=V-B0z3AbLbs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=74">Meine Kneipe</a>
      </td>
      <td data-cell="Artista">
	Von Wegen Lisbeth
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=URKEvZxdgZQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=75">Bitch</a>
      </td>
      <td data-cell="Artista">
	Von Wegen Lisbeth
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=oEKsjEAWnYY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=76">Freigetränke</a>
      </td>
      <td data-cell="Artista">
	Von Wegen Lisbeth
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=MpsGI98vIH8&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=77">Wem du´s heute kannst besorgen</a>
      </td>
      <td data-cell="Artista">
	Faber
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=kn9ONbFbX9I&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=78">Vivaldi</a>
      </td>
      <td data-cell="Artista">
	Faber
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=yMR45cZbvDw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=79">Alles nur geklaut</a>
      </td>
      <td data-cell="Artista">
	Die Prinzen
      </td>
      <td data-cell="Ano" class="align-right">
	1993
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=y6BmrRLpGJQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=80">Ausgehen</a>
      </td>
      <td data-cell="Artista">
	AnnenMayKantereit
      </td>
      <td data-cell="Ano" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=Bj28x-0DckM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=81">Unter dem hellblauen Himmel</a>
      </td>
      <td data-cell="Artista">
	Gisbert zu Knyphausen
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=4BJDNw7o6so&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=82">Lisztomania</a>
      </td>
      <td data-cell="Artista">
	Phoenix
      </td>
      <td data-cell="Ano" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=VBcZgimFXVc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=83">Chuva</a>
      </td>
      <td data-cell="Artista">
	Jaloo
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=L4GrDOOIIbk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=84">10,000 Emerald Pools</a>
      </td>
      <td data-cell="Artista">
	BØRNS
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=oh2LWWORoiM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=85">Habits</a>
      </td>
      <td data-cell="Artista">
	Tove Lo
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=TCnQGXouAPo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=86">Les Filles Désir</a>
      </td>
      <td data-cell="Artista">
	Vendredi sur Mer
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=9enP5t05wFU&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=87">T&#39;as vu</a>
      </td>
      <td data-cell="Artista">
	Clio
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=iggmiF7DNoM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=88">we fell in love in october</a>
      </td>
      <td data-cell="Artista">
	girl in red
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=N3oCS85HvpY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=89">Where Is My Mind</a>
      </td>
      <td data-cell="Artista">
	Pixies
      </td>
      <td data-cell="Ano" class="align-right">
	1988
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=aD0utb8kuWc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=90">Château Perdu</a>
      </td>
      <td data-cell="Artista">
	Cléa Vincent
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=V-xOpRBV58Y&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=91">Walzer Für Niemand</a>
      </td>
      <td data-cell="Artista">
	Sophie Hunger
      </td>
      <td data-cell="Ano" class="align-right">
	2008
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=pyerWRAk0UI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=92">Spaghetti mit Spinat</a>
      </td>
      <td data-cell="Artista">
	Sophie Hunger
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=v4pi1LxuDHc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=93">Sleep On The Floor</a>
      </td>
      <td data-cell="Artista">
	The Lumineers
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=FnAgD6J65Xc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=94">La Femme à la Peau Bleue</a>
      </td>
      <td data-cell="Artista">
	Vendredi sur Mer
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=hi4pzKvuEQM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=95">Gold</a>
      </td>
      <td data-cell="Artista">
	Chet Faker
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=tQ3HWIsZXPM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=96">Vérité</a>
      </td>
      <td data-cell="Artista">
	Claire Laffut
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=tC76tIp0kBk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=97">So wie du bist</a>
      </td>
      <td data-cell="Artista">
	MoTrip
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=1DjDs3LiQrE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=98">Nur die Musik</a>
      </td>
      <td data-cell="Artista">
	Joris
      </td>
      <td data-cell="Ano" class="align-right">
	2021
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=rYnXaJrXS8I&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=99">Moby Dick</a>
      </td>
      <td data-cell="Artista">
	Gurr
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=DkFJE8ZdeG8&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=100">Latinoamérica</a>
      </td>
      <td data-cell="Artista">
	Calle 13
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=Vg1jyL3cr60&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=101">Roads</a>
      </td>
      <td data-cell="Artista">
	Portishead
      </td>
      <td data-cell="Ano" class="align-right">
	1994
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=YtRhATTlkgg&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=102">Kid</a>
      </td>
      <td data-cell="Artista">
	Eddy de Pretto
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=RacxNskxySo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=103">Can&#39;t Get You out of My Head</a>
      </td>
      <td data-cell="Artista">
	AnnenMayKantereit &amp; Parcels
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=5r3B7yz6J68&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=104">Tom&#39;s Diner</a>
      </td>
      <td data-cell="Artista">
	AnnenMayKantereit &amp; Giant Rooks
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=MKyj6lYHfT8&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=105">Ich geh heut nicht mehr tanzen</a>
      </td>
      <td data-cell="Artista">
	AnnenMayKantereit
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=opNq6_dppaI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=106">(Waiting for) Lucy</a>
      </td>
      <td data-cell="Artista">
	AnnenMayKantereit
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=kwa_f0c3Xqs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=107">Dissolve Me</a>
      </td>
      <td data-cell="Artista">
	alt-J
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=BM4Mrk3m5n0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=108">This Modern Love</a>
      </td>
      <td data-cell="Artista">
	Block Party
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=P8DRxQATErY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=109">Ooh La</a>
      </td>
      <td data-cell="Artista">
	The Kooks
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=gd4jntP0tco&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=110">Soledad y El Mar</a>
      </td>
      <td data-cell="Artista">
	Natalia Lafourcade
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=u0mHmduy_Ek&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=111">Te Vi Pasar</a>
      </td>
      <td data-cell="Artista">
	Natalia Lafourcade
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=1Bt6BEpBu7M&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=112">Tonada de Luna Llena</a>
      </td>
      <td data-cell="Artista">
	Caetano Veloso &amp; Gilberto Gil
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=L8U1Y9PBfig&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=113">O Mundo é um Moinho</a>
      </td>
      <td data-cell="Artista">
	Cartola
      </td>
      <td data-cell="Ano" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=bCPvpCQCJo0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=114">A Palo Seco</a>
      </td>
      <td data-cell="Artista">
	Belchior
      </td>
      <td data-cell="Ano" class="align-right">
	1974
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=x5LIXYnpexk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=115">L&#39;Estaca</a>
      </td>
      <td data-cell="Artista">
	Zebda
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=glaG64Ao7sM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=116">ELEMENT.</a>
      </td>
      <td data-cell="Artista">
	Kendrick Lamar
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=VYOjWnS4cMY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=117">This Is America</a>
      </td>
      <td data-cell="Artista">
	Childish Gambino
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=eviqX3QXd-s&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=118">Là-Haut</a>
      </td>
      <td data-cell="Artista">
	Hugo TSR
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=OVvHj1FLCn4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=119">Like Mich Am Arsch</a>
      </td>
      <td data-cell="Artista">
	Deichkind
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=oewRadlyrHo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=120">La Rage</a>
      </td>
      <td data-cell="Artista">
	Keny Arkana
      </td>
      <td data-cell="Ano" class="align-right">
	2006
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=mC_vrzqYfQc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=121">Mandume</a>
      </td>
      <td data-cell="Artista">
	Emicida
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=HcXNPI-IPPM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=122">Baby&#39;s on Fire</a>
      </td>
      <td data-cell="Artista">
	Die Antwoord
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=4wOoLLDXbDY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=123">Easy</a>
      </td>
      <td data-cell="Artista">
	Cro
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=8AHCfZTRGiI&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=124">Hurt</a>
      </td>
      <td data-cell="Artista">
	Johnny Cash
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=Urw-iutHw5E&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=125">Jeanny</a>
      </td>
      <td data-cell="Artista">
	Falco
      </td>
      <td data-cell="Ano" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=cVikZ8Oe_XA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=126">Rock Me Amadeus</a>
      </td>
      <td data-cell="Artista">
	Falco
      </td>
      <td data-cell="Ano" class="align-right">
	1985
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=HyHNuVaZJ-k&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=127">Feel Good Inc.</a>
      </td>
      <td data-cell="Artista">
	Gorillaz
      </td>
      <td data-cell="Ano" class="align-right">
	2005
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=HClZwFNNMKs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=128">Special Needs</a>
      </td>
      <td data-cell="Artista">
	Placebo
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=DHQngnnHE_0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=129">Pure Morning</a>
      </td>
      <td data-cell="Artista">
	Placebo
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=p21YfobjaVA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=130">Too Many Friends</a>
      </td>
      <td data-cell="Artista">
	Placebo
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=eVTXPUF4Oz4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=131">In The End</a>
      </td>
      <td data-cell="Artista">
	Linkin Park
      </td>
      <td data-cell="Ano" class="align-right">
	2000
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=CSvFpBOe8eY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=132">Chop Suey!</a>
      </td>
      <td data-cell="Artista">
	System of a Down
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=3YxaaGgTQYM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=133">Bring Me To Life</a>
      </td>
      <td data-cell="Artista">
	Evanescence
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=5anLPw0Efmo&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=134">My Immortal</a>
      </td>
      <td data-cell="Artista">
	Evanescence
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=kIBdpFJyFkc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=135">Nemo</a>
      </td>
      <td data-cell="Artista">
	Nightwish
      </td>
      <td data-cell="Ano" class="align-right">
	2004
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=vDBK8yN2lrU&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=136">Lichtgestalt</a>
      </td>
      <td data-cell="Artista">
	Lacrimosa
      </td>
      <td data-cell="Ano" class="align-right">
	2005
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=lDpnjE1LUvE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=137">Where The Wild Roses Grow</a>
      </td>
      <td data-cell="Artista">
	Nick Cave &amp; The Bad Seeds
      </td>
      <td data-cell="Ano" class="align-right">
	1996
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=TOypSnKFHrE&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=138">Last Nite</a>
      </td>
      <td data-cell="Artista">
	The Strokes
      </td>
      <td data-cell="Ano" class="align-right">
	2001
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=ma9I9VBKPiw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=139">Fluorescent Adolescent</a>
      </td>
      <td data-cell="Artista">
	Arctic Monkeys
      </td>
      <td data-cell="Ano" class="align-right">
	2007
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=WpYeekQkAdc&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=140">Where Is The Love?</a>
      </td>
      <td data-cell="Artista">
	The Black Eyed Peas
      </td>
      <td data-cell="Ano" class="align-right">
	2003
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=uSD4vsh1zDA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=141">I Gotta Feeling</a>
      </td>
      <td data-cell="Artista">
	The Black Eyed Peas
      </td>
      <td data-cell="Ano" class="align-right">
	2009
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=_FE194VN6c4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=142">Beautiful</a>
      </td>
      <td data-cell="Artista">
	Snoop Dogg
      </td>
      <td data-cell="Ano" class="align-right">
	2002
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=HL1UzIK-flA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=143">Work</a>
      </td>
      <td data-cell="Artista">
	Rihanna
      </td>
      <td data-cell="Ano" class="align-right">
	2016
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=b3HeLs8Yosw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=144">You Da One</a>
      </td>
      <td data-cell="Artista">
	Rihanna
      </td>
      <td data-cell="Ano" class="align-right">
	2011
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=z-6cCmxaGoQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=145">Blue Jeans</a>
      </td>
      <td data-cell="Artista">
	Lana Del Rey
      </td>
      <td data-cell="Ano" class="align-right">
	2012
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=bkAjUBtn_TM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=146">Love Kernels</a>
      </td>
      <td data-cell="Artista">
	Rachel Bloom
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=kYOwbr1SVWs&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=147">A Take Away Show</a>
      </td>
      <td data-cell="Artista">
	Rodrigo Amarante
      </td>
      <td data-cell="Ano" class="align-right">
	2014
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=nOIaHKBa9uY&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=148">A Take Away Show</a>
      </td>
      <td data-cell="Artista">
	The Growlers
      </td>
      <td data-cell="Ano" class="align-right">
	2013
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=pZYagxwMhaw&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=149">Live at Volksbühne, Berlin</a>
      </td>
      <td data-cell="Artista">
	Christian Löffler &amp; Ensemble
      </td>
      <td data-cell="Ano" class="align-right">
	2019
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=N1w-hDiJ4dM&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=150">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Tyler, The Creator
      </td>
      <td data-cell="Ano" class="align-right">
	2017
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=1Wg2huulil4&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=151">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Unknown Mortal Orchestra
      </td>
      <td data-cell="Ano" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=oCcks-fwq2c&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=152">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Post Malone
      </td>
      <td data-cell="Ano" class="align-right">
	2023
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=evBgLWQwAFA&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=153">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Aurora
      </td>
      <td data-cell="Ano" class="align-right">
	2015
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=6dkDepLX0rk&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=154">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Stromae
      </td>
      <td data-cell="Ano" class="align-right">
	2022
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=2Ws_5-hiqao&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=155">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Seu Jorge
      </td>
      <td data-cell="Ano" class="align-right">
	2010
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=j82L3pLjb_0&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=156">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Coldplay
      </td>
      <td data-cell="Ano" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=uwUt1fVLb3E&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=157">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Alicia Keys
      </td>
      <td data-cell="Ano" class="align-right">
	2020
      </td>
    </tr>
  
    <tr>
      <td data-cell="Música">
	<a href="https://www.youtube.com/watch?v=yXrlhebkpIQ&amp;list=PLdJRJcZwR07E0CsTwSAPK-4GdQyVLvyVN&amp;index=158">Tiny Desk Concert</a>
      </td>
      <td data-cell="Artista">
	Jorja Smith
      </td>
      <td data-cell="Ano" class="align-right">
	2018
      </td>
    </tr>
  
  </tbody>
</table>
</p>
</div>
</div>
]]></content:encoded></item><item><title>Lendo</title><link>https://eternodevir.com/pt-br/dg/reading/</link><pubDate>Tue, 04 Apr 2023 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/dg/reading/</guid><description> Lendo agora Lido recentemente</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Lendo agora
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div id="current_reading">
<script src="https://www.goodreads.com/review/grid_widget/172004246.Vin%C3%ADcius's%20currently-reading%20book%20montage?cover_size=medium&hide_link=true&hide_title=true&num_books=4&order=d&shelf=currently-reading&sort=date_added&widget_id=1702895292" type="text/javascript" charset="utf-8"></script>
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<div id="outline-container-headline-2" class="outline-2">
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Lido recentemente
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]]></content:encoded></item><item><title>Reading</title><link>https://eternodevir.com/dg/reading/</link><pubDate>Tue, 04 Apr 2023 19:28:25 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/dg/reading/</guid><description> Currently reading Recent readings</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Currently reading
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<div id="outline-text-headline-1" class="outline-text-2">
<p>
<div id="current_reading">
<script src="https://www.goodreads.com/review/grid_widget/172004246.Vin%C3%ADcius's%20currently-reading%20book%20montage?cover_size=medium&hide_link=true&hide_title=true&num_books=4&order=d&shelf=currently-reading&sort=date_added&widget_id=1702895292" type="text/javascript" charset="utf-8"></script>
</div>
</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Recent readings
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<script src="https://www.goodreads.com/review/grid_widget/172004246.Vin%C3%ADcius's%20bookshelf:%20read?cover_size=medium&hide_link=true&hide_title=true&num_books=8&order=d&shelf=read&sort=date_read&widget_id=1704296522" type="text/javascript" charset="utf-8"></script>

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]]></content:encoded></item><item><title>Avisos</title><link>https://eternodevir.com/pt-br/notices/</link><pubDate>Fri, 31 Mar 2023 00:09:00 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/notices/</guid><description>Este site, eternodevir.com, é obra de (C) Vinícius Moraes.
Licença Textos originais, como postagens do blog e páginas, estão disponíveis sob os termos da licença Creative Commons Atribuição-CompartilhaIgual 4.0 Internacional.
Códigos originais, bem como qualquer documentação embutida, estão disponíveis sob os termos da licença Licença Pública Geral GNU Versão 3.
Conteúdos visuais originais, como fotos e vídeos, estão disponíveis sob os termos da licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.</description><content:encoded><![CDATA[
<p>
Este site, eternodevir.com, é obra de (C) Vinícius Moraes.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Licença
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
Textos originais, como postagens do blog e páginas, estão disponíveis sob os termos da licença <a href="https://creativecommons.org/licenses/by-sa/4.0/deed.pt-br">Creative Commons Atribuição-CompartilhaIgual 4.0 Internacional</a>.</p>
<p>
Códigos originais, bem como qualquer documentação embutida, estão disponíveis sob os termos da licença <a href="https://www.gnu.org/licenses/quick-guide-gplv3.pt-br.html">Licença Pública Geral GNU Versão 3</a>.</p>
<p>
Conteúdos visuais originais, como fotos e vídeos, estão disponíveis sob os termos da licença <a href="https://creativecommons.org/licenses/by-nc-sa/4.0/deed.pt-br">Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional</a>.</p>
<p>
Exceções podem ser aplicadas no contexto. Conteúdos de terceiros podem ser regidos por licenças diferentes.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Privacidade
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
Este site é hospedado no GitHub utilizando Cloudflare como provedor de DNS. Alguns dos registros podem incluir o endereço IP e o agente de usuário do visitante, horário e data da visita, assim como as exatas páginas visitadas. O agente de usuário pode incluir sistema operacional, navegador, mecanismo do navegador e suas respectivas versões. Por favor, consulte as políticas de privacidade do GitHub e da Cloudflare para obter informações adicionais.</p>
</div>
</div>
]]></content:encoded></item><item><title>Notices</title><link>https://eternodevir.com/notices/</link><pubDate>Fri, 31 Mar 2023 00:09:00 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/notices/</guid><description>This website, eternodevir.com, is the work of (C) Vinícius Moraes.
License Original text, such as blog posts and pages, is available under the terms of the Creative Commons Attribution-ShareAlike 4.0 International.
Original code, as well as any inline documentation, is available under the terms of the GNU General Public License Version 3.
Original visual content, such as photos and videos, is available under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike 4.</description><content:encoded><![CDATA[
<p>
This website, eternodevir.com, is the work of (C) Vinícius Moraes.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
License
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
Original text, such as blog posts and pages, is available under the terms of the <a href="https://creativecommons.org/licenses/by-sa/4.0/">Creative Commons Attribution-ShareAlike 4.0 International</a>.</p>
<p>
Original code, as well as any inline documentation, is available under the terms of the <a href="https://www.gnu.org/licenses/quick-guide-gplv3.html">GNU General Public License Version 3</a>.</p>
<p>
Original visual content, such as photos and videos, is available under the terms of the <a href="https://creativecommons.org/licenses/by-nc-sa/4.0/">Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International</a>.</p>
<p>
Exceptions may apply in context. Third-party content may be governed by different licenses.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Privacy
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
 This website runs on GitHub utilizing Cloudflare as its DNS provider. Some of the logs may include the IP address and the user agent of the visitor, time and date of the visit, and the exact pages visited. The user agent may include operating system, browser, browser engine and their respective versions. Please review GitHub&#39;s and Cloudflare&#39;s privacy policies for additional information.</p>
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</div>
]]></content:encoded></item><item><title>Publicações</title><link>https://eternodevir.com/pt-br/publications/</link><pubDate>Wed, 08 Mar 2023 00:40:43 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/publications/</guid><description>Artigo Metamorfoses: a transformação dos mitos e o ato de (re)contar histórias. Rónai – Revista de Estudos Clássicos e Tradutórios, vol. 4, no. 2, 2016, pp. 71-78. ↪ Monografia O abismo do original: a bitradução simultânea de Malone Morre, de Samuel Beckett, por Paulo Leminski. Trabalho de Conclusão de Curso, UFJF, Juiz de Fora, 2021. ↪ Apresentação Ekphrasis and Other Forms of Text-Image Relations: Open City by Teju Cole. Presentation, Universität Passau, Passau, 2018.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Artigo
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<ul>
<li><em>Metamorfoses: a transformação dos mitos e o ato de (re)contar histórias</em>. Rónai – Revista de Estudos Clássicos e Tradutórios, vol. 4, no. 2, 2016, pp. 71-78. <a href="https://periodicos.ufjf.br/index.php/ronai/article/view/23186">↪</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Monografia
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<ul>
<li><em>O abismo do original: a bitradução simultânea de Malone Morre, de Samuel Beckett, por Paulo Leminski</em>. Trabalho de Conclusão de Curso, UFJF, Juiz de Fora, 2021. <a href="https://www2.ufjf.br/bachareladotraducao/wp-content/uploads/sites/166/2021/05/Vinicius-Moraes-Tiago.pdf">↪</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Apresentação
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<ul>
<li><em>Ekphrasis and Other Forms of Text-Image Relations: Open City by Teju Cole</em>. Presentation, Universität Passau, Passau, 2018. <a href="https://drive.proton.me/urls/3M62SFY6NR#UvzhedZavNrK">↪</a></li>
</ul>
<ul>
<li><em>Aspectos intertextuais nas canções de Bob Dylan: Tristia e Epistulae Ex Ponto de Ovídio</em>. Pôster, XXI Congresso da SBEC, São Paulo, 2017. <a href="https://drive.proton.me/urls/7QSZCVXQTG#8drk9ke2J3T9">↪</a></li>
</ul>
<ul>
<li><em>O abismo do original: a bitradução simultânea de Malone Morre, de Samuel Beckett, por Paulo Leminski</em>. Pré-projeto TCC, UFJF, Juiz de Fora, 2017. <a href="https://drive.proton.me/urls/6T9S31GDMW#SC66gHRhCd2y">↪</a></li>
</ul>
<ul>
<li><em>Madrugada em Claro: gêneros textuais</em>. Trabalho Acadêmico, UFJF, Juiz de Fora, 2017. <a href="https://drive.proton.me/urls/QTZKSY2J5R#5VPvKcSLikVd">↪</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-4" class="outline-2">
<h2 id="headline-4">
Tradução
</h2>
<div id="outline-text-headline-4" class="outline-text-2">
<ul>
<li><em>Until the glorious end, Paulo Leminski</em>. Eterno Devir, oct. 2023. <a href="https://bit.ly/4cC7Pp3">↪</a></li>
</ul>
<ul>
<li><em>Emacs</em>. Slackware Linux Project, Sebeka, dez. 2022. <a href="https://docs.slackware.com/pt-br:slackbook:emacs">↪</a></li>
</ul>
<ul>
<li><em>O inconsciente intertextual, Michael Riffaterre</em>. Revista Ipotesi, v.25, n.1, Juiz de Fora, jan./jun. 2021. <a href="https://periodicos.ufjf.br/index.php/ipotesi/article/view/36737">↪</a></li>
</ul>
<ul>
<li><em>Se não pararmos agora, outra Hiroshima se aproxima, John Pilger</em>. Revista Opera, São Paulo, ago. 2020. <a href="https://revistaopera.com.br/2020/08/10/john-pilger-se-nao-pararmos-agora-outra-hiroshima-se-aproxima/">↪</a></li>
</ul>
<ul>
<li><em>Por uma Coreia pacífica e unida, George Burchett</em>. Revista Opera, São Paulo, ago. 2019. <a href="https://revistaopera.com.br/2019/08/12/por-uma-coreia-pacifica-e-unida/">↪</a></li>
</ul>
<ul>
<li><em>EUA-Brasil: defesa, segurança e subordinação, Tamara Lajtman</em>. Revista Opera, São Paulo, jul. 2019. <a href="https://revistaopera.com.br/2019/07/15/eua-brasil-defesa-seguranca-e-subordinacao/">↪</a></li>
</ul>
<ul>
<li><em>Rússia-China: a cúpula que a mídia ignorou, Manlio Dinucci</em>. Revista Opera, São Paulo, jun. 2019. <a href="https://revistaopera.com.br/2019/06/19/russia-china-a-cupula-que-a-midia-ignorou/">↪</a></li>
</ul>
<ul>
<li><em>EUA e a disputa pela infraestrutura na América Latina, Silvina Romano e Aníbal García Fernández</em>. Revista Opera, São Paulo, jun. 2019. <a href="https://revistaopera.com.br/2019/06/12/eua-e-a-disputa-pela-infraestrutura-na-america-latina/">↪</a></li>
</ul>
<ul>
<li><em>A Propagação Hegemônica: como as agências globais e a mídia ocidental cobrem a geopolítica, Swiss Propaganda Research</em>. Revista Opera, São Paulo, abr. 2019. <a href="https://revistaopera.com.br/2019/04/23/a-propagacao-hegemonica-como-as-agencias-globais-e-a-midia-ocidental-cobrem-a-geopolitica-parte-1/">↪</a></li>
</ul>
<ul>
<li><em>Socialismo sob ataque da amedrontada Casa Branca, Ian Goodrum</em>. Revista Opera, São Paulo, abr. 2019. <a href="https://revistaopera.com.br/2019/04/20/socialismo-sob-ataque-da-amedrontada-casa-branca/">↪</a></li>
</ul>
</div>
</div>
]]></content:encoded></item><item><title>Publications</title><link>https://eternodevir.com/publications/</link><pubDate>Wed, 08 Mar 2023 00:40:43 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/publications/</guid><description>Article Metamorfoses: a transformação dos mitos e o ato de (re)contar histórias. Rónai – Revista de Estudos Clássicos e Tradutórios, vol. 4, no. 2, 2016, pp. 71-78. ↪ Monograph O abismo do original: a bitradução simultânea de Malone Morre, de Samuel Beckett, por Paulo Leminski. Trabalho de Conclusão de Curso, UFJF, Juiz de Fora, 2021. ↪ Presentation Ekphrasis and Other Forms of Text-Image Relations: Open City by Teju Cole. Presentation, Universität Passau, Passau, 2018.</description><content:encoded><![CDATA[
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Article
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<ul>
<li><em>Metamorfoses: a transformação dos mitos e o ato de (re)contar histórias</em>. Rónai – Revista de Estudos Clássicos e Tradutórios, vol. 4, no. 2, 2016, pp. 71-78. <a href="https://periodicos.ufjf.br/index.php/ronai/article/view/23186">↪</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Monograph
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<ul>
<li><em>O abismo do original: a bitradução simultânea de Malone Morre, de Samuel Beckett, por Paulo Leminski</em>. Trabalho de Conclusão de Curso, UFJF, Juiz de Fora, 2021. <a href="https://www2.ufjf.br/bachareladotraducao/wp-content/uploads/sites/166/2021/05/Vinicius-Moraes-Tiago.pdf">↪</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Presentation
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<ul>
<li><em>Ekphrasis and Other Forms of Text-Image Relations: Open City by Teju Cole</em>. Presentation, Universität Passau, Passau, 2018. <a href="https://drive.proton.me/urls/3M62SFY6NR#UvzhedZavNrK">↪</a></li>
</ul>
<ul>
<li><em>Aspectos intertextuais nas canções de Bob Dylan: Tristia e Epistulae Ex Ponto de Ovídio</em>. Pôster, XXI Congresso da SBEC, São Paulo, 2017. <a href="https://drive.proton.me/urls/7QSZCVXQTG#8drk9ke2J3T9">↪</a></li>
</ul>
<ul>
<li><em>O abismo do original: a bitradução simultânea de Malone Morre, de Samuel Beckett, por Paulo Leminski</em>. Pré-projeto TCC, UFJF, Juiz de Fora, 2017. <a href="https://drive.proton.me/urls/6T9S31GDMW#SC66gHRhCd2y">↪</a></li>
</ul>
<ul>
<li><em>Madrugada em Claro: gêneros textuais</em>. Trabalho Acadêmico, UFJF, Juiz de Fora, 2017. <a href="https://drive.proton.me/urls/QTZKSY2J5R#5VPvKcSLikVd">↪</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-4" class="outline-2">
<h2 id="headline-4">
Translation
</h2>
<div id="outline-text-headline-4" class="outline-text-2">
<ul>
<li><em>Until the glorious end, Paulo Leminski</em>. Eterno Devir, oct. 2023. <a href="https://bit.ly/4cC7Pp3">↪</a></li>
</ul>
<ul>
<li><em>Emacs</em>. Slackware Linux Project, Sebeka, dez. 2022. <a href="https://docs.slackware.com/pt-br:slackbook:emacs">↪</a></li>
</ul>
<ul>
<li><em>O inconsciente intertextual, Michael Riffaterre</em>. Revista Ipotesi, v.25, n.1, Juiz de Fora, jan./jun. 2021. <a href="https://periodicos.ufjf.br/index.php/ipotesi/article/view/36737">↪</a></li>
</ul>
<ul>
<li><em>Se não pararmos agora, outra Hiroshima se aproxima, John Pilger</em>. Revista Opera, São Paulo, ago. 2020. <a href="https://revistaopera.com.br/2020/08/10/john-pilger-se-nao-pararmos-agora-outra-hiroshima-se-aproxima/">↪</a></li>
</ul>
<ul>
<li><em>Por uma Coreia pacífica e unida, George Burchett</em>. Revista Opera, São Paulo, ago. 2019. <a href="https://revistaopera.com.br/2019/08/12/por-uma-coreia-pacifica-e-unida/">↪</a></li>
</ul>
<ul>
<li><em>EUA-Brasil: defesa, segurança e subordinação, Tamara Lajtman</em>. Revista Opera, São Paulo, jul. 2019. <a href="https://revistaopera.com.br/2019/07/15/eua-brasil-defesa-seguranca-e-subordinacao/">↪</a></li>
</ul>
<ul>
<li><em>Rússia-China: a cúpula que a mídia ignorou, Manlio Dinucci</em>. Revista Opera, São Paulo, jun. 2019. <a href="https://revistaopera.com.br/2019/06/19/russia-china-a-cupula-que-a-midia-ignorou/">↪</a></li>
</ul>
<ul>
<li><em>EUA e a disputa pela infraestrutura na América Latina, Silvina Romano e Aníbal García Fernández</em>. Revista Opera, São Paulo, jun. 2019. <a href="https://revistaopera.com.br/2019/06/12/eua-e-a-disputa-pela-infraestrutura-na-america-latina/">↪</a></li>
</ul>
<ul>
<li><em>A Propagação Hegemônica: como as agências globais e a mídia ocidental cobrem a geopolítica, Swiss Propaganda Research</em>. Revista Opera, São Paulo, abr. 2019. <a href="https://revistaopera.com.br/2019/04/23/a-propagacao-hegemonica-como-as-agencias-globais-e-a-midia-ocidental-cobrem-a-geopolitica-parte-1/">↪</a></li>
</ul>
<ul>
<li><em>Socialismo sob ataque da amedrontada Casa Branca, Ian Goodrum</em>. Revista Opera, São Paulo, abr. 2019. <a href="https://revistaopera.com.br/2019/04/20/socialismo-sob-ataque-da-amedrontada-casa-branca/">↪</a></li>
</ul>
</div>
</div>
]]></content:encoded></item><item><title>About</title><link>https://eternodevir.com/about/</link><pubDate>Mon, 06 Mar 2023 15:34:29 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/about/</guid><description>Vinícius Moraes, ttybitnik Social: GitHub, Sourcehut, Instapaper, Twtxt PGP: 0xD3ABD88652EA7D41 Contact: Email Biography I graduated with two Bachelor of Arts degrees from the Federal University of Juiz de Fora, where I specialized in Portuguese and Translation. For my undergraduate thesis, The Abyss of the Original, I addressed Paulo Leminski&amp;#39;s simultaneous bitranslation of Samuel Beckett&amp;#39;s Malone Dies and Malone Meurt. Within my academic program, I pursued topics in Classical Studies, Semiotics, Translation Theory, Computational Linguistics, and a range of other subjects.</description><content:encoded><![CDATA[
<div class="avatar-container">
<img src="/images/avatar.jpg" alt="An art picture of me" title="Hi there 👋🏻" style="max-width:180px;" class="avatar-image"/>
<div class="avatar-info">
<ul>
<li><strong>Vinícius Moraes</strong>, ttybitnik</li>
<li><strong>Social</strong>: <a href="https://github.com/ttybitnik">GitHub</a>, <a href="https://sr.ht/~ttybitnik/">Sourcehut</a>, <a href="https://www.instapaper.com/p/12152153">Instapaper</a>, <a href="/twtxt.txt">Twtxt</a></li>
<li><strong>PGP</strong>: <a href="/contact/#pgp">0xD3ABD88652EA7D41</a></li>
<li><strong>Contact</strong>: <a href="/contact/">Email</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Biography
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
I graduated with two Bachelor of Arts degrees from the Federal University of Juiz de Fora, where I specialized in Portuguese and Translation. For my undergraduate thesis, <em>The Abyss of the Original</em>, I addressed Paulo Leminski&#39;s simultaneous bitranslation of Samuel Beckett&#39;s <em>Malone Dies</em> and <em>Malone Meurt</em>. Within my academic program, I pursued topics in Classical Studies, Semiotics, Translation Theory, Computational Linguistics, and a range of other subjects.</p>
<p>
Besides being a Babel Tower enthusiast, I also have a passion for cinema, philosophy, and vintage technology. Whenever possible, I&#39;m tinkering with things creatively to understand how they work. Over a good bits, I have been using GNU/Linux and Emacs, exploring the power of programming languages and the freedom of self‑hosting.</p>
<p>
During my college days, I spent a year studying abroad at the University of Passau in Germany. While attending Sprach- und Textwissenschaften, I focused on advancing my studies of <em>ekphrasis</em> and text-image relations. It was an incredible experience that broadened my horizons in every sense—just as the breathtaking view of compound words longer than the Autobahn.</p>
<p>
Since 2018, I have been maintaining this website to gather my interests and creations. And as <em>eterno devir</em> suggests, there will always be more to come.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
What I&#39;m doing now
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<strong>Reading</strong>: <a href="https://www.goodreads.com/book/show/27297.The_Analects">The Analects, Confucius (-475)</a>
<br>
<strong>Listening</strong>: <a href="https://open.spotify.com/track/7MXnsHThdz7YvSMdok9BO6">Devil May Care, Half Moon Run (2015)</a>

<br>
<strong>Watching</strong>: <a href="https://letterboxd.com/film/vive-lamour">Vive L'Amour (1994)</a>
<br>
<code class="verbatim">Last update on Aug 11, 2024 9:51 PM</code>

</p>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Supporter
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<p>
<a href="https://www.gnu.org/philosophy/free-sw.html">Free Software</a>, <a href="https://www.repair.org/">Right to Repair</a>, <a href="https://indieweb.org/">IndieWeb</a>, <a href="https://neustadt.fr/essays/the-small-web/">Small Web</a>, <a href="http://slow-science.org/">Slow Science</a>, <a href="https://justinjackson.ca/words.html">Words</a></p>
</div>
</div>
<div id="outline-container-headline-5" class="outline-2">
<h2 id="headline-5">
Member
</h2>
<div id="outline-text-headline-5" class="outline-text-2">
<p>
<a href="https://5bits.one">5bits.one</a>, <a href="https://sdf.org/">sdf.org</a></p>
</div>
</div>
<div id="outline-container-headline-6" class="outline-2">
<h2 id="headline-6">
Website
</h2>
<div id="outline-text-headline-6" class="outline-text-2">
<p>
This website is entirely written and managed using <a href="https://github.com/ttybitnik/emacs.d">GNU Emacs</a> and <a href="https://orgmode.org/">org-mode</a>. All org files are then deployed using <a href="https://gohugo.io/">Hugo</a>. The content is as raw as possible following the <a href="https://brutalist-web.design/">Brutalist Web Design</a>. Recognized by <a href="https://250kb.club/">250kb.club</a>, <a href="https://no-js.club/">no‑js.club</a>, <a href="https://darktheme.club/">darktheme.club</a>.</p>
</div>
</div>
]]></content:encoded></item><item><title>Contact</title><link>https://eternodevir.com/contact/</link><pubDate>Mon, 06 Mar 2023 15:34:29 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/contact/</guid><description>Email: vinicius.moraes@eternodevir.com Feel free to email me regarding any content on this website, whether you have got a suggestion, some feedback, or just want to engage about a shared interest. Typically I respond within a week at most, often even sooner. If you have not heard back from me after that, please check your spam folder, as my response may have been filtered there.
PGP encryption for emails (optional) curl https://eternodevir.</description><content:encoded><![CDATA[
<ul>
<li>Email: <a href="mailto:vinicius.moraes@eternodevir.com">vinicius.moraes@eternodevir.com</a></li>
</ul>
<p>Feel free to email me regarding any content on this website, whether you have got a suggestion, some feedback, or just want to engage about a shared interest. Typically I respond within a week at most, often even sooner. If you have not heard back from me after that, please check your spam folder, as my response may have been filtered there.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
PGP encryption for emails (optional)
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<span id="pgp"></span>
<div class="src src-shell">
<div class="highlight"><pre tabindex="0" class="chroma"><code class="language-shell" data-lang="shell"><span class="line"><span class="cl">curl https://eternodevir.com/publickey.asc</span></span></code></pre></div>
</div>
<pre class="example">
-----BEGIN PGP PUBLIC KEY BLOCK-----

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XKe2A7u6/u9ur8dAGFPlDS7MjWWFtWTWu1xGNbwfk0MnPqbJctnuLKtoQwlF4lRl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=yebu
-----END PGP PUBLIC KEY BLOCK-----
</pre>
<p>
<em>Key valid from 2023-09-01 to 2026-08-31. Any older key should be discarded.</em></p>
<p>
I recommend learning about encryption to communicate with your trusted contacts in a more secure and reliable way. By using PGP, you can be confident that the email content is confidential, authentic, and has not been tampered with during transmission. You can get started with this excellent <a href="https://emailselfdefense.fsf.org/en/">guide</a> by the Free Software Foundation.</p>
</div>
</div>
]]></content:encoded></item><item><title>Contato</title><link>https://eternodevir.com/pt-br/contact/</link><pubDate>Mon, 06 Mar 2023 15:34:29 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/contact/</guid><description>E-mail: vinicius.moraes@eternodevir.com Sinta-se à vontade para me enviar um e-mail sobre qualquer conteúdo deste site, quer tenha uma sugestão, algum comentário ou apenas queira conversar sobre um interesse comum. Normalmente, respondo dentro de uma semana no máximo, muitas vezes bem antes. Se você não tiver recebido uma resposta minha após esse período, verifique sua pasta de spam, pois a mensagem pode ter sido filtrada por lá.
Criptografia PGP para e-mails (opcional) curl https://eternodevir.</description><content:encoded><![CDATA[
<ul>
<li>E-mail: <a href="mailto:vinicius.moraes@eternodevir.com">vinicius.moraes@eternodevir.com</a></li>
</ul>
<p>Sinta-se à vontade para me enviar um e-mail sobre qualquer conteúdo deste site, quer tenha uma sugestão, algum comentário ou apenas queira conversar sobre um interesse comum. Normalmente, respondo dentro de uma semana no máximo, muitas vezes bem antes. Se você não tiver recebido uma resposta minha após esse período, verifique sua pasta de spam, pois a mensagem pode ter sido filtrada por lá.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Criptografia PGP para e-mails (opcional)
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<span id="pgp"></span>
<div class="src src-shell">
<div class="highlight"><pre tabindex="0" class="chroma"><code class="language-shell" data-lang="shell"><span class="line"><span class="cl">curl https://eternodevir.com/publickey.asc</span></span></code></pre></div>
</div>
<pre class="example">
-----BEGIN PGP PUBLIC KEY BLOCK-----
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=yebu
-----END PGP PUBLIC KEY BLOCK-----
</pre>
<p>
<em>Chave válida de 01/09/2023 a 31/08/2026. Qualquer chave antiga deve ser descartada.</em></p>
<p>
Recomendo aprender sobre criptografia para se comunicar com seus contatos de forma mais segura e confiável. Ao usar o PGP, você pode ter certeza de que o conteúdo do e-mail é confidencial, autêntico e não foi adulterado durante a transmissão. Você pode começar com este excelente <a href="https://emailselfdefense.fsf.org/en/">guia</a> da Free Software Foundation.</p>
</div>
</div>
]]></content:encoded></item><item><title>Sobre</title><link>https://eternodevir.com/pt-br/about/</link><pubDate>Mon, 06 Mar 2023 15:34:29 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/about/</guid><description>Vinícius Moraes, ttybitnik Social: GitHub, Sourcehut, Instapaper, Twtxt PGP: 0xD3ABD88652EA7D41 Contato: E-mail Biografia Eu me formei em dois cursos da Faculdade de Letras da Universidade Federal de Juiz de Fora, onde me especializei em Português e Tradução. Na minha monografia de graduação, O abismo do original, abordei a bitradução simultânea de Paulo Leminski das obras Malone Dies e Malone Meurt de Samuel Beckett. Dentro do programa de graduação, fiz tópicos em Estudos Clássicos, Semiótica, Teoria da Tradução, Linguística Computacional e em uma série de outras disciplinas.</description><content:encoded><![CDATA[
<div class="avatar-container">
<img src="/images/avatar.jpg" alt="An art picture of me" title="Olá! 👋🏻" style="max-width:180px;" class="avatar-image"/>
<div class="avatar-info">
<ul>
<li><strong>Vinícius Moraes</strong>, ttybitnik</li>
<li><strong>Social</strong>: <a href="https://github.com/ttybitnik">GitHub</a>, <a href="https://sr.ht/~ttybitnik/">Sourcehut</a>, <a href="https://www.instapaper.com/p/12152153">Instapaper</a>, <a href="/twtxt.txt">Twtxt</a></li>
<li><strong>PGP</strong>: <a href="/pt-br/contact/#pgp">0xD3ABD88652EA7D41</a></li>
<li><strong>Contato</strong>: <a href="/pt-br/contact/">E-mail</a></li>
</ul>
</div>
</div>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Biografia
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
Eu me formei em dois cursos da Faculdade de Letras da Universidade Federal de Juiz de Fora, onde me especializei em Português e Tradução. Na minha monografia de graduação, <em>O abismo do original</em>, abordei a bitradução simultânea de Paulo Leminski das obras <em>Malone Dies</em> e <em>Malone Meurt</em> de Samuel Beckett. Dentro do programa de graduação, fiz tópicos em Estudos Clássicos, Semiótica, Teoria da Tradução, Linguística Computacional e em uma série de outras disciplinas.</p>
<p>
Além de ser um entusiasta da Torre de Babel, também sou apaixonado por cinema, filosofia e tecnologia vintage. Sempre que possível estou fuçando as coisas de forma criativa para entender como funcionam. Há uns bons <em>bits</em>, tenho utilizado GNU/Linux e Emacs, explorando o poder das linguagens de programação e a liberdade da auto‑hospedagem.</p>
<p>
Durante minha época de faculdade, passei um ano estudando no exterior, na Universidade de Passau, na Alemanha. Enquanto cursava Sprach- und Textwissenschaften, aprofundei meus estudos sobre <em>ekphrasis</em> e relações texto-imagem. Foi uma experiência incrível que ampliou meus horizontes em todos os sentidos — assim como a vista de tirar o fôlego de palavras compostas mais longas que a Autobahn.</p>
<p>
Desde 2018, mantenho este site para reunir meus interesses e criações. E como <em>eterno devir</em> sugere, sempre haverá mais por vir.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
O que estou fazendo agora
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
<strong>Lendo</strong>: <a href="https://www.goodreads.com/book/show/27297.The_Analects">The Analects, Confucius (-475)</a>
<br>
<strong>Ouvindo</strong>: <a href="https://open.spotify.com/track/7MXnsHThdz7YvSMdok9BO6">Devil May Care, Half Moon Run (2015)</a>

<br>
<strong>Assistindo</strong>: <a href="https://letterboxd.com/film/vive-lamour">Vive L'Amour (1994)</a>
<br>
<code class="verbatim">Última atualização em ago. 11, 2024 9:51 PM</code>

</p>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Apoiador
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<p>
<a href="https://www.gnu.org/philosophy/free-sw.pt-br.html">Free Software</a>, <a href="https://www.repair.org/">Right to Repair</a>, <a href="https://indieweb.org/Main_Page-pt">IndieWeb</a>, <a href="https://neustadt.fr/essays/the-small-web/">Small Web</a>, <a href="http://slow-science.org/">Slow Science</a>, <a href="https://justinjackson.ca/words_pt-BR.html">Words</a></p>
</div>
</div>
<div id="outline-container-headline-5" class="outline-2">
<h2 id="headline-5">
Membro
</h2>
<div id="outline-text-headline-5" class="outline-text-2">
<p>
<a href="https://5bits.one">5bits.one</a>, <a href="https://sdf.org/">sdf.org</a></p>
</div>
</div>
<div id="outline-container-headline-6" class="outline-2">
<h2 id="headline-6">
Site
</h2>
<div id="outline-text-headline-6" class="outline-text-2">
<p>
Este site é inteiramente escrito e gerenciado utilizando <a href="https://github.com/ttybitnik/emacs.d">GNU Emacs</a> e <a href="https://orgmode.org/">org-mode</a>. Todos os arquivos org são então implementados utilizando <a href="https://gohugo.io/">Hugo</a>. O conteúdo é o mais cru possível seguindo o <a href="https://brutalist-web.design/">Web Design Brutalista</a>. Reconhecido por <a href="https://250kb.club/">250kb.club</a>, <a href="https://no‑js.club/">no-js.club</a>, <a href="https://darktheme.club/">darktheme.club</a>.</p>
</div>
</div>
]]></content:encoded></item><item><title>Homelab</title><link>https://eternodevir.com/projects/homelab/</link><pubDate>Thu, 02 Mar 2023 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/projects/homelab/</guid><description> Area: self-hosting Date: 2022-current
This project is a custom home server that involves a wide range of areas, including virtualization, containerization, network security, system administration, and infrastructure as code. By integrating technologies such as Ansible and Podman, I have been continuously testing and deploying a variety of tools and services, enabling me to create an optimized system for my specific needs.
System QEMU/KVM Ansible Debian, RHEL Docker, Podman Network Nginx Reverse Proxy Unbound DNS Pihole WireGuard OpenSSH iptables Services Home Assistant Jellyfin Hugo Gotify Management Portainer Grafana Prometheus Node Exporter cAdvisor Watchtower</description><content:encoded><![CDATA[
<p>
<strong>Area</strong>: self-hosting <br>
<strong>Date</strong>: 2022-current</p>
<p>
This project is a custom home server that involves a wide range of areas, including virtualization, containerization, network security, system administration, and infrastructure as code. By integrating technologies such as Ansible and Podman, I have been continuously testing and deploying a variety of tools and services, enabling me to create an optimized system for my specific needs.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
System
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<ul>
<li>QEMU/KVM</li>
<li>Ansible</li>
<li>Debian, RHEL</li>
<li>Docker, Podman</li>
</ul>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Network
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<ul>
<li>Nginx Reverse Proxy</li>
<li>Unbound DNS</li>
<li>Pihole</li>
<li>WireGuard</li>
<li>OpenSSH</li>
<li>iptables</li>
</ul>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Services
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<ul>
<li>Home Assistant</li>
<li>Jellyfin</li>
<li>Hugo</li>
<li>Gotify</li>
</ul>
</div>
</div>
<div id="outline-container-headline-4" class="outline-2">
<h2 id="headline-4">
Management
</h2>
<div id="outline-text-headline-4" class="outline-text-2">
<ul>
<li>Portainer</li>
<li>Grafana</li>
<li>Prometheus</li>
<li>Node Exporter</li>
<li>cAdvisor</li>
<li>Watchtower</li>
</ul>
</div>
</div>
]]></content:encoded></item><item><title>Homelab</title><link>https://eternodevir.com/pt-br/projects/homelab/</link><pubDate>Thu, 02 Mar 2023 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/projects/homelab/</guid><description> Área: auto-hospedagem Data: 2022-presente
Este projeto é um servidor doméstico customizado que envolve uma ampla gama de áreas, incluindo virtualização, conteinerização, segurança de rede, administração de sistema e infraestrutura como código. Ao integrar tecnologias como Ansible e Podman, tenho testado e implementado continuamente uma variedade de ferramentas e serviços, o que me permite criar um sistema otimizado para atender minhas demandas.
Sistema QEMU/KVM Ansible Debian, RHEL Docker, Podman Rede Nginx Reverse Proxy Unbound DNS Pihole WireGuard OpenSSH iptables Serviços Home Assistant Jellyfin Hugo Gotify Gerenciamento Portainer Grafana Prometheus Node Exporter cAdvisor Watchtower</description><content:encoded><![CDATA[
<p>
<strong>Área</strong>: auto-hospedagem <br>
<strong>Data</strong>: 2022-presente</p>
<p>
Este projeto é um servidor doméstico customizado que envolve uma ampla gama de áreas, incluindo virtualização, conteinerização, segurança de rede, administração de sistema e infraestrutura como código. Ao integrar tecnologias como Ansible e Podman, tenho testado e implementado continuamente uma variedade de ferramentas e serviços, o que me permite criar um sistema otimizado para atender minhas demandas.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Sistema
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<ul>
<li>QEMU/KVM</li>
<li>Ansible</li>
<li>Debian, RHEL</li>
<li>Docker, Podman</li>
</ul>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Rede
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<ul>
<li>Nginx Reverse Proxy</li>
<li>Unbound DNS</li>
<li>Pihole</li>
<li>WireGuard</li>
<li>OpenSSH</li>
<li>iptables</li>
</ul>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Serviços
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<ul>
<li>Home Assistant</li>
<li>Jellyfin</li>
<li>Hugo</li>
<li>Gotify</li>
</ul>
</div>
</div>
<div id="outline-container-headline-4" class="outline-2">
<h2 id="headline-4">
Gerenciamento
</h2>
<div id="outline-text-headline-4" class="outline-text-2">
<ul>
<li>Portainer</li>
<li>Grafana</li>
<li>Prometheus</li>
<li>Node Exporter</li>
<li>cAdvisor</li>
<li>Watchtower</li>
</ul>
</div>
</div>
]]></content:encoded></item><item><title>Além das janelas</title><link>https://eternodevir.com/pt-br/palimpsests/al%C3%A9m-das-janelas/</link><pubDate>Sat, 10 Dec 2022 08:44:01 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/al%C3%A9m-das-janelas/</guid><description>Tudo teve início com meu primeiro laptop, um antigo Samsung RV415, hostname Vertov. Ele havia parado de funcionar para tarefas básicas e, embora a maioria das pessoas apenas comprasse um laptop mais novo, eu não poderia simplesmente me desfazer do Vertov. Ele esteve comigo durante a maior parte da minha graduação e tornou possível tocar trilhas sonoras no 1408. Ele me acompanhou na minha primeira viagem internacional, e preparamos inúmeras receitas juntos.</description><content:encoded><![CDATA[
<p>
Tudo teve início com meu primeiro laptop, um antigo Samsung RV415, hostname Vertov. Ele havia parado de funcionar para tarefas básicas e, embora a maioria das pessoas apenas comprasse um laptop mais novo, eu não poderia simplesmente me desfazer do Vertov. Ele esteve comigo durante a maior parte da minha graduação e tornou possível  tocar trilhas sonoras no 1408. Ele me acompanhou na minha primeira viagem internacional, e preparamos inúmeras receitas juntos. Vertov tinha história demais para ser apenas mais uma tragédia da obsolescência programada.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Renovando o hardware
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
A primeira ideia que me ocorreu foi fazer o máximo possível de melhorias de hardware. Após uma extensa pesquisa, encontrei alguns componentes interessantes. Troquei o HHD por um SSD e dobrei a quantidade de RAM com um novo cartucho. No entanto, abrir o laptop inteiro para fazer uma limpeza profunda foi um tanto desafiador, tive que brigar um pouco com os clipes de plástico da carcaça. Mesmo assim, deu tudo certo e consegui trocar a pasta térmica da CPU também. Embora esteja acostumado a fazer isso no meu computador de mesa, essa aventura me ensinou bastante sobre as especificidades dos laptops.</p>
<p>
<figure><img src="/images/palimpsests/2022/image00.jpg"
         alt="Vertov"/>
</figure>
</p>
<p>
Em meio ao procedimento de renascimento do Vertov, comecei a entender que a lentidão que ele apresentava era um problema muito mais amplo do que parecia inicialmente. Afinal, por que ele começou a ficar lento? Poderia não ser necessariamente um problema de hardware. Além disso, por que seu processador era soldado à placa-mãe? Isso tornava qualquer modificação praticamente impossível. Mesmo após as melhorias de hardware, Vertov ainda apresentava certa dificuldade em realizar tarefas simultâneas. Ficou evidente para mim que, além do hardware, parte da lentidão se devia aos próprios programas, que estavam cada vez mais pesados ​​com recursos que nem eram necessários para meu uso.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Redescobrindo o GNU/Linux
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
Coincidentemente, em uma conversa nesse mesmo período, um amigo acabou mencionando que rodava Debian no seu computador principal — recentemente ele havia comprado um computador de mesa com as mesmas especificações que o meu. Essa menção me trouxe memórias do ensino médio, quando eu e um outro amigo instalamos o Slackware. Na época, não tínhamos ideia de tudo o que aquilo representava. No fim das contas, me convenci a instalar &#34;Linux&#34; no Vertov, na esperança de continuar o utilizando. A primeira escolha, como uma forma de lembrança, foi o Slackware.</p>
<p>
<figure><img src="/images/palimpsests/2022/image01.jpg"
         alt="Slackware"/>
</figure>
</p>
<p>
Depois de instalar o Slackware, Vertov ganhou uma nova vida, e eu pude aprender e descobrir inúmeras coisas. O Windows que vinha o pesando, à medida que seus requisitos aumentavam com o tempo, exigindo componentes mais fortes. Como o Windows parecia ser a única opção existente de sistema operacional, Vertov haveria se tornando obsoleto. Logo percebi que ficar restrito a esse sistema operacional proprietário sempre me obrigaria a me desfazer do meu hardware, mesmo estando satisfeito com seus recursos. Nesse momento, iniciei um processo intenso de aprendizado sobre o movimento FOSS, GNU/Linux, e toda a sua filosofia, que me proporcionavam a liberdade de ter um sistema operacional livre. Era o início da minha jornada de usuário comum para usuário avançado.</p>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Autonomia digital
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<p>
A partir desse momento, comecei a, de fato, controlar meu computador e seus programas e não o contrário. Passei a utilizar Window Managers e até mesmo TTY como ambientes de escrita, que eram visivelmente mais leves e livres de distrações para meu uso. Descobri o GNU Emacs e seu incrível org-mode, que transformou completamente a maneira como interajo com computadores e textos. Também comecei a usar RSS para organizar e consumir conteúdo em vez de me submeter a algoritmos arbitrários. Com o tempo, aprofundei meu conhecimento prático de UNIX/Linux, ao ponto de começar meu próprio homelab. Agora, eu estava assumindo mais do que o controle sobre meu hardware ou software em si, estava começando a assumir o controle sobre minha vida digital como um todo.</p>
<p>
<div id="freedom-iframe-container" style="position: relative; padding-top: calc(60% + 100px); width: 100%;">
<iframe src="https://www.fsf.org/videos/escape-to-freedom/" scrolling="no" style="overflow: hidden; margin: 0; border: 0 none; display: block; position: absolute; width: 100%; height: 100%; top: 0;"></iframe>
</div>
<script>

window.onmessage = function (e) { if (e.data.hasOwnProperty("freedom-iframe-height")) { document.getElementById('freedom-iframe-container').style.height=`${e.data["freedom-iframe-height"]}px`;  document.getElementById('freedom-iframe-container').style["padding-top"]="unset";} };

</script>





</p>
<p>
Tudo isso aconteceu porque, em determinado momento, me recusei a abrir mão do Vertov por conta da obsolescência programada. Isso sem mencionar o reaproveitamento de um equipamento perfeitamente funcional que se tornaria lixo eletrônico. Há vida além das <em>janelas</em>.</p>
</div>
</div>
]]></content:encoded></item><item><title>Beyond the windows</title><link>https://eternodevir.com/palimpsests/beyond-the-windows/</link><pubDate>Sat, 10 Dec 2022 08:44:01 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/beyond-the-windows/</guid><description>It all started with my first laptop, an old Samsung RV415, hostname Vertov. It had stopped working for basic tasks, and while most people would simply buy a newer laptop, I could not just dispose of Vertov. He had been with me through most of my undergraduate studies and made it possible to play the soundtracks at 1408. He was my companion on my first international trip, and we cooked countless recipes together.</description><content:encoded><![CDATA[
<p>
It all started with my first laptop, an old Samsung RV415, hostname Vertov. It had stopped working for basic tasks, and while most people would simply buy a newer laptop, I could not just dispose of Vertov. He had been with me through most of my undergraduate studies and made it possible to play the soundtracks at 1408. He was my companion on my first international trip, and we cooked countless recipes together. Vertov had too much history to be just another tragedy of planned obsolescence.</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Hardware revival
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
The first idea that occurred to me was to make as many hardware improvements as possible. After an extensive research, I found some interesting components. I replaced the HHD with an SSD and doubled the amount of RAM with a new stick. However, opening the laptop completely to do a deep cleaning was somewhat challenging, and I had to struggle a bit with the plastic clips on the case. Nevertheless, everything went well, and I managed to change the thermal paste on the CPU as well. Even though I am used to doing this on my desktop computer, this adventure taught me a lot about the specifics of laptops.</p>
<p>
<figure><img src="/images/palimpsests/2022/image00.jpg"
         alt="Vertov"/>
</figure>
</p>
<p>
In the midst of Vertov&#39;s revival procedure, I began to understand that the slowness he was experiencing was a much broader issue than it initially seemed. After all, why had he started to get slow? It might not necessarily be a hardware issue. Also, why was his processor soldered to the motherboard? This made any modification practically impossible. Even after the hardware improvements, Vertov still had some difficulty performing simultaneous tasks. It became evident to me that, in addition to the hardware, part of the slowness was due to the programs themselves, which were becoming increasingly heavier with features that were not even necessary for my use.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
GNU/Linux rediscovery
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
Coincidentally, in a conversation during this same period, a friend ended up mentioning that he ran Debian on his main computer—he had recently bought a desktop computer with the same specifications as mine. This mention brought back memories from high school when I and another friend installed Slackware. At the time, we had no idea all that it represented. Ultimately, I convinced myself to install &#34;Linux&#34; on Vertov, hoping to continue using it. The first choice, as a remembrance, was Slackware.</p>
<p>
<figure><img src="/images/palimpsests/2022/image01.jpg"
         alt="Slackware"/>
</figure>
</p>
<p>
After installing Slackware, Vertov gained a new lease of life, and I was able to learn and discover countless things. Windows had been weighing him down, as its requirements grew over time, demanding stronger components. Since Windows seemed to be the only existing operating system option, Vertov would have become obsolete. I soon realized that being restricted to this proprietary operating system would always force me to dispose of my hardware, even though I was satisfied with its features. At that point, I began an intense learning process about the FOSS movement, GNU/Linux, and its entire philosophy, which gave me the freedom to have a free operating system. This was the start of my journey from being a regular user to becoming an advanced one.</p>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Digital autonomy
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<p>
From that moment on, I began to actually control my computer and its programs and not the other way around. I started using Window Managers and even TTY as writing environments, which were noticeably lighter and free from distractions for my use. I discovered GNU Emacs and its incredible org-mode, which completely transformed the way I interact with computers and texts. I also started using RSS to organize and consume content instead of subjecting myself to arbitrary algorithms. Over time, I deepened my practical knowledge of UNIX/Linux, to the point where I started my own homelab. Now I was taking more than control over my hardware or software itself, I was starting to take control over my digital life as a whole.</p>
<p>
<div id="freedom-iframe-container" style="position: relative; padding-top: calc(60% + 100px); width: 100%;">
<iframe src="https://www.fsf.org/videos/escape-to-freedom/" scrolling="no" style="overflow: hidden; margin: 0; border: 0 none; display: block; position: absolute; width: 100%; height: 100%; top: 0;"></iframe>
</div>
<script>

window.onmessage = function (e) { if (e.data.hasOwnProperty("freedom-iframe-height")) { document.getElementById('freedom-iframe-container').style.height=`${e.data["freedom-iframe-height"]}px`;  document.getElementById('freedom-iframe-container').style["padding-top"]="unset";} };

</script>





</p>
<p>
All of this happened because, at a certain point, I refused to give up Vertov due to planned obsolescence. Not to mention the reuse of a perfectly functional equipment that would become e-waste. There is life beyond the <em>windows</em>.</p>
</div>
</div>
]]></content:encoded></item><item><title>Rendez-vous 1408</title><link>https://eternodevir.com/palimpsests/rendez-vous-1408/</link><pubDate>Sun, 16 Oct 2022 11:01:24 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/rendez-vous-1408/</guid><description>I have fond memories of these songs. They used to play during the soirée nights, the casual gatherings with dear friends, and the late-night pool dips during my college days at 1408. The melodic tunes and lyrics that once filled the air of that apartment now refresh my memory of those times.</description><content:encoded><![CDATA[<p>
I have fond memories of these songs. They used to play during the soirée nights, the casual gatherings with dear friends, and the late-night pool dips during my college days at 1408. The melodic tunes and lyrics that once filled the air of that apartment now refresh my memory of those times.</p>
<p>
 
 <div style="margin: 25px 0px">
 
 <iframe src="https://open.spotify.com/embed/playlist/5yZp29Dlx1ftTTsqPwH9uy"
     width="100%"
     height="480"
     frameborder="0"
     allowtransparency="true"
     allow="encrypted-media"></iframe>
 
 </div>
</p>
]]></content:encoded></item><item><title>Rendez-vous 1408</title><link>https://eternodevir.com/pt-br/palimpsests/rendez-vous-1408/</link><pubDate>Sun, 16 Oct 2022 11:01:24 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/rendez-vous-1408/</guid><description>Tenho boas lembranças dessas músicas. Elas costumavam tocar durante as noites de sarau, os encontros casuais com amigos queridos e os mergulhos noturnos na piscina durante os tempos de faculdade no 1408. As melodias e letras que antes reverberavam no ar daquele apartamento agora refrescam minha memória daqueles momentos.</description><content:encoded><![CDATA[<p>
Tenho boas lembranças dessas músicas. Elas costumavam tocar durante as noites de sarau, os encontros casuais com amigos queridos e os mergulhos noturnos na piscina durante os tempos de faculdade no 1408. As melodias e letras que antes reverberavam no ar daquele apartamento agora refrescam minha memória daqueles momentos.</p>
<p>
 
 <div style="margin: 25px 0px">
 
 <iframe src="https://open.spotify.com/embed/playlist/5yZp29Dlx1ftTTsqPwH9uy"
     width="100%"
     height="480"
     frameborder="0"
     allowtransparency="true"
     allow="encrypted-media"></iframe>
 
 </div>
</p>
]]></content:encoded></item><item><title>Psicopolítica</title><link>https://eternodevir.com/pt-br/palimpsests/psicopol%C3%ADtica/</link><pubDate>Sat, 27 Jun 2020 10:52:51 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/psicopol%C3%ADtica/</guid><description>Byung-Chul Han, enquanto escritor e filósofo, tem uma qualidade admirável: escrever de maneira clara e objetiva sobre temas complexos. Ainda assim, foi um livro trabalhoso pela necessidade constante de separar o joio do trigo. Contudo, uma vez identificada a causa do problema, a leitura foi bastante proveitosa. A obra é dividida em treze seções/ensaios: (1) crise da liberdade; (2) poder inteligente; (3) a toupeira e a serpente; (4) biopolítica; (5) o dilema de Foucault; (6) a cura como assassinato; (7) choque; (8) o amável grande irmão; (9) o capitalismo da emoção; (10) gamificação; (11) big data; (12) para além do sujeito; e (13) idiotismo.</description><content:encoded><![CDATA[<p>
Byung-Chul Han, enquanto escritor e filósofo, tem uma qualidade admirável: escrever de maneira clara e objetiva sobre temas complexos. Ainda assim, foi um livro trabalhoso pela necessidade constante de separar o joio do trigo. Contudo, uma vez identificada a causa do problema, a leitura foi bastante proveitosa. A obra é dividida em treze seções/ensaios: (1) crise da liberdade; (2) poder inteligente; (3) a toupeira e a serpente; (4) biopolítica; (5) o dilema de Foucault; (6) a cura como assassinato; (7) choque; (8) o amável grande irmão; (9) o capitalismo da emoção; (10) gamificação; (11) big data; (12) para além do sujeito; e (13) idiotismo.</p>
<p>
De maneira resumida, no desenvolvimento de algumas teses, Byung-Chul defende que o neoliberalismo opera a transição: da sociedade da biopolítica (controle do corpo) para a sociedade da psicopolítica (controle da mente); do poder disciplinar (negativo e violento) para o poder inteligente (positivo e internalizado); da produtividade pela exploração da racionalidade para a produtividade pela exploração da emoção (gamificação do trabalho e da vida, sistema de recompensas); do sujeito-trabalhador (classista, proletário) para o sujeito-projeto (empreendedor de si); da exploração do homem pelo homem (explorador e explorado) para a exploração do homem por si mesmo (“autoexploração”); do modo de produção material (objetos materiais) para o modo de produção imaterial (“capitalismo da emoção/like”, sociabilidade e comunicação são exploradas); da memória humana (esquecimento e narrativa) para a memória digital (não-esquecimento e quantificação); das forças repressivas contra a expressão (censura) para as forças sedutoras de expressão (redes sociais); da vigilância extrínseca (serviços secretos) para a vigilância intrínseca (autoexposição); do panóptico de Bentham (prisão e isolamento, controle óptico) para o panóptico digital (liberdade ilusória e comunicação, big data).</p>
<p>
O joio é que, em várias das teses apresentadas, Byung-Chul não opera em termos de relação dialética entre os elementos, ou sequer de aprofundamento, mas sim em termos de transformação completa. Diante disso, nas 11 primeiras seções, o neoliberalismo assume um caráter absoluto e determinístico, gerando algumas conclusões descoladas da realidade mesmo que baseadas em meias-verdades. Na minha leitura, a raiz desse problema provém da constatação de que o neoliberalismo “eliminou a exploração alheia da classe trabalhadora”, de sorte que não existiria proletariado (uma classe explorada por outra) no neoliberalismo. Ora, uma coisa é constatar que as novas técnicas de poder do neoliberalismo operam no sentido de omitir (!) o antagonismo e a luta de classes, “internalizando a exploração” nos trabalhadores e afetando os indivíduos “em nível pré-reflexivo”, outra é tomar isso como um aspecto absoluto/determinístico da realidade. Ou seja, Byung-Chul apaga completamente a existência da luta de classes dentro da sociedade neoliberal, o que o leva a revisar Marx (aliás, outros também, inclusive Foucault). Para Byung-Chul, o neoliberalismo transforma os trabalhadores em empreendedores de si através da “autoexploração” (meia-verdade) ao ponto de o antagonismo de classes, entre explorados e exploradores, ter sido eliminado (falso).</p>
<p>
Para elucidar a problemática com apenas um exemplo concreto: Byung-Chul descreve a gamificação do trabalho (sistema de recompensas, produtividade pela exploração da emoção etc.) e a “autoexploração” (empreendedor de si) da lógica neoliberal, isto é, aspectos constatáveis na realidade dos entregadores por aplicativos (sistema de pontos, ausência de vínculo empregatício etc.); contudo, não existe escopo na teoria proposta para contemplar a organização classista e concreta dos entregadores na luta contra a (auto)exploração, reivindicando melhores condições de trabalho e explicando com todas as letras: “ninguém aqui é empreendedor, nós somos força de trabalho”. Em outras palavras, a prática daqueles que lutam de maneira classista e antagônica contra a exploração imposta pelo capital em favor da burguesia, classe dominante por deter a propriedade dos meios de produção (importante lembrar), coloca em cheque o derrotismo revisionista de Byung-Chul. Dito isso, no que tange à exploração do trabalho no neoliberalismo, uma síntese/epígrafe complementar seria: “proteja-me do que eu preciso fazer para sobreviver”; por mais que, em relação à pretensa liberdade digital e ao big data, a epígrafe da obra permaneça pertinente: “proteja-me do que eu quero” (Jenny Holzer).</p>
<p>
Discordâncias à parte, além da gamificação da vida e do trabalho, enfatizo os trechos sobre o eu-quantificado (quantified self) e as aplicações do big data, via inteligência artificial, como forma de dominação neoliberal nas mais variadas esferas da vida. O imperativo na era digital é tudo virar dado e informação, de tal forma que, através do eu-quantificado (seguidores, likes, n.º de amigos) e do big data, o <em>digitus</em> começa a tomar o lugar do <em>phallus</em>. Nesse sentido, a sociabilidade e a comunicação humanas, sob o pretexto de uma liberdade ilusória do neoliberalismo, desempenham um papel central na produção das massas de dados e informações. Diante disso, a mineração via inteligência artificial dessa imensa quantidade de dados que produzimos diariamente é capaz de criar uma fiel “versão digital/multidimensional de nós mesmos”, influenciando e prevendo nosso comportamento e, até mesmo, acessando nossos pensamentos e desejos mais íntimos. Nesse contexto, até nosso inconsciente é explorado, tanto o individual quanto o coletivo. Através do big data e da inteligência artificial, o neoliberalismo conseguiu fundir exploração, comercialização, informação, vigilância e dominação (a junção entre Big Brother, Big Data e Big Business, nos termos do Byung-Chul). Um exemplo concreto é a influência do big data de uma empresa privada nos rumos das eleições de 2016 nos EUA. Não obstante, a título de menção, Byung-Chul realiza uma das melhores explicações metafóricas sobre mineração de dados e big data. Ele faz uma alusão entre dataísmo e dadaísmo que, posteriormente, desdobra-se em uma metáfora para refletir sobre o poder e as implicações da black box da inteligência artificial (por mais que ele não aborde esse conceito diretamente no livro).</p>
<p>
Por fim, nas duas últimas seções, Byung-Chul suspende o caráter determinístico da sua análise do neoliberalismo e propõe uma saída filosófica para combatê-lo: o idiotismo. Explicando de maneira reducionista, ser idiota no sentido socrático da postura do saber que não sabe nada. Para Byung-Chul, a inteligência significa “escolher-entre” dentro da lógica de um sistema. Assim, a inteligência não seria inteiramente livre por ter que escolher conforme aquilo que o sistema oferece. O idiotismo, por outro lado, seria completamente livre por ser herético e alheio (“outsider“) à imanência sistêmica da inteligência. O idiota, pela imanência do vazio, fica em silêncio e em solitude e, por isso, encontra a singularidade do que “realmente valha a pena ser dito” (num sentido negativo [“subversivo”] em relação ao sistema). O idiota, portanto, não existiria enquanto sujeito do sistema (contrapondo o individualismo do neoliberalismo), ele seria mais como “uma flor: uma existência simplesmente aberta à luz”, sendo caracterizado não pela individualidade, mas pela singularidade. Apesar de não ser explicitado diretamente, o idiota lembra um pouco Zarathustra ou um monge budista, o que faz sentido tendo em vista as referências teóricas dessa saída filosófica proposta pelo Byung-Chul: Nietzsche, Deleuze, Clément Rosset e Botho Strauss.</p>
<p>
Em conclusão, é um livro relevante para a compreender as novas técnicas de poder e de exploração do neoliberalismo, mas que, ao meu ver, não contribui incisivamente para a superação dessa dominação, para a transformação radical dessa realidade, dada o derrotismo de Byung-Chul ante à famigerada máxima da tese onze. Por mais que haja reflexões interessantes do ponto de vista estritamente filosófico, não conheço qualquer povo oprimido que tenha combatido sua exploração, de maneira eficaz, conforme proposto pelo idiotismo. O mesmo, contudo, não pode ser dito em relação à tão criticada práxis marxista. A luta organizada de maneira classista foi historicamente mais efetiva rumo à valorização da vida e à emancipação humana.</p>
<p>
Nota de pé de página para os amantes do audiovisual: não existe um episódio de Black Mirror sequer que não seja contemplado por algum trecho desse livro. A realidade nua e crua de todos nós que somos explorados, até digital e psicologicamente, pelo capital. Alguns excertos:</p>
<blockquote>
<p>The capitalism of Like should come with a warning label: Protect me from what I want.  (pg. 16)</p>
</blockquote>
<blockquote>
<p>Under neoliberalism, the technology of power takes on a subtle form. It does not lay hold of individuals directly. Instead, it ensures that individuals act on themselves so that power relations are interiorized – and then interpreted as freedom. Self-optimization and submission, freedom and exploitation, fall into one.  (pg. 23)</p>
</blockquote>
<blockquote>
<p>The neoliberal regime is in the course of inaugurating the age of exhaustion. Today, the psyche itself is being exploited.  (pg. 24)</p>
</blockquote>
<blockquote>
<p>Neoliberal psychopolitics is dominated by positivity. Instead of working with negative threats, it works with positive stimuli. Instead of administering ‘bitter medicine’, it enlists Liking.  (pg. 28)</p>
</blockquote>
<blockquote>
<p>Today’s society of information is not characterized by destroying words, but by multiplying them without end.  (pg. 29)</p>
</blockquote>
<blockquote>
<p>In the digital panopticon, the illusion of limitless freedom and communication predominates. Here there is no torture – just tweets and posts. Nor is there a mysterious ‘Ministry of Truth’. Transparency and information have taken the place of truth. The new conception of power does not involve controlling the past, but steering the future psychopolitically.  (pg. 30)</p>
</blockquote>
<blockquote>
<p>The gamification of work exploits homo ludens. The player subjugates him- or herself to the order of domination in the very act of playing. Today, the gamification logic of ‘Likes’, ‘Friends’ and ‘Followers’ means that social communication is also being plugged into and subordinated to a game mode. The corollary of the gamification of communication is its commercialization. That said, this process is destroying human communication.  (pg. 38)</p>
</blockquote>
<blockquote>
<p>Belief that life admits measurement and quantification governs the digital age as a whole. ‘Quantified Self’ honours this faith too. The body is outfitted with sensors that automatically register data.  (pg. 45)</p>
</blockquote>
<blockquote>
<p>Who am I? ‘Quantified Self’ represents a Dadaist technology too; it empties the self of any and all meaning. The self gets broken down into data until no sense remains. (…) The motto of Quantified Self is ‘Self Knowledge through Numbers’. (pg. 46)</p>
</blockquote>
<blockquote>
<p>Big Data never forgets anything at all. For this reason alone, the digital panopticon is much more efficient than Bentham’s.  (pg. 47)</p>
</blockquote>
<blockquote>
<p>For instance, at a given stage of pregnancy, a woman may crave a particular product – yet this impulse marks a correlation of which she remains unaware. She buys the item, but she doesn’t know why. That’s how it is. Conceivably, this that’s-how-it-is (Es-ist-so) exists in psychic proximity to the Freudian id (Es), which escapes the ego and consciousness. In this light, Big Data is making the id into an ego to be exploited psychopolitically. If Big Data has access to the realm of our unconscious actions and inclinations, it is possible to construct a psychopolitics that would reach deep into our psyche to exploit it.  (pg. 48)</p>
</blockquote>
]]></content:encoded></item><item><title>Psychopolitics</title><link>https://eternodevir.com/palimpsests/psychopolitics/</link><pubDate>Sat, 27 Jun 2020 10:52:51 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/psychopolitics/</guid><description>Byung-Chul Han, as a writer and philosopher, has an admirable quality: he writes clearly and objectively about complex topics. Even so, it was a laborious book due to the constant need to separate the wheat from the chaff. However, once the cause of the problem was identified, the reading was quite fruitful. The work is divided into thirteen sections/essays: (1) crisis of freedom; (2) intelligent power; (3) the mole and the serpent; (4) biopolitics; (5) Foucault&amp;#39;s dilemma; (6) healing as murder; (7) shock; (8) the lovable big brother; (9) the capitalism of emotion; (10) gamification; (11) big data; (12) beyond the subject; and (13) idiocy.</description><content:encoded><![CDATA[<p>
Byung-Chul Han, as a writer and philosopher, has an admirable quality: he writes clearly and objectively about complex topics. Even so, it was a laborious book due to the constant need to separate the wheat from the chaff. However, once the cause of the problem was identified, the reading was quite fruitful. The work is divided into thirteen sections/essays: (1) crisis of freedom; (2) intelligent power; (3) the mole and the serpent; (4) biopolitics; (5) Foucault&#39;s dilemma; (6) healing as murder; (7) shock; (8) the lovable big brother; (9) the capitalism of emotion; (10) gamification; (11) big data; (12) beyond the subject; and (13) idiocy.</p>
<p>
In summary, in the development of some theses, Byung-Chul argues that neoliberalism operates the transition: from the biopolitical society (body control) to the psychopolitical society (mind control); from disciplinary power (negative and violent) to intelligent power (positive and internalized); from productivity by exploring rationality to productivity by exploring emotion (gamification of work and life, reward system); from the worker-subject (classist, proletarian) to the project-subject (self-entrepreneur); from the exploitation of man by man (exploiter and exploited) to the exploitation of man by himself (“self-exploitation”); from the material mode of production (material objects) to the immaterial mode of production (“emotion/like capitalism”, sociability and communication are exploited); from human memory (forgetting and narrative) to digital memory (non-forgetting and quantification); from the repressive forces against expression (censorship) to the seductive forces of expression (social networks); from extrinsic surveillance (secret services) to intrinsic surveillance (self-exposure); from Bentham&#39;s panopticon (prison and isolation, optical control) to the digital panopticon (illusory freedom and communication, big data).</p>
<p>
The chaff is that, in several of the theses presented, Byung-Chul does not operate in terms of a dialectical relationship between the elements, or even of deepening, but rather in terms of complete transformation. Therefore, in the first 11 sections, neoliberalism assumes an absolute and deterministic disposition, generating some conclusions detached from reality even if based on half-truths. In my reading, the root of this problem comes from the realization that neoliberalism “eliminated the extrinsic exploitation of the working class”, so that there would be no proletariat (a class exploited by another) in neoliberalism. Now, one thing is verifying that neoliberalism&#39;s new techniques of power operate in the sense of omitting (!) antagonism and class struggle, “internalizing exploitation” in workers and affecting individuals “at a pre-reflective level”. Another thing is taking it as an absolute/deterministic aspect of reality. That is, Byung-Chul completely erases the existence of class struggle within neoliberal society, which leads him to revise Marx (by the way, others as well, including Foucault). For Byung-Chul, neoliberalism transforms workers into entrepreneurs of themselves through “self-exploitation” (half-truth) to the point where the class antagonism between the exploited and exploiters has been eliminated (false).</p>
<p>
To elucidate the problem with just one concrete example: Byung-Chul describes the gamification of work (reward system, productivity by exploring emotion, etc.) and “self-exploration” (self-entrepreneur) of neoliberal logic, that is, observable aspects in the reality of couriers using apps (point system, absence of employment relantionship, etc.); however, there is no scope in the proposed theory to contemplate the classist and concrete organization of couriers in the fight against (self)exploitation, claiming better working conditions and explaining in all letters: “nobody here is an entrepreneur, we are a workforce” . In other words, the practice of those who fight in a classist and antagonistic way against the exploitation imposed by capital in favor of the bourgeoisie, the dominant class for holding ownership of the means of production (it is important to remember), puts Byung-Chul&#39;s revisionist defeatism in check. That said, with regard to the exploitation of labor in neoliberalism, a complementary synthesis/epigraph would be: “protect me from what I need to do to survive”; however, in relation to the alleged digital freedom and big data, the epigraph of the book remains relevant: “protect me from what I want” (Jenny Holzer).</p>
<p>
Disagreements aside, in addition to the gamification of life and work, I emphasize the passages about the quantified self and the applications of big data, via artificial intelligence, as a form of neoliberal domination in the most varied spheres of life. The imperative in the digital age is for everything to become data and information, in such a way that, through the quantified self (followers, likes, number of friends) and big data, <em>digitus</em> begins to take the place of <em>phallus</em>. In this sense, human sociability and communication, under the pretext of an illusory freedom of neoliberalism, play a central role in the production of masses of data and information. In view of this, mining via artificial intelligence this immense amount of data that we produce daily is capable of creating a faithful “digital/multidimensional version of ourselves”, influencing and predicting our behavior and even accessing our most intimate thoughts and desires. In this context, even our unconscious is exploited, both individual and collective. Through big data and artificial intelligence, neoliberalism managed to merge exploitation, commercialization, information, surveillance, and domination (the junction between Big Brother, Big Data, and Big Business, in Byung-Chul&#39;s terms). A concrete example is the influence of a private company&#39;s big data on the course of the 2016 US elections. Notwithstanding, by way of mention, Byung-Chul provides one of the best metaphorical explanations of data mining and big data. He makes an allusion between Dataism and Dadaism, which later unfolds into a metaphor to reflect on the power and implications of artificial intelligence black blox (although he does not address this concept directly in the book).</p>
<p>
Finally, in the last two sections, Byung-Chul suspends the deterministic disposition of his analysis of neoliberalism and proposes a philosophical way out to combat it: idiocy. Explaining in a reductionist way, being an idiot in the Socratic sense of the posture of knowing that you know nothing. For Byung-Chul, intelligence means “choosing-between” within the logic of a system. Thus, intelligence would not be entirely free due having to choose according to what the system offers. Idiotism, on the other hand, would be completely free because it is heretical and alien (“outsider”) to the systemic immanence of intelligence. The idiot, through the immanence of emptiness, remains silent and in solitude and, therefore, finds the singularity of what is “really worth saying” (in a negative sense [“subversive”] in relation to the system). The idiot, therefore, would not exist as a subject of the system (contrasting the individualism of neoliberalism), he would be more like “a flower: an existence simply open to the light”, being characterized not by individuality, but by singularity. Despite not being directly explained, the idiot somewhat resembles Zarathustra or a Buddhist monk, which makes sense in view of the theoretical references of this philosophical departure proposed by Byung-Chul: Nietzsche, Deleuze, Clément Rosset, and Botho Strauss.</p>
<p>
In conclusion, it is a relevant book for understanding the new techniques of power and exploitation of neoliberalism, but which, in my view, does not incisively contribute to overcoming this domination, to the radical transformation of this reality, given the defeatism of Byung-Chul before the famous maxim of thesis eleven. As much as there are interesting reflections from a strictly philosophical point of view, I don&#39;t know of any oppressed people who have effectively fought their exploitation as proposed by idiocy. The same, however, cannot be said about the much criticized Marxist praxis. The struggle organized in a classist way was historically more effective towards the appreciation of life and human emancipation.</p>
<p>
Footnote for audiovisual enthusiasts: there is not a single episode of Black Mirror that is not contemplated by some part of this book. The raw reality of all of us who are exploited, even digitally and psychologically, by capital. Some excerpts:</p>
<blockquote>
<p>The capitalism of Like should come with a warning label: Protect me from what I want.  (p. 16)</p>
</blockquote>
<blockquote>
<p>Under neoliberalism, the technology of power takes on a subtle form. It does not lay hold of individuals directly. Instead, it ensures that individuals act on themselves so that power relations are interiorized – and then interpreted as freedom. Self-optimization and submission, freedom and exploitation, fall into one.  (p. 23)</p>
</blockquote>
<blockquote>
<p>The neoliberal regime is in the course of inaugurating the age of exhaustion. Today, the psyche itself is being exploited.  (p. 24)</p>
</blockquote>
<blockquote>
<p>Neoliberal psychopolitics is dominated by positivity. Instead of working with negative threats, it works with positive stimuli. Instead of administering ‘bitter medicine’, it enlists Liking.  (p. 28)</p>
</blockquote>
<blockquote>
<p>Today’s society of information is not characterized by destroying words, but by multiplying them without end.  (p. 29)</p>
</blockquote>
<blockquote>
<p>In the digital panopticon, the illusion of limitless freedom and communication predominates. Here there is no torture – just tweets and posts. Nor is there a mysterious ‘Ministry of Truth’. Transparency and information have taken the place of truth. The new conception of power does not involve controlling the past, but steering the future psychopolitically.  (p. 30)</p>
</blockquote>
<blockquote>
<p>The gamification of work exploits homo ludens. The player subjugates him- or herself to the order of domination in the very act of playing. Today, the gamification logic of ‘Likes’, ‘Friends’ and ‘Followers’ means that social communication is also being plugged into and subordinated to a game mode. The corollary of the gamification of communication is its commercialization. That said, this process is destroying human communication.  (p. 38)</p>
</blockquote>
<blockquote>
<p>Belief that life admits measurement and quantification governs the digital age as a whole. ‘Quantified Self’ honours this faith too. The body is outfitted with sensors that automatically register data.  (p. 45)</p>
</blockquote>
<blockquote>
<p>Who am I? ‘Quantified Self’ represents a Dadaist technology too; it empties the self of any and all meaning. The self gets broken down into data until no sense remains. (…) The motto of Quantified Self is ‘Self Knowledge through Numbers’. (p. 46)</p>
</blockquote>
<blockquote>
<p>Big Data never forgets anything at all. For this reason alone, the digital panopticon is much more efficient than Bentham’s.  (p. 47)</p>
</blockquote>
<blockquote>
<p>For instance, at a given stage of pregnancy, a woman may crave a particular product – yet this impulse marks a correlation of which she remains unaware. She buys the item, but she doesn’t know why. That’s how it is. Conceivably, this that’s-how-it-is (Es-ist-so) exists in psychic proximity to the Freudian id (Es), which escapes the ego and consciousness. In this light, Big Data is making the id into an ego to be exploited psychopolitically. If Big Data has access to the realm of our unconscious actions and inclinations, it is possible to construct a psychopolitics that would reach deep into our psyche to exploit it.  (p. 48)</p>
</blockquote>
]]></content:encoded></item><item><title>O homem unidimensional</title><link>https://eternodevir.com/pt-br/palimpsests/o-homem-unidimensional/</link><pubDate>Tue, 02 Jun 2020 18:36:32 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/o-homem-unidimensional/</guid><description>Em uma tradução menos comercial, “O homem unidimensional: estudos sobre a ideologia da sociedade industrial desenvolvida”, publicado em 1964. Um livro com muitos pontos fortes. Marcuse é um pensador dialético por excelência. Por um lado, ele demonstra como a tecnologia modifica os instrumentos de produção e promove avanços para a emancipação humana. Por outro, ele avalia como a tecnologia é parte de uma nova forma de controle, impactando: (i) o trabalho; (ii) o universo político; (iii) a consciência; (iv) o universo de locução; (v) a cultura; e (vi) o pensamento.</description><content:encoded><![CDATA[<p>
Em uma tradução menos comercial, “O homem unidimensional: estudos sobre a ideologia da sociedade industrial desenvolvida”, publicado em 1964. Um livro com muitos pontos fortes. Marcuse é um pensador dialético por excelência. Por um lado, ele demonstra como a tecnologia modifica os instrumentos de produção e promove avanços para a emancipação humana. Por outro, ele avalia como a tecnologia é parte de uma nova forma de controle, impactando: (i) o trabalho; (ii) o universo político; (iii) a consciência; (iv) o universo de locução; (v) a cultura; e (vi) o pensamento.</p>
<p>
Em síntese, essa nova forma de controle é a sociedade unidimensional e o pensamento unidimensional. É a ideologia das sociedades  industriais desenvolvidas, que é, em uma de suas formas, o “Estado de Bem-Estar Social”. Em outras palavras, uma sociedade e um pensamento que se reafirmam em diversas esferas de maneira positiva, racionalizando o irracional e harmonizando ou suprimindo o pensamento negativo/subversivo. Como resultado, repele a potencialidade concreta de formas alternativas de sociedade que poderiam transformar a realidade existente.</p>
<p>
No geral, achei dois aspectos particularmente interessantes. O primeiro é que Marcuse enfatiza que o modo social de produção, e não a técnica, é o fator histórico básico. O segundo é que o dilema tecnológico não se trata de uma simples afirmação ou negação em abstrato. Uma tecnologia pode servir tanto a uma sociedade capitalista quanto a uma sociedade socialista; contudo, isso não implica que as transformações tecnológicas e científicas não sejam materializações dos valores de uma determinada sociedade. Ou seja, os valores de uma tecnologia não são meros complementos ou externos a ela, mas a própria tecnologia é uma materialização desses valores. O mesmo se aplica ao conhecimento científico.</p>
<p>
Por fim, um relato pessoal da importância do pensamento dialético que permeia o livro. Outro dia, eu estava acompanhando uma discussão na internet em que os dois lados estavam certos e errados ao mesmo tempo. Eles estavam certos porque apontavam especificidades reais sobre o que estavam discutindo. Eles estavam errados porque negavam as especificidades apontadas entre si, pois eram, aparentemente, excludentes. Ao negarem o contraditório do que o outro dizia, perdiam de vista a totalidade mais complexa. Assim, deixavam para trás uma parte da realidade, incompreendida, o que os levava a uma batalha discursiva sem fim.</p>
<p>
Enfim, apesar de ser contra-intuitivo — afinal a sociedade capitalista nos condiciona estruturalmente a ter um pensamento unidimensional —, é perfeitamente possível pensarmos a realidade através do contraditório. Embora existam vários, talvez este seja a maior ensinamento que se pode tirar da obra: a recusa do pensamento unidimensional e a prática de um pensamento dialético. Feito que Marcuse realiza com método e maestria ao longo do livro.</p>
<p>
Aliás, a última página é sinteticamente excepcional:</p>
<blockquote>
<p>Contudo, por baixo da base conservadora popular está o substrato dos párias e estranhos, dos explorados e perseguidos de outras raças e de outras cores, os desempregados e os não-empregáveis. Eles existem fora do processo democrático; sua existência é a mais imediata e a mais real necessidade de por fim às condições e instituições intoleráveis. Assim, sua oposição é revolucionária ainda que sua consciência não o seja. Sua oposição atinge o sistema de fora para dentro, não sendo, portanto, desviada pelo sistema, é uma força elementar que viola as regras do jogo e, ao fazê-lo, revela-o como um jogo trapaceado. Quando eles se reúnem e saem às ruas, sem armas, sem proteção, para reivindicar os mais primitivos direitos civis, sabem que enfrentam cães, pedras e bombas, cadeia, campos de concentração e até a morte. Sua força está por trás de toda manifestação política para as vítimas da lei e da ordem. O fato de eles começarem a recusar a jogar o jogo pode ser o fato que marca o começo do fim de um período.</p>
<p>
Nada indica que será um bom fim. As aptidões econômicas e técnicas das sociedades estabelecidas são suficientemente vastas para permitir ajustamentos e concessões aos subcães, e suas forças armadas suficientemente adestradas e equipadas para cuidar de situações de emergência. Contudo, lá está novamente o espectro, dentro e fora das fronteiras das sociedades avançadas. O fácil paralelo histórico com os bárbaros ameaçando o império da civilização prejulga a causa; o segundo período de barbarismo bem pode ser o império continuado da própria civilização. Mas a probabilidade é que, nesse período, os extremos históricos possam novamente se encontrar: a mais avançada consciência da humanidade e sua força mais explorada. Nada mais é do que uma probabilidade. A teoria crítica da sociedade não possui conceito algum que possa cobrir a lacuna entre o presente o seu futuro; não oferecendo promessa alguma e não ostentando êxito algum, permanece negativa. Assim, ela deseja permanecer leal àqueles que, sem esperança, deram e dão sua vida à Grande Recusa.</p>
<p>
No início da era fascista, Walter Benjamin escreveu:</p>
<p>
Nur um der Hoffnungslosen willen ist uns die Hoffnung gegeben.</p>
<p>
Somente em nome dos desesperançados nos é dada esperança.</p>
</blockquote>
]]></content:encoded></item><item><title>One-dimensional man</title><link>https://eternodevir.com/palimpsests/one-dimensional-man/</link><pubDate>Tue, 02 Jun 2020 18:36:32 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/one-dimensional-man/</guid><description>In a less commercial translation, “One-Dimensional Man: Studies in the Ideology of Developed Industrial Society”, published in 1964. A book with many strengths. Marcuse is a dialectical thinker par excellence. On the one hand, he demonstrates how technology modifies production instruments and promotes advances towards human emancipation. On the other hand, he assesses how technology is part of a new form of control, impacting (i) work, (ii) the political universe, (iii) conscience, (iv) the locution universe, (v) culture, and (vi) thought.</description><content:encoded><![CDATA[<p>
In a less commercial translation, “One-Dimensional Man: Studies in the Ideology of Developed Industrial Society”, published in 1964. A book with many strengths. Marcuse is a dialectical thinker par excellence. On the one hand, he demonstrates how technology modifies production instruments and promotes advances towards human emancipation. On the other hand, he assesses how technology is part of a new form of control, impacting (i) work, (ii) the political universe, (iii) conscience, (iv) the locution universe, (v) culture, and (vi) thought.</p>
<p>
In essence, this new form of control can be described as the one-dimensional society and the one-dimensional thinking. It is the ideology of developed industrial societies, which is, in one of its forms, the &#34;Welfare State&#34;. In other words, it is a society and a way of thinking that reinforces itself in various spheres in a positive way, rationalizing the irrational and harmonizing or suppressing negative/subversive thinking. As a result, it repels the concrete potentiality of alternative forms of society that could transform the existing reality.</p>
<p>
Overall, I found two aspects particularly interesting. The first is that Marcuse emphasizes that the social mode of production, not technique, is the basic historical factor. The second is that the technological dilemma is not about a simple affirmation or denial in abstract. A technology can serve both a capitalist or socialist society; however, this does not imply that technological and scientific transformations are not materializations of the values ​​of a given society. That is to say, the values ​​of a technology are not mere complements or external to it, but the technology itself is a materialization of these values. The same applies to scientific knowledge.</p>
<p>
Finally, a personal account of the importance of dialectical thinking that permeates the book. The other day, I was following a discussion on the internet in which both sides were right and wrong at the same time. They were right because they pointed out real specificities about what they were discussing. They were wrong because they denied the specificities pointed out to each other, because they were, apparently, exclusionary. By denying the contradictory of what the other said, they lost sight of the more complex totality. Thus, they left a part of reality behind, misunderstood, and fell into an endless discursive battle.</p>
<p>
Anyway, despite being counter-intuitive—the capitalist society structurally conditions us to have a one-dimensional thinking after all—, it is perfectly possible to think of reality through the contradictory. Although there are several, perhaps this is the greatest lesson that can be taken from the work: the refusal of one-dimensional thinking and the practice of a dialectical thinking. A feat that Marcuse performs with method and mastery throughout the book.</p>
<p>
By the way, the last page is synthetically exceptional:</p>
<blockquote>
<p>However, underneath the popular conservative base is the substratum of the outcasts and outsiders, the exploited and persecuted of other races and other colors, the unemployed and the unemployable. They exist outside the democratic process; its existence is the most immediate and real necessity of putting an end to intolerable conditions and institutions. Thus, their opposition is revolutionary even if their conscience is not. Its opposition reaches the system from the outside in, and therefore is not deflected by the system, it is an elemental force that violates the rules of the game and, in doing so, reveals the game as a cheated game. When they get together and take to the streets, without weapons, without protection, to claim the most primitive civil rights, they know that they are facing dogs, stones and bombs, jail, concentration camps and even death. Its strength is behind every political demonstration for victims of law and order. The fact that they begin to refuse to play the game may be the event that marks the beginning of the end of a period.</p>
<p>
Nothing indicates that it will be a good ending. The economic and technical capabilities of established societies are vast enough to allow adjustments and concessions to subdogs, and their armed forces sufficiently trained and equipped to handle emergency situations. Yet there is the spectrum again, within and beyond the borders of advanced societies. The easy historical parallel with barbarians threatening the empire of civilization prejudges the case; the second period of barbarism may well be the continued empire of civilization itself. But the probability is that, in that period, historical extremes may again meet: humanity&#39;s most advanced consciousness and its most exploited strength. It is nothing more than a probability. The critical theory of society has no concept that can bridge the gap between the present and its future; offering no promise and boasting no success, it remains negative. Thus, it wishes to remain loyal to those who, without hope, gave and give their lives to the Great Refusal.</p>
<p>
At the beginning of the Fascist era, Walter Benjamin wrote:</p>
<p>
Nur um der Hoffnungslosen willen ist uns die Hoffnung gegeben.</p>
<p>
Only on behalf of the hopeless are we given hope.</p>
</blockquote>
]]></content:encoded></item><item><title>Escrevo para descobrir o que penso</title><link>https://eternodevir.com/pt-br/palimpsests/escrevo-para-descobrir-o-que-penso/</link><pubDate>Thu, 21 May 2020 00:02:29 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/escrevo-para-descobrir-o-que-penso/</guid><description>Outro dia me lembrei do meu professor de matemática do ensino médio e de como análise combinatória era um dos poucos assuntos que me interessava. A capacidade de visualizar um universo de possibilidades dentro de um determinado cenário era encantadora. Esta manhã, combinei essa memória com uma ideia que tem ocupado a minha mente ultimamente — escrever como exercício de reflexão e descoberta. As aulas nunca terminam…
Exercício de análise combinatória I Escrevo para descobrir o que penso.</description><content:encoded><![CDATA[
<p>
<figure><img src="/images/palimpsests/2020/image03.jpg"
         alt="Exercício"/>
</figure>
</p>
<p>
Outro dia me lembrei do meu professor de matemática do ensino médio e de como análise combinatória era um dos poucos assuntos que me interessava. A capacidade de visualizar um universo de possibilidades dentro de um determinado cenário era encantadora. Esta manhã, combinei essa memória com uma ideia que tem ocupado a minha mente ultimamente — escrever como exercício de reflexão e descoberta. As aulas nunca terminam…</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Exercício de análise combinatória I
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
Escrevo para descobrir o que penso.<br>
Penso para escrever o que descubro.<br>
Descubro para pensar o que escrevo.<br>
Escrevo para pensar o que descubro.<br>
Penso para descobrir o que escrevo.<br>
Descubro para escrever o que penso.</p>
</div>
</div>
]]></content:encoded></item><item><title>I write to discover what I think</title><link>https://eternodevir.com/palimpsests/i-write-to-discover-what-i-think/</link><pubDate>Thu, 21 May 2020 00:02:29 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/i-write-to-discover-what-i-think/</guid><description>The other day, I was reminded of my high school math teacher and how combinatorics was one of the few topics that interested me. The ability to envision an universe of possibilities within a given scenario was delightful. This morning, I combined that memory with an idea that has been occupying my mind lately—writing as an exercise of reflection and discovery. The lessons never end…
Combinatorial analysis exercise I I write to discover what I think.</description><content:encoded><![CDATA[
<p>
<figure><img src="/images/palimpsests/2020/image03.jpg"
         alt="Exercise"/>
</figure>
</p>
<p>
The other day, I was reminded of my high school math teacher and how combinatorics was one of the few topics that interested me. The ability to envision an universe of possibilities within a given scenario was delightful. This morning, I combined that memory with an idea that has been occupying my mind lately—writing as an exercise of reflection and discovery. The lessons never end…</p>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Combinatorial analysis exercise I
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
I write to discover what I think.<br>
I think to write what I discover.<br>
I discover to think what I write.<br>
I write to think what I discover.<br>
I think to discover what I write.<br>
I discover to write what I think.</p>
</div>
</div>
]]></content:encoded></item><item><title>Até o glorioso fim</title><link>https://eternodevir.com/pt-br/palimpsests/at%C3%A9-o-glorioso-fim/</link><pubDate>Thu, 19 Mar 2020 23:26:08 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/at%C3%A9-o-glorioso-fim/</guid><description>Caixa Cultural, São Paulo, 2015
Ensaio de Paulo Leminski, publicado em 1989 na Folha de Londrina, meses antes de sua morte.
Corpo não mente Quando Francisco Xavier, o missionário jesuíta, aportou no Japão, na crista das navegações, sua catequese produziu milhares de conversões e o catolicismo começou a se espalhar pelo país.
Nas cartas que escreveu para seus superiores em Roma, Xavier descreve com júbilo os progressos do apostolado na Terra do Sol Nascente.</description><content:encoded><![CDATA[
<p>
<figure><img src="/images/palimpsests/2020/image00.jpg"
         alt="Caixa Cultural"/><figcaption>
            <p>Caixa Cultural, São Paulo, 2015</p>
        </figcaption>
</figure>
</p>
<blockquote>
<p>Ensaio de Paulo Leminski, publicado em 1989 na Folha de Londrina, meses antes de sua morte.</p>
</blockquote>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Corpo não mente
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
Quando Francisco Xavier, o missionário jesuíta, aportou no Japão, na crista das navegações, sua catequese produziu milhares de conversões e o catolicismo começou a se espalhar pelo país.</p>
<p>
Nas cartas que escreveu para seus superiores em Roma, Xavier descreve com júbilo os progressos do apostolado na Terra do Sol Nascente. Nas mesmas cartas, porém, queixa-se contra os adeptos de uma seita chamada zen (deve ser a primeira menção ao zen na Europa). Não consigo converter nenhum dos adeptos dessa seita, Xavier confessa. Não mostram nenhum respeito pelas coisas sagradas, riem de tudo e debocham dos símbolos de nossa religião, prossegue ele.</p>
<p>
A razão secreta do insucesso de Xavier com os praticantes do zen reside na radical diferença entre as relações corpo/mente (ou corpo/alma) no catolicismo e no zen. Todas as práticas zen (o zen é – sobretudo – uma prática) visam atingir o ponto de fusão corpo/mente, aquele lugar alfa onde essa distinção (vista como erro e ilusão) não seja mais possível. Visariam, de certa maneira, uma espiritualização do corpo e uma corporificação da mente e do espírito.</p>
<p>
Isso é muito visível nas artes marciais, judô, kendô, caratê, aikidô, todas empapadas de zen. Quem pratica artes marciais, aprende logo que o corpo não é uma máquina governada por um comandante genial chamado mente. Na hora de aplicar um golpe, sente-se claramente que o corpo pensa. Impossível não ver os paralelos entre essa experiência e a vivência do sexo que, para ser realizado plenamente, exige um momento de fusão total entre um corpo que sente e uma mente que dirige. Não se pode obter uma ereção ou um orgasmo pensando em reforma tributária…</p>
<p>
Ao tentar converter superiores da seita zen, com a frase básica “salve tua alma”, Xavier esbarrou num obstáculo intransponível: os monges zen não podiam conceber que a alma fosse uma coisa que a gente possuísse e pudesse ter um destino distinto do corpo, suas peripécias, misérias e esplendores. A arte de um judoca ou de um carateca não é “una cosa mentale”, como disse Leonardo da pintura. É essencialmente unitária, anterior ou posterior à dicotomia corpo/mente que impregna, sub-repticiamente, todo o pensamento ocidental de Descartes para cá.</p>
<p>
As origens desse divórcio no indissociável são, claro, de natureza religiosa: a mente do racionalismo ocidental é a filha leiga da alma salvável no cristianismo. Sem direito a além-túmulo, porém. Mas não pense que coisa tão grave teve raízes apenas filosóficas na mente de algum pensador isolado. A sociedade urbano-industrial, através dos métodos de trabalho que impôs, promove a dissociação corpo/mente mais do que qualquer tratado de metafísica.</p>
<p>
É uma força desagregadora, destribalizante, atomizante. Não há lugar para o corpo na grande fábrica, a não ser como a unidade de trabalho, nunca como lugar de prazer e satisfação sensorial. E a alma toma os novos nomes de “habilitação profissional”, “treinamento especializado”, abstrações no seio dessa imensa abstração que é a anônima sociedade industrial-urbana.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
Eu mando, você obedece
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
Escravos e senhores. Nobres e servos. Patrões e empregados. Técnicos e operários. Nada distingue mais o homem dos animais do que a divisão de trabalho, nossa grande força e também a fonte de nossas fraquezas.</p>
<p>
Foi através da divisão do trabalho que o homem multiplicou seus poderes sobre a natureza numa velocidade fantástica: há apenas 30 mil anos tudo o que tínhamos para enfrentar a hostilidade do meio ambiente eram armas de pau, pedra e osso e vestimentas de peles de animais. Neste prazo biologicamente curtíssimo, saltamos da lança de madeira para o computador, a eletricidade, a engenharia genética e a energia nuclear. Isso só foi possível porque o homem, em todas as latitudes, especializou determinados grupos da sociedade em tarefas específicas. Qualquer tigre sabe fazer tudo o que qualquer tigre faz, e nada além disso. Todo tigre é um inteiro. Nós somos fragmentados. Uns plantam, outros vendem. Uns mandam, outros obedecem. Uns celebram cerimônias aos deuses, outros carregam pedras para erguer pirâmides, templos e catedrais.</p>
<p>
Quem não vê que a dicotomia mente/corpo é uma projeção e uma decorrência da divisão do trabalho, a divisão interiorizada em nós? A mente é uma metáfora da classe dirigente servida pelo corpo.</p>
<p>
A divisão do trabalho é o verdadeiro Pecado Original, aquele que nos expulsa do paraíso e nos lança na grande aventura da vida e do mundo. A serpente sugere, Eva colhe o fruto proibido, Adão o come… Integrar mente e corpo é voltar ao paraíso que só conseguimos experimentar em momentos privilegiados: a pessoas desintegradas, o paraíso também é vivido sob a forma de fragmento.</p>
<p>
Um dos momentos mais radicais da divisão do trabalho está na separação entre trabalho braçal e intelectual. Essa divisão começa no mundo religioso. Sacerdotes e agricultores, monges e guerreiros, padres e fiéis, são o modelo remoto da atual divisão entre técnicos e teóricos diante da mão-de-obra.</p>
<p>
E certas práticas religiosas como o jejum, a castidade, o silêncio e a busca do desconforto físico concorreram poderosamente para acelerar a cisão entre corpo e mente. Não seria exagero imaginar que a noção da “alma” tenha nascido dessas práticas onde o corpo é tratado como um inimigo, fera que deve ser domada, humilhada e reduzida a ser uma montaria dócil sob as rédeas do “Espírito”.</p>
<p>
No século passado, quando começa o mando industrial de hoje, aparece a figura do “intelectual”, o homem/mente por excelência, vivendo apenas na atmosfera rarefeita do “mundo das idéias”. Com o intelectual, seus afins, o técnico, o especialista, o pensador…</p>
<p>
Entre um corpo e uma mente, mil anos-luz de vazio onde se criam monstros e demônios, duendes e neuroses. Os demônios se chamavam Lúcifer, Belzebu, Asmodeu, Belial. Hoje chamam-se neurose, paranoia, esquizofrenia, mania, ansiedade. É perigoso separar aquilo que, por natureza, é uno e inteiro.</p>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
De volta à unidade
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<p>
Retorno ao paraíso perdido, a re-união mente e corpo não pode sequer ser sonhada, em termos integrais. Essa estranha entidade que é o ser humano, que somos nós, resulta irremediavelmente cindida.</p>
<p>
O próprio exercício disso que se chama “razão” parece estar ligado, carne e unha, com a dissociação entre uma metade que “pensa” e um corpo que obedece. Estamos condenados à razão. Mas é essa mesma razão dissociativa que pode nos aproximar, por momentos iluminados, da unidade perdida, em algum ponto-anos-luz no espaço/tempo.</p>
<p>
Nós buscamos essa unidade na prática do lúdico e do erótico, na arte, no esporte, no amor e no sexo. Nessas áreas do in-utensílio, a vida além da tirania do lucro e da utilidade. Ao brincar e jogar, estamos salvos, livres. E de volta.</p>
<p>
Para o zen, é na própria vida cotidiana que está o segredo. É preciso resgatar a grandeza infinita dos gestos simples e “elementares”. Cuidar da vida. Curtir a minúcia. Lavar a própria roupa. A louça. Arrumar a casa. Fazer sua comida. Tomar banho como quem realiza um ato sacro. Recuperar o prazer da prática dos atos primários. Saber que ser matéria, caralho e buceta, boca e estômago, é uma dignidade e um esplendor.</p>
<p>
Dá trabalho.</p>
<p>
Mas, para brilhar, as estrelas têm que arder, até o glorioso fim.</p>
</div>
</div>
]]></content:encoded></item><item><title>Until the glorious end</title><link>https://eternodevir.com/palimpsests/until-the-glorious-end/</link><pubDate>Thu, 19 Mar 2020 23:26:08 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/until-the-glorious-end/</guid><description>Caixa Cultural, São Paulo, 2015
Essay by Paulo Leminski, published in 1989 in Folha de Londrina, months before his death.
Body not mind1 When Francis Xavier, the Jesuit missionary, arrived in Japan during the peak of navigation, his catechesis resulted in thousands of conversions, and Catholicism started to spread throughout the country.
In his letters to his superiors in Rome, Xavier expressed with joy the progress of the apostolate in the Land of the Rising Sun.</description><content:encoded><![CDATA[
<p>
<figure><img src="/images/palimpsests/2020/image00.jpg"
         alt="Caixa Cultural"/><figcaption>
            <p>Caixa Cultural, São Paulo, 2015</p>
        </figcaption>
</figure>
</p>
<blockquote>
<p>Essay by Paulo Leminski, published in 1989 in Folha de Londrina, months before his death.</p>
</blockquote>
<div id="outline-container-headline-1" class="outline-2">
<h2 id="headline-1">
Body not mind<sup class="footnote-reference"><a id="footnote-reference-1" href="#footnote-1">1</a></sup>
</h2>
<div id="outline-text-headline-1" class="outline-text-2">
<p>
When Francis Xavier, the Jesuit missionary, arrived in Japan during the peak of navigation, his catechesis resulted in thousands of conversions, and Catholicism started to spread throughout the country.</p>
<p>
In his letters to his superiors in Rome, Xavier expressed with joy the progress of the apostolate in the Land of the Rising Sun. However, in the same letters, he also complained about the followers of a sect called Zen—which must be the first mention of Zen in Europe. I cannot convert any of that sect&#39;s adepts, Xavier admitted. They show no respect for sacred things, they laugh at everything and make fun of the symbols of our religion, he stated.</p>
<p>
The reason behind Xavier&#39;s failure to convert Zen practitioners was the radical difference between body/mind (or body/soul) relationships in Catholicism and Zen. All Zen practices—Zen is primarily a practice—aim to reach the body/mind fusion point, that alpha state where the distinction—which is seen as an error and an illusion—between the two is no longer possible. They aim, in a way, a spiritualization of the body and an embodiment of the mind and spirit.</p>
<p>
This is very visible in martial arts, judo, kendo, karate, aikido, all of them soaked in Zen. Those who practice martial arts soon learn that the body is not a machine governed by a brilliant commander called mind. When applying a blow, it is clearly felt that the body is thinking. It is impossible not to see the parallels between this experience and the experience of sex which, to be fully realized, requires a moment of total fusion between a body that feels and a mind that directs. You cannot get an erection or an orgasm thinking about tax reform…</p>
<p>
Xavier encountered a major obstacle when attempting to convert the superiors of the Zen sect using the basic phrase &#34;save your soul&#34;. The Zen monks could not understand the concept of the soul as something that people possess, and that it could have a different fate from that of the body, including its adventures, miseries, and splendours. The art of a judoka or a karateka is not just “una cosa mentale”, as Leonardo said about painting. It is essentially unitary, before or after the body/mind dichotomy that surreptitiously pervades all Western thought from Descartes onwards.</p>
<p>
The origin of the divorce from the indissociable is, of course, religious in nature: the mind of Western rationalism is the lay child of the salvageable soul of Christianity. No right to beyond the grave, however. But do not think that something so serious had only philosophical roots in the mind of some isolated thinker. The urban-industrial society, through its imposed work methods, promotes the body/mind dissociation more than any metaphysical treatise.</p>
<p>
It is a force that disintegrates, detribalizes, and atomizes. There is no place in the big factory for the body, expect as a work unit, to experience pleasure or sensory satisfaction. And the soul takes on the new names of “professional qualification”, “specialized training”, abstractions within that immense abstraction that is the anonymous industrial-urban society.</p>
</div>
</div>
<div id="outline-container-headline-2" class="outline-2">
<h2 id="headline-2">
I command, you obey
</h2>
<div id="outline-text-headline-2" class="outline-text-2">
<p>
Slaves and masters. Nobles and servants. Bosses and employees. Technicians and workers. Nothing distinguishes humans from animals more than the division of labor. It is both our strength and our weakness.</p>
<p>
Through the division of labor, humans multiplied their powers over nature at an incredible speed. Just 30,000 years ago, humans had to rely on weapons made of wood, stone, and bone, as well as clothing made from animal skins to survive. However, in this biologically short period of time, we have advanced from wooden spears to computers, electricity, genetic engineering, and nuclear energy. This progress was only possible because humans, in all latitudes, specialized certain groups in specific tasks. Any tiger knows how to do everything any other tiger can do, and nothing more. Every tiger is a whole. We are fragmented. Some people plant, while others sell. Some command, while others obey. Some celebrate religious ceremonies, while others work to build pyramids, temples, and cathedrals.</p>
<p>
Who does not see that the mind/body dichotomy is a projection and a consequence of the division of labor, the division internalized in us? The mind is a metaphor for the ruling class served by the body.</p>
<p>
The division of labor is the true Original Sin, the one that expels us from paradise and launches us into the great adventure of life and the world. The serpent suggests, Eve picks the forbidden fruit, Adam eats it… To integrate mind and body is to return to the paradise that we can only experience in privileged moments: for disintegrated people, paradise is also experienced in the form of a fragment.</p>
<p>
One of the most radical moments in the division of labor is the separation between manual and intellectual work. This division began in the religious world. Priests and farmers, monks and warriors, churchmen and believers, are the remote model of the current division between technicians and theorists in the face of labor.</p>
<p>
Certain religious practices such as fasting, chastity, silence, and the pursuit of physical discomfort have powerfully contributed to accelerating the split between body and mind. It would not be an exaggeration to imagine that the notion of the “soul” was born from these practices where the body is treated as an enemy, a beast that must be tamed, humiliated, and reduced to being a docile mount under the reins of the “Spirit”.</p>
<p>
In the last century, when the nowadays industrial rule began, the figure of the intellectual emerged, the man/mind par excellence, living only in the rarefied atmosphere of the “world of ideas”. With the intellectual, his affines, the technician, the specialist, the thinker…</p>
<p>
However, there is a significant gap between the body and the mind, which can lead to the development of various mental health problems. In the past, these problems were attributed to demons such as Lucifer, Beelzebub, Asmodeus, and Belial. Today, we refer to them as neurosis, paranoia, schizophrenia, mania, anxiety, and other mental health issues. It is crucial to acknowledge that the mind and body are interconnected and should not be separated.</p>
</div>
</div>
<div id="outline-container-headline-3" class="outline-2">
<h2 id="headline-3">
Back to the unit
</h2>
<div id="outline-text-headline-3" class="outline-text-2">
<p>
Returning to lost paradise, the reunion of mind and body cannot even be dreamed of, in full terms. That strange entity that is the human being, that we are, is irremediably split.</p>
<p>
The very exercise of what is called “reason” seems to be linked, flesh and nail, with the dissociation between a half that “thinks” and a body that obeys. We are condemned to reason. But it is this same dissociative ratio that can bring us closer, for enlightened moments, to the lost unity, at some light-year point in space/time.</p>
<p>
We seek this unity in the ludic and erotic practices, in art, sports, love and sex. In these areas of the in-utensil, the life beyond the tyranny of profit and utility. By enjoyment and playing, we are safe, free. And back.</p>
<p>
For Zen, the secret is in everyday life itself. It is necessary to rescue the infinite grandness of simple and “elementary” gestures. Take care of life. Enjoy the minutiae. Do your own laundry. The dishes. Tidy up the house. Make your food. Bathing like someone performing a sacred act. Recover the pleasure of the practice of primary acts. Knowing that being matter, cock and pussy, mouth and stomach, is a dignity and a splendor.</p>
<p>
It takes work.</p>
<p>
But to shine, the stars must burn, until the glorious end.</p>
</div>
</div>
<div class="footnotes">
<hr class="footnotes-separatator">
<div class="footnote-definitions">
<div class="footnote-definition">
<sup id="footnote-1"><a href="#footnote-reference-1">1</a></sup>
<div class="footnote-body">
<p>In Brazilian Portuguese, the noun &#34;mente&#34; (mind) and the verb &#34;mentir&#34; (to lie), in the third person singular of present tense, are homographs and homophones.</p>
</div>
</div>
</div>
</div>
]]></content:encoded></item><item><title>Festa dos incomodados</title><link>https://eternodevir.com/pt-br/palimpsests/festa-dos-incomodados/</link><pubDate>Wed, 12 Feb 2020 00:57:28 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/festa-dos-incomodados/</guid><description>Um incomodado fala sobre seu incômodo. Alguns incomodados concordam, outros incomodados discordam. Na festa, os não incomodados se dividem em dois grupos de incomodados: os que não se incomodam com o incômodo, mas com o fato de existirem tantos incomodados incomodando; e os que não se incomodam com absolutamente nada, com exceção dos não incomodados se incomodando com tantos incomodados, o que, sabidamente, lhes causa um incômodo profundo.
No fim, só não estava incomodado de verdade quem decidiu não ir à festa — o que, com certeza, incomodava muita gente.</description><content:encoded>&lt;p>
Um incomodado fala sobre seu incômodo. Alguns incomodados concordam, outros incomodados discordam. Na festa, os não incomodados se dividem em dois grupos de incomodados: os que não se incomodam com o incômodo, mas com o fato de existirem tantos incomodados incomodando; e os que não se incomodam com absolutamente nada, com exceção dos não incomodados se incomodando com tantos incomodados, o que, sabidamente, lhes causa um incômodo profundo.&lt;/p>
&lt;p>
No fim, só não estava incomodado de verdade quem decidiu não ir à festa — o que, com certeza, incomodava muita gente. Quer dizer, parecia ser assim… pelo menos até perceberem que sequer tinham sido convidados.&lt;/p></content:encoded></item><item><title>Party of the bothered ones</title><link>https://eternodevir.com/palimpsests/party-of-the-bothered-ones/</link><pubDate>Wed, 12 Feb 2020 00:57:28 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/party-of-the-bothered-ones/</guid><description>A bothered person talks about their bother. Some bothered people agree, other bothered people disagree. At the party, the unbothered people are divided into two groups of bothered people: those who are not bothered by the annoyance itself, but by the fact that there are so many bothered people bothering; and those who are not bothered by anything at all, except for the unbothered being bothered by so many bothered people, which is known to cause them deep annoyance.</description><content:encoded>&lt;p>
A bothered person talks about their bother. Some bothered people agree, other bothered people disagree. At the party, the unbothered people are divided into two groups of bothered people: those who are not bothered by the annoyance itself, but by the fact that there are so many bothered people bothering; and those who are not bothered by anything at all, except for the unbothered being bothered by so many bothered people, which is known to cause them deep annoyance.&lt;/p>
&lt;p>
In the end, the only ones truly not bothered were those who decided not to go to the party—which, certainly, bothered a lot of people. That is, it seemed that way… at least until they realized they had not even been invited.&lt;/p></content:encoded></item><item><title>For Street Cinema memories</title><link>https://eternodevir.com/palimpsests/for-street-cinema-memories/</link><pubDate>Sun, 03 Feb 2019 20:36:05 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/for-street-cinema-memories/</guid><description>I do remain with my positions of a third-worldist cinema. An independent cinema from an economic and artistic point of view, which does not let aesthetic creativity disappear in the name of commercial objectivity and political immediacy.
— Glauber Rocha, director
Cinearte Palace, Juiz de Fora, 2017
Glauber Rocha taught me that Cinema Novo had the potential to be a national cinema that was not purely commercial. A place for art, experimentation, transformation, and freedom.</description><content:encoded><![CDATA[<blockquote>
<p>I do remain with my positions of a third-worldist cinema. An independent cinema from an economic and artistic point of view, which does not let aesthetic creativity disappear in the name of commercial objectivity and political immediacy.</p>
<p>
<span class="style-normal">— Glauber Rocha, director</span></p>
</blockquote>
<p>
<figure><img src="/images/palimpsests/2019/image00.jpg"
         alt="Cinearte Palace"/><figcaption>
            <p>Cinearte Palace, Juiz de Fora, 2017</p>
        </figcaption>
</figure>
</p>
<p>
Glauber Rocha taught me that Cinema Novo had the potential to be a national cinema that was not purely commercial. A place for art, experimentation, transformation, and freedom. Each director with their own unique vision, creating a space of resistance to the predetermined and obvious formulas of Hollywood.</p>
<p>
However, it became increasingly difficult to find similar expressions of will, especially with the growing dominance of major US productions in Brazil. The cinema experience was transformed, shifting to large shopping centers, and popular festivals and local productions were put in the background by blockbusters. Despite this, some places for encountering the unknown still resist.</p>
<p>
<figure><img src="/images/palimpsests/2019/image01.jpg"
         alt="Cine Roxy"/><figcaption>
            <p>Cine Roxy, Rio de Janeiro, 2018</p>
        </figcaption>
</figure>
</p>
<p>
In my search for one of these places in Passau, a small town on the border of Germany and Austria, I was fortunate to find a street cinema showing the Brazilian film <a href="https://www.youtube.com/watch?v=GxCOCthjc7o">Corpo Elétrico</a>—which I watched during one of the only two sessions that took place in Juiz de Fora. The feature, by Marcelo Caetano, reminds me of Glauber&#39;s genuine will to create something instigating that, more than understanding, dares to invite us to feel. In the darkness of the emptied rows of that German street cinema, I reaffirmed how surprising and fascinating these spaces are that still encourage diversity and experimentation. After having lived near the last street cinema in Juiz de Fora for seven years, I have never felt so close to home even when so far away.</p>
<p>
<figure><img src="/images/palimpsests/2019/image02.jpg"
         alt="Metropolis"/><figcaption>
            <p>Metropolis, Passau, 2019</p>
        </figcaption>
</figure>
</p>
<p>
<figure><img src="/images/palimpsests/2019/image03.jpg"
         alt="ProLi"/><figcaption>
            <p>ProLi, Passau, 2019</p>
        </figcaption>
</figure>
</p>
<p>
<figure><img src="/images/palimpsests/2019/image04.jpg"
         alt="Regina"/><figcaption>
            <p>Regina, Regensburg, 2019</p>
        </figcaption>
</figure>
</p>
]]></content:encoded></item><item><title>Por memórias de Cinema de Rua</title><link>https://eternodevir.com/pt-br/palimpsests/por-mem%C3%B3rias-de-cinema-de-rua/</link><pubDate>Sun, 03 Feb 2019 20:36:05 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/por-mem%C3%B3rias-de-cinema-de-rua/</guid><description>Continuo fechado com minhas posições de um cinema terceiro-mundista. Um cinema independente do ponto-de-vista econômico e artístico, que não deixe a criatividade estética desaparecer em nome de uma objetividade comercial e de um imediatismo político.
— Glauber Rocha, diretor
Cinearte Palace, Juiz de Fora, 2017
Glauber Rocha me ensinou que o Cinema Novo tinha potencial para ser um cinema nacional que não fosse puramente comercial. Um lugar de arte, experimentação, transformação e liberdade.</description><content:encoded><![CDATA[<blockquote>
<p>Continuo fechado com minhas posições de um cinema terceiro-mundista. Um cinema independente do ponto-de-vista econômico e artístico, que não deixe a criatividade estética desaparecer em nome de uma objetividade comercial e de um imediatismo político.</p>
<p>
<span class="style-normal">— Glauber Rocha, diretor</span></p>
</blockquote>
<p>
<figure><img src="/images/palimpsests/2019/image00.jpg"
         alt="Cinearte Palace"/><figcaption>
            <p>Cinearte Palace, Juiz de Fora, 2017</p>
        </figcaption>
</figure>
</p>
<p>
Glauber Rocha me ensinou que o Cinema Novo tinha potencial para ser um cinema nacional que não fosse puramente comercial. Um lugar de arte, experimentação, transformação e liberdade. Cada diretor com sua visão única, criando um espaço de resistência às fórmulas predeterminadas e óbvias de Hollywood.</p>
<p>
No entanto, tornou-se cada vez mais difícil encontrar expressões de vontade semelhantes, especialmente com o crescente domínio das principais produções norte-americanas no Brasil. A experiência cinematográfica foi transformada, deslocando-se para os grandes centros comerciais, e os cinemas populares e as produções locais foram colocadas em segundo plano pelos blockbusters. Apesar disso, alguns locais de encontro com o desconhecido ainda resistem.</p>
<p>
<figure><img src="/images/palimpsests/2019/image01.jpg"
         alt="Cine Roxy"/><figcaption>
            <p>Cine Roxy, Rio de Janeiro, 2018</p>
        </figcaption>
</figure>
</p>
<p>
Na minha busca por um desses lugares em Passau, pequena cidade na fronteira entre Alemanha e Áustria, tive a sorte de encontrar um cinema de rua exibindo o filme brasileiro <a href="https://www.youtube.com/watch?v=GxCOCthjc7o">Corpo Elétrico</a> — que assisti durante uma das duas únicas sessões que aconteceram em Juiz de Fora. A obra, de Marcelo Caetano, me lembra a vontade genuína de Glauber em criar algo instigante que, mais do que compreender, ousa nos convidar a sentir. Na escuridão das fileiras vazias daquele cinema de rua alemão, reafirmei o quão surpreendentes e fascinantes são estes espaços que ainda incentivam a diversidade e a experimentação. Depois de viver sete anos perto do último cinema de rua de Juiz de Fora, nunca me senti tão perto de casa mesmo estando tão distante.</p>
<p>
<figure><img src="/images/palimpsests/2019/image02.jpg"
         alt="Metropolis"/><figcaption>
            <p>Metropolis, Passau, 2019</p>
        </figcaption>
</figure>
</p>
<p>
<figure><img src="/images/palimpsests/2019/image03.jpg"
         alt="ProLi"/><figcaption>
            <p>ProLi, Passau, 2019</p>
        </figcaption>
</figure>
</p>
<p>
<figure><img src="/images/palimpsests/2019/image04.jpg"
         alt="Regina"/><figcaption>
            <p>Regina, Regensburg, 2019</p>
        </figcaption>
</figure>
</p>
]]></content:encoded></item><item><title>A Sétima</title><link>https://eternodevir.com/pt-br/palimpsests/a-s%C3%A9tima/</link><pubDate>Sun, 02 Dec 2018 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/palimpsests/a-s%C3%A9tima/</guid><description>O momento mais emocionante é quando acrescento o som… Nesse momento, eu estremeço.
— Akira Kurosawa, diretor
Cinearte Palace, Juiz de Fora, 2016
De uns tempos para cá, desenvolvi o hábito revisitar filmes através da trilha sonora. Percebi que muitas das minhas melhores memórias cinematográficas estão inextricavelmente ligadas ao poder da relação audiovisual, especialmente em cenas que estão intimamente ligadas a músicas específicas. A playlist que criei são lembranças dessas memórias.</description><content:encoded><![CDATA[<blockquote>
<p>O momento mais emocionante é quando acrescento o som… Nesse momento, eu estremeço.</p>
<p>
<span class="style-normal">— Akira Kurosawa, diretor</span></p>
</blockquote>
<p>
<figure><img src="/images/palimpsests/2018/image00.jpg"
         alt="Cinearte Palace"/><figcaption>
            <p>Cinearte Palace, Juiz de Fora, 2016</p>
        </figcaption>
</figure>
</p>
<p>
De uns tempos para cá, desenvolvi o hábito revisitar filmes através da trilha sonora. Percebi que muitas das minhas melhores memórias cinematográficas estão inextricavelmente ligadas ao poder da relação audiovisual, especialmente em cenas que estão intimamente ligadas a músicas específicas. A playlist que criei são lembranças dessas memórias.</p>
<p>
As músicas têm a capacidade de se tornar parte integrante da narrativa quando escolhidas com cuidado. Estas escolhas merecem o maior reconhecimento. Às vezes, fortalecem a conexão com uma cena, com um personagem ou até mesmo com o filme como um todo. A sétima arte parece ter essa capacidade antropofágica de absorver à sua maneira as suas antecessoras, resultando em combinações inesquecíveis.</p>
<p>
Dedico esta playlist e lista de filmes ao Cinearte Palace, o último cinema de rua de Juiz de Fora que, tragicamente, encerrou suas atividades em 2017. Esse cinema era mais que um lugar especial; foi um bastião cultural e cinematográfico que resistiu à estagnação comercial. Tenho muitas boas lembranças de lá, algumas das quais compartilho aqui.</p>
<p>

<div style="margin: 25px 0px">

<iframe src="https://open.spotify.com/embed/playlist/7p8v5VBR4dmB66zukdRnNr"
    width="100%"
    height="480"
    frameborder="0"
    allowtransparency="true"
    allow="encrypted-media"></iframe>

</div>
</p>
<pre class="example">
1. Jules et Jim (1962), François Truffaut
2. Hable con ella (2002), Pedro Almodóvar
3. Cidade de Deus (2002), Fernando Meirelles &amp; Kátia Lund
4. The Dreamers (2003), Bernardo Bertolucci
5. Que Horas Ela Volta? (2015), Anna Muylaert
6. Volver (2006), Pedro Almodóvar
7. Deus e o Diabo na Terra do Sol (1964), Glauber Rocha
8. Boi Neon (2015), Gabriel Mascaro
9. Une robe d&#39;été (1996), François Ozon
10. Hotel Chevalier (2007), Wes Anderson
11. Moonrise Kingdom (2012), Wes Anderson
12. Cazuza: O Tempo Não Pára (2004), Walter Carvalho &amp; Sandra Werneck
13. Buena Vista Social Club (1999), Wim Wenders
14. Orfeu Negro (1959), Marcel Camus
15. Ma vie en rose (1997), Alain Berliner
16. Jack et la mécanique du coeur (2013), Stéphane Berla &amp; Mathias Malzieu
17. Scent of a Woman (1992), Martin Brest
18. The Forbidden Dance (1990), Greydon Clark
19. Beetlejuice (1988), Tim Burton
20. Pulp Fiction (1994), Quentin Tarantino
21. Reservoir Dogs (1992), Quentin Tarantino
22. Across the Universe (2007), Julie Taymor
23. Reservoir Dogs (1992), Quentin Tarantino
24. Velvet Goldmine (1998), Todd Haynes
25. Reservoir Dogs (1992), Quentin Tarantino
26. Kôkaku Kidôtai (1995), Mamoru Oshii
27. Trainspotting (1996), Danny Boyle
28. B-Movie: Lust &amp; Sound in West-Berlin 1979-1989 (2015), Jörg A. Hoppe &amp; Heiko Lange
29. T2 Trainspotting (2017), Danny Boyle
30. Manhattan (1979), Woody Allen
31. Dirty Dancing (1987), Emile Ardolino
32. Footloose (1984), Herbert Ross
33. American Psycho (2000), Mary Harron
34. The Crow (1994), Alex Proyas
35. Moonlight (2016), Barry Jenkins
36. Blue Velvet (1986), David Lynch
37. Blue Velvet (1986), David Lynch
38. Walk the Line (2005), James Mangold
39. 2001: A Space Odyssey (1968), Stanley Kubrick
40. Interview with the Vampire (1994), Neil Jordan
41. Le jeune Karl Marx (2017), Raoul Peck
42. Moulin Rouge! (2001), Baz Luhrmann
43. Baby Driver (2017), Edgar Wright
44. Fight Club (1999), David Fincher
45. Donnie Darko (2001), Richard Kelly
46. The Lost Boys (1987), Joel Schumacher
47. Dark Shadows (2012), Tim Burton
48. Zodiac (2007), David Fincher
49. 500 Days of Summer (2009), Marc Webb
50. The Doors: When You&#39;re Strange (2009), Tom DiCillo
51. 20,000 Days on Earth (2014), Iain Forsyth &amp; Jane Pollard
52. Trainspotting (1996), Danny Boyle
53. Her (2013), Spike Jonze
54. La La Land (2016), Damien Chazelle
55. Billy Elliot (2000), Stephen Daldry
56. Into the Wild (2007), Sean Penn
57. Captain Fantastic (2016), Matt Ross
58. Dancer in the Dark (2000), Lars von Trier
59. Léon (1994), Luc Besson
60. Låt den rätte komma in (2008), Tomas Alfredson
61. Whiplash (2014), Damien Chazelle
62. Lilja 4-ever (2002), Lukas Moodysson
63. The Silence of the Lambs (1991), Jonathan Demme
64. Boyhood (2014), Richard Linklater
65. Aquarius (2016), Kleber Mendonça Filho
66. Sonnenallee (1999), Leander Haußmann
67. Beetlejuice (1988), Tim Burton
68. Apocalypse Now (1979), Francis Ford Coppola
69. The Wicker Man (1973), Robin Hardy
70. A Clockwork Orange (1971), Stanley Kubrick
71. Blade Runner (1982), Ridley Scott
72. Apocalypse Now (1979), Francis Ford Coppola
73. Blade Runner (1982), Ridley Scott
</pre>
]]></content:encoded></item><item><title>The Seventh</title><link>https://eternodevir.com/palimpsests/the-seventh/</link><pubDate>Sun, 02 Dec 2018 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/palimpsests/the-seventh/</guid><description>The most exciting moment is the moment when I add the sound… At this moment, I tremble.
— Akira Kurosawa, director
Cinearte Palace, Juiz de Fora, 2016
As of late, I have developed a habit of revisiting films for their soundtracks. I have come to realize that many of my fondest cinematic memories are inextricably linked to the power of the audio-visual relationship, particularly in scenes that are closely tied to specific songs.</description><content:encoded><![CDATA[<blockquote>
<p>The most exciting moment is the moment when I add the sound… At this moment, I tremble.</p>
<p>
<span class="style-normal">— Akira Kurosawa, director</span></p>
</blockquote>
<p>
<figure><img src="/images/palimpsests/2018/image00.jpg"
         alt="Cinearte Palace"/><figcaption>
            <p>Cinearte Palace, Juiz de Fora, 2016</p>
        </figcaption>
</figure>
</p>
<p>
As of late, I have developed a habit of revisiting films for their soundtracks. I have come to realize that many of my fondest cinematic memories are inextricably linked to the power of the audio-visual relationship, particularly in scenes that are closely tied to specific songs. I have compiled this playlist as a remembrance to these memories.</p>
<p>
Songs have the ability to become an integral part of the narrative when chosen carefully. These choices deserve the utmost recognition. At times, they strengthen the connection with a scene, a character, or even the film as a whole. The seventh art seems to have this anthropophagic ability to absorb its predecessors in its own way, resulting in unforgettable combinations.</p>
<p>
I dedicate this playlist and film list to Cinearte Palace, the last street cinema in Juiz de Fora. Tragically, it ended its activities in 2017. Cinearte Palace was more than a special place; it was a cultural and cinematic bastion that resisted commercial doldrums. I have many fond memories there, some of which I am sharing here.</p>
<p>

<div style="margin: 25px 0px">

<iframe src="https://open.spotify.com/embed/playlist/7p8v5VBR4dmB66zukdRnNr"
    width="100%"
    height="480"
    frameborder="0"
    allowtransparency="true"
    allow="encrypted-media"></iframe>

</div>
</p>
<pre class="example">
1. Jules et Jim (1962), François Truffaut
2. Hable con ella (2002), Pedro Almodóvar
3. Cidade de Deus (2002), Fernando Meirelles &amp; Kátia Lund
4. The Dreamers (2003), Bernardo Bertolucci
5. Que Horas Ela Volta? (2015), Anna Muylaert
6. Volver (2006), Pedro Almodóvar
7. Deus e o Diabo na Terra do Sol (1964), Glauber Rocha
8. Boi Neon (2015), Gabriel Mascaro
9. Une robe d&#39;été (1996), François Ozon
10. Hotel Chevalier (2007), Wes Anderson
11. Moonrise Kingdom (2012), Wes Anderson
12. Cazuza: O Tempo Não Pára (2004), Walter Carvalho &amp; Sandra Werneck
13. Buena Vista Social Club (1999), Wim Wenders
14. Orfeu Negro (1959), Marcel Camus
15. Ma vie en rose (1997), Alain Berliner
16. Jack et la mécanique du coeur (2013), Stéphane Berla &amp; Mathias Malzieu
17. Scent of a Woman (1992), Martin Brest
18. The Forbidden Dance (1990), Greydon Clark
19. Beetlejuice (1988), Tim Burton
20. Pulp Fiction (1994), Quentin Tarantino
21. Reservoir Dogs (1992), Quentin Tarantino
22. Across the Universe (2007), Julie Taymor
23. Reservoir Dogs (1992), Quentin Tarantino
24. Velvet Goldmine (1998), Todd Haynes
25. Reservoir Dogs (1992), Quentin Tarantino
26. Kôkaku Kidôtai (1995), Mamoru Oshii
27. Trainspotting (1996), Danny Boyle
28. B-Movie: Lust &amp; Sound in West-Berlin 1979-1989 (2015), Jörg A. Hoppe &amp; Heiko Lange
29. T2 Trainspotting (2017), Danny Boyle
30. Manhattan (1979), Woody Allen
31. Dirty Dancing (1987), Emile Ardolino
32. Footloose (1984), Herbert Ross
33. American Psycho (2000), Mary Harron
34. The Crow (1994), Alex Proyas
35. Moonlight (2016), Barry Jenkins
36. Blue Velvet (1986), David Lynch
37. Blue Velvet (1986), David Lynch
38. Walk the Line (2005), James Mangold
39. 2001: A Space Odyssey (1968), Stanley Kubrick
40. Interview with the Vampire (1994), Neil Jordan
41. Le jeune Karl Marx (2017), Raoul Peck
42. Moulin Rouge! (2001), Baz Luhrmann
43. Baby Driver (2017), Edgar Wright
44. Fight Club (1999), David Fincher
45. Donnie Darko (2001), Richard Kelly
46. The Lost Boys (1987), Joel Schumacher
47. Dark Shadows (2012), Tim Burton
48. Zodiac (2007), David Fincher
49. 500 Days of Summer (2009), Marc Webb
50. The Doors: When You&#39;re Strange (2009), Tom DiCillo
51. 20,000 Days on Earth (2014), Iain Forsyth &amp; Jane Pollard
52. Trainspotting (1996), Danny Boyle
53. Her (2013), Spike Jonze
54. La La Land (2016), Damien Chazelle
55. Billy Elliot (2000), Stephen Daldry
56. Into the Wild (2007), Sean Penn
57. Captain Fantastic (2016), Matt Ross
58. Dancer in the Dark (2000), Lars von Trier
59. Léon (1994), Luc Besson
60. Låt den rätte komma in (2008), Tomas Alfredson
61. Whiplash (2014), Damien Chazelle
62. Lilja 4-ever (2002), Lukas Moodysson
63. The Silence of the Lambs (1991), Jonathan Demme
64. Boyhood (2014), Richard Linklater
65. Aquarius (2016), Kleber Mendonça Filho
66. Sonnenallee (1999), Leander Haußmann
67. Beetlejuice (1988), Tim Burton
68. Apocalypse Now (1979), Francis Ford Coppola
69. The Wicker Man (1973), Robin Hardy
70. A Clockwork Orange (1971), Stanley Kubrick
71. Blade Runner (1982), Ridley Scott
72. Apocalypse Now (1979), Francis Ford Coppola
73. Blade Runner (1982), Ridley Scott
</pre>
]]></content:encoded></item><item><title>AWS Cloud</title><link>https://eternodevir.com/projects/aws-cloud/</link><pubDate>Fri, 13 Jul 2018 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/projects/aws-cloud/</guid><description> Area: cloud Date: 2018-2022
This project involved deploying dynamic websites on AWS, managing network, DNS, snapshots, and system updates on Ubuntu Server instances. To accomplish this, I employed a combination of AWS resources, such as Route 53 and Lightsail, along with remote and security tools. During its operation, I also handled other tasks including WordPress management, content creation, and website design and customization.
Ubuntu Server Route 53 Lightsail CloudWatch Bitnami Wordpress Multisite</description><content:encoded><![CDATA[<p>
<strong>Area</strong>: cloud <br>
<strong>Date</strong>: 2018-2022</p>
<p>
This project involved deploying dynamic websites on AWS, managing network, DNS, snapshots, and system updates on Ubuntu Server instances. To accomplish this, I employed a combination of AWS resources, such as Route 53 and Lightsail, along with remote and security tools. During its operation, I also handled other tasks including WordPress management, content creation, and website design and customization.</p>
<ul>
<li>Ubuntu Server</li>
<li>Route 53</li>
<li>Lightsail</li>
<li>CloudWatch</li>
<li>Bitnami</li>
<li>Wordpress Multisite</li>
</ul>
]]></content:encoded></item><item><title>AWS Cloud</title><link>https://eternodevir.com/pt-br/projects/aws-cloud/</link><pubDate>Fri, 13 Jul 2018 22:07:49 -0300</pubDate><author>Vinícius Moraes</author><guid>https://eternodevir.com/pt-br/projects/aws-cloud/</guid><description> Área: nuvem Data: 2018-2022
Este projeto envolveu a implementação de sites dinâmicos na AWS, gerenciamento de rede, DNS, snapshots e atualização de sistema em instâncias Ubuntu Server. Para isso, utilizei uma combinação de recursos da AWS, como Route 53 e Lightsail, juntamente com ferramentas remotas e de segurança. Durante a operação, também lidei com tarefas de gerenciamento de WordPress, criação de conteúdo e design e personalização de sites.
Ubuntu Server Route 53 Lightsail CloudWatch Bitnami Wordpress Multisite</description><content:encoded><![CDATA[<p>
<strong>Área</strong>: nuvem <br>
<strong>Data</strong>: 2018-2022</p>
<p>
Este projeto envolveu a implementação de sites dinâmicos na AWS, gerenciamento de rede, DNS, snapshots e atualização de sistema em instâncias Ubuntu Server. Para isso, utilizei uma combinação de recursos da AWS, como Route 53 e Lightsail, juntamente com ferramentas remotas e de segurança. Durante a operação, também lidei com tarefas de gerenciamento de WordPress, criação de conteúdo e design e personalização de sites.</p>
<ul>
<li>Ubuntu Server</li>
<li>Route 53</li>
<li>Lightsail</li>
<li>CloudWatch</li>
<li>Bitnami</li>
<li>Wordpress Multisite</li>
</ul>
]]></content:encoded></item></channel></rss>